Assayas remakes his 1996 cult classic into a long form cheeky essay on the machinations of the film world. Here he is able to delve deeper into the characters, most notably the ticking time bomb mind of the box-office American disillusioned star, Mira (Alicia Vikander having fun with her Tomb Raider popularity status). Mira travels to France to take on the role of Irma Vep in the modern remake of Les vampires. What seems to be an easy role, and a good excuse to be in France, ends up being more than what Mira has bargained for. There is enough mystic on the character only after episode 1, giving the viewer a reason to come back for further Mira encounters of the strange kind.
There is also the director, René Vidal, (Vincent Macaigne having a neurotic time of his life). The director had only a minor part in the film version, but in this series it seems that there will be plenty of time to slowly roast the hapless director with a breakdown of artistic proportions that only Assayas can pull off (and enjoy at the same time).
Yes, there are cliche characters, but as someone who works in the film industry, they do exist. With Assayas at the helm, it is going to be one super-duper ride into the disintegrating minds of the filmmakers as reality clashes with the surreal film world. So let's all sit back, and watch the madness unfold...
There is also the director, René Vidal, (Vincent Macaigne having a neurotic time of his life). The director had only a minor part in the film version, but in this series it seems that there will be plenty of time to slowly roast the hapless director with a breakdown of artistic proportions that only Assayas can pull off (and enjoy at the same time).
Yes, there are cliche characters, but as someone who works in the film industry, they do exist. With Assayas at the helm, it is going to be one super-duper ride into the disintegrating minds of the filmmakers as reality clashes with the surreal film world. So let's all sit back, and watch the madness unfold...