Harrison Bergeron (1995 TV Movie)
7/10
Prescient but somewhat simplistic sci-fi tale of conformity and global elites
10 March 2022
Warning: Spoilers
Based on the 1961 Kurt Vonnegut short story, "Harrison Bergeron" is a made-for-Cable TV movie released on Showtime in 1995. Set in the year 2053, the film presents a dystopian society where equality of intellect is enforced through the use of headbands that "dumb down" the population. The protagonist, Harrison Bergeron, challenges this norm as his exceptional intelligence sets him apart. As the story unfolds, we witness his struggle against a society that demands mediocrity and the control of a hidden elite.

One of the film's strengths lies in its ability to captivate viewers from the start. The opening shot cleverly juxtaposes 1950s cars with a small town high school, instantly immersing us in a future world. The headbands worn by the students serve as a visual clue to the underlying conflict. These devices, initially seen as harmless accessories, turn out to be instruments of intellectual suppression.

The narrative explores the aftermath of a world war and the subsequent "second" American revolution, which aimed to establish equality of intellect as a means of preventing future conflicts. Harrison Bergeron emerges as a direct challenge to this societal mandate due to his exceptionally high IQ. The tension escalates when Harrison is subjected to a doctor's attempt to "dumb him down" through headband adjustments and ultimately proposes a lobotomy-like surgery.

Amidst the seriousness of the film's themes, there are moments of biting satire. One such instance occurs when Harrison visits an illegal "head house" resembling a brothel, where patrons engage in intellectually stimulating discussions instead of physical intimacy. This unexpected twist offers a humorous take on the consequences of enforced mediocrity.

The plot takes a significant turn as Harrison finds himself in a secret facility controlled by elitists who manipulate the population through mind-numbing TV shows. Christopher Plummer's portrayal of John Klaxon, the leader of this fortress, adds depth and intrigue to the narrative. The revelation that Phillipa, a woman from the head house, is an undercover operative in the facility further complicates Harrison's journey.

The film effectively explores the concept of a hidden cabal exerting control over the masses, which proves prescient in today's world.

Harrison Bergeron (the film) is prescient in terms of predicting what is happening today in two major ways.

First, it is not so much that there is a general "dumbing down" of intellect among the general population, but rather a distinct pressure to conform. A corollary of this is that there is a great deal of shaming going on today toward those who refuse to accept a mainstream medical narrative, which demands a "one size fits all" method of health treatment, such as vaccination, and going against it will lead to ostracization. Technology is utilized directly in the form of those headbands to ensure conformity, just as diagnostic tests today mark everyone as infected or not. To reject diagnostic testing can only lead to branding those who reject them as modern-day heretics.

Certainly, the idea that there is large-scale brainwashing going on due to the effects of television viewing can be applied to the present time. But the analogy is only true in a general sense. The "brainwashing" is different from the "mindless entertainment" that the elitists were peddling to the dumbed-down population in Harrison Bergeron. Quite the contrary, the information from the current-day media is not "entertainment" but apparent extremely sophisticated propaganda clothed in unproven scientific theories which the general population cannot possibly penetrate (hence the term "trust the science").

The second way in which the Harrison Bergeron narrative "gets it right" is the positing of the existence of a global elite controlling the masses, utilizing propaganda to instill the notion of the "greater good" as a means of social control. But again, there's a difference between the film and our current situation. The population in the film has no idea they are being controlled by an elite group. But when Harrison makes them aware, no one cares (this is why Harrison ends up in despair and kills himself). Today, the general population is actually aware of an "elite" which they refer to as "the science" and put up on a pedestal. If there is any "dumbing down" going on today, it is more in the realm of trusting "expert opinion," in which there is no desire to ask any questions of those who control the narrative.

In the climax, Harrison rebels by exposing the secret cabal on live TV, attempting to awaken the general population to their manipulation. However, his efforts prove futile as only a small fraction of viewers notice the anomaly on their screens. The film's comic tone is overshadowed by a tragic ending when Harrison takes his own life, highlighting the despair of his realization.

It is worth noting that while the film's themes resonate with the present, the specific portrayal of brainwashing and mindless entertainment differs from today's reality. Contemporary media delivers sophisticated propaganda disguised as unproven scientific theories, leading to a lack of critical thinking among the general population.

Furthermore, Harrison's division between the "creative" and the "uncreative" fails to fully translate to our context. Presently, creativity is encouraged as long as it aligns with the mainstream medical narrative. Those who challenge this narrative find their creative endeavors dismissed, yet the characters lacking appreciation for art in "Bergeron" remain underdeveloped.

Despite these nuanced differences, "Harrison Bergeron" remains thought-provoking and commendable in its analysis of potential societal trends. By exploring the pressures of conformity and the control wielded by a hidden elite, the film urges viewers to reflect on our own world and the dangers of intellectual suppression.
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