The wood doors of apartment of Lydia. This is the emblematic image for me , a sort of reflection of the two stories of lost and try to help each to other , about profound loneliness and about effort to escape from yourself.
Romy Schneider is most beautiful than other occasions and you feel the story of her character as a personal one of herself.
The dialogue is the force structure of this strange and necessary connection between two strangers looking for reasonable solutions to the lost, in different forms, of the closed other.
In many scenes, the film, story, dialogue seems incomprehensible. Maybe it is only the sin to be part of different periods and our victorious pragmatic perspective.
A film about opened and closed wood doors . The dance of a chimpanzee and a pink poodle , few drops of Fellini and a lost, again and again, bag. And, sure, the way to Caracas.
Romy Schneider is most beautiful than other occasions and you feel the story of her character as a personal one of herself.
The dialogue is the force structure of this strange and necessary connection between two strangers looking for reasonable solutions to the lost, in different forms, of the closed other.
In many scenes, the film, story, dialogue seems incomprehensible. Maybe it is only the sin to be part of different periods and our victorious pragmatic perspective.
A film about opened and closed wood doors . The dance of a chimpanzee and a pink poodle , few drops of Fellini and a lost, again and again, bag. And, sure, the way to Caracas.