For the time , it is an extremely violent film, Tarentino-like style ,with plenty of murders and rapes ; the director knows only one tempo :accelerated ,and Helmut Berger ,who had not forgotten his master Visconti's lessons is fascinating,terrifying ,almost without overplaying . His opponent , the cop played by Richard Harrison (in the sixties a habitué of sword and sandals and eurospy cheap flicks),is not really up to scratch opposite him ;the same can be said of ill-fated Marisa Mell .
This thriller includes melodrama elements : the killer's sister and the cop's father and young sister are involved ;but it's Berger who saves the film :cold,sadistic to the umpteenth degree , ruthless; too bad he never found another Visconti because he deserved better.
This thriller includes melodrama elements : the killer's sister and the cop's father and young sister are involved ;but it's Berger who saves the film :cold,sadistic to the umpteenth degree , ruthless; too bad he never found another Visconti because he deserved better.