In 2007, Ka-Fai Wai wrote and co-directed, along with his much more internationally-famous colleague Johnnie To, the absurd crime thriller "Mad Detective", one of my all-time favourite films.
Now, after a 13-year absence from directing, Ka-Fai Wai is back, this time without Johnnie To or To's production company Milky Way, but with a film that seems like a new riff on "Mad Detective", almost a sequel. Ching Lan Wau is back, playing again an insane detective with some apparently supernatural crime-solving abilities lying underneath his madness.
It might sound derivative of the former film, but Detective vs Sleuths has some new tricks up its sleeve, and it honestly feels extremely fresh. Its twisty plot comes together beautifully in the end, the action scenes are some of the best in recent memory, and Ching Lan Wau's performance is bloody brilliant. His antics are crowd-pleasingly hilarious, but it never undermines the film's commitment to its increasingly outrageous narrative.
This film feels like a throw-back, to a level of creativity in Asian cinema that was much more common in the 2000s than what we've seen in the last decade. Certainly, I enjoyed this more than anything Johnnie To has directed since "Mad Detective". That film inspired me to check out more of Johnnie To's work, but now I'm realizing that Ka-Fai Wai deserves equal attention, and I'm very glad he's back after such a long absence.
Now, after a 13-year absence from directing, Ka-Fai Wai is back, this time without Johnnie To or To's production company Milky Way, but with a film that seems like a new riff on "Mad Detective", almost a sequel. Ching Lan Wau is back, playing again an insane detective with some apparently supernatural crime-solving abilities lying underneath his madness.
It might sound derivative of the former film, but Detective vs Sleuths has some new tricks up its sleeve, and it honestly feels extremely fresh. Its twisty plot comes together beautifully in the end, the action scenes are some of the best in recent memory, and Ching Lan Wau's performance is bloody brilliant. His antics are crowd-pleasingly hilarious, but it never undermines the film's commitment to its increasingly outrageous narrative.
This film feels like a throw-back, to a level of creativity in Asian cinema that was much more common in the 2000s than what we've seen in the last decade. Certainly, I enjoyed this more than anything Johnnie To has directed since "Mad Detective". That film inspired me to check out more of Johnnie To's work, but now I'm realizing that Ka-Fai Wai deserves equal attention, and I'm very glad he's back after such a long absence.