In the latest Pixar movie, Rosalie Chiang voice a 12-year-old girl in Toronto in 2002. She is the daughter of a tiger mother, has nervous breakdowns when she comes in second in spelling bees, and is securely under the thumb of her mother -- voiced by Sandra Oh -- although she adores a boy band, of which her mother severely disapproves. But being at that age, she finds a change in her body: under great emotional stress, she turns into a giant red panda. This turns out to be true of all the women in her family.
In what may be described as 'fantasy autobiography' -- the director was born in China, moved to Canada at 2, and was twelve for most of 2002 -- we see the expected Pixar combination of technical excellence -- the red panda looks like a plush doll, with every one of its million or two hairs carefully drawn -- and story telling. It hews a little too closely between its literal and figurative meaning -- we're dealing with menarche in some form -- with jokes about her mother bringing tampons and similar products to school, embarrassing the protagonist. But I laughed out loud and leaked some tears, and what more can you demand of any movie?
In what may be described as 'fantasy autobiography' -- the director was born in China, moved to Canada at 2, and was twelve for most of 2002 -- we see the expected Pixar combination of technical excellence -- the red panda looks like a plush doll, with every one of its million or two hairs carefully drawn -- and story telling. It hews a little too closely between its literal and figurative meaning -- we're dealing with menarche in some form -- with jokes about her mother bringing tampons and similar products to school, embarrassing the protagonist. But I laughed out loud and leaked some tears, and what more can you demand of any movie?