The film disappointed.
Disappointed many. But, first of all, an undisclosed plot. The director, Marina de Van, took on a job that was beyond her. She failed to clearly convey the idea to the viewer, to reveal the content. The film leaves more questions than it answers.
111 minutes I was trying to figure out what's what... But when I realized, I was disappointed. The pretentiousness of the film does not correspond to the content. Figuratively speaking, it turned out to be a loud, but blank shot...
For example, it remains a mystery to me why, after the accident, the heroine stayed with a strange woman? Why didn't her parents bother to take her daughter back home? Why did she imagine her husband in the image of her brother (and already an adult), although she saw him in early childhood and could not know what he looks like now? What's the point in the fact that half of the film Monica Bellucci was plump, as if by leaps and bounds? And many, many more questions...
Disappointed many. But, first of all, an undisclosed plot. The director, Marina de Van, took on a job that was beyond her. She failed to clearly convey the idea to the viewer, to reveal the content. The film leaves more questions than it answers.
111 minutes I was trying to figure out what's what... But when I realized, I was disappointed. The pretentiousness of the film does not correspond to the content. Figuratively speaking, it turned out to be a loud, but blank shot...
For example, it remains a mystery to me why, after the accident, the heroine stayed with a strange woman? Why didn't her parents bother to take her daughter back home? Why did she imagine her husband in the image of her brother (and already an adult), although she saw him in early childhood and could not know what he looks like now? What's the point in the fact that half of the film Monica Bellucci was plump, as if by leaps and bounds? And many, many more questions...