Sophisticated tale of a married alcoholic who strays in order to rekindle his own inner fire, SOMETHING TO LIVE FOR (1952) has an almost un-American delicacy. A mere advertising man wasting creative talents on shoe campaigns, Ray Milland comes to the rescue of a fellow alcoholic who happens to be a talented actress recovering from an abusive relationship with a narcissistic director. Joan Fontaine gives arguably her best performance as a sensitive soul saved by her love for a married man who's fighting similar demons. Their impossible love nonetheless strengthnes both of them.
Director George Stevens paints an intimate portrait of Manhattan work life and night life, including a beautiful evocation of what Broadway theater used to be. He makes space for Fontaine's vulnerability without going maudlin, and gets Milland to let down his guard as the most skewered of lovers. There's so much to love in the framing and lighting, above all a spontaneity thrillingly incarnated by Fontaine.
The script by Dwight. Taylor is stunning - Romantic but not unrealistic, capturing aspects of the artistic temperament and the human need for love that will inspire artists of all ages.
Director George Stevens paints an intimate portrait of Manhattan work life and night life, including a beautiful evocation of what Broadway theater used to be. He makes space for Fontaine's vulnerability without going maudlin, and gets Milland to let down his guard as the most skewered of lovers. There's so much to love in the framing and lighting, above all a spontaneity thrillingly incarnated by Fontaine.
The script by Dwight. Taylor is stunning - Romantic but not unrealistic, capturing aspects of the artistic temperament and the human need for love that will inspire artists of all ages.