...from Paramount Pictures and director Cecil B. DeMille. During the War of 1812, New Orleans-based privateer Jean Lafitte (Fredric March) struggles to organize the pirates and outlaws of the bayou into a fighting force for the United States against the British forces. Also featuring Evelyn Keyes in her debut.
I've seen the 1958 remake with Yul Brynner a few times. That one was directed by Anthony Quinn, with an ailing C. B. DeMille supervising. So I can't help but compare the two. The '58 version isn't any kind of high art, but I enjoyed it for what it was. This version seems like a tamer, less energetic version. March seems to be having fun with his hammy French accent, although his dialogue isn't as grating as Tamiroff's tireless mugging. Brennan wears his best Daniel Boone outfit, but not his false teeth. I'm not familiar with Hugh Sothern, the raw-boned older gentleman playing Andrew Jackson, but he pales in comparison to Charlton Heston's scenery chewing turn in the later version.
Forgotten Hungarian star Franciska Gaal made her American movie debut here. She's somewhat charming at times, but her characterization gets tiresome. She'd only make two more US movies before heading back to Europe. In the end, I found this overlong, corny, loud, entertaining in bits, but overall too clunky and lacking in pace and focus. It earned an Oscar nomination for Best Cinematography. This is in black and white, but one scene was tinted green.
I've seen the 1958 remake with Yul Brynner a few times. That one was directed by Anthony Quinn, with an ailing C. B. DeMille supervising. So I can't help but compare the two. The '58 version isn't any kind of high art, but I enjoyed it for what it was. This version seems like a tamer, less energetic version. March seems to be having fun with his hammy French accent, although his dialogue isn't as grating as Tamiroff's tireless mugging. Brennan wears his best Daniel Boone outfit, but not his false teeth. I'm not familiar with Hugh Sothern, the raw-boned older gentleman playing Andrew Jackson, but he pales in comparison to Charlton Heston's scenery chewing turn in the later version.
Forgotten Hungarian star Franciska Gaal made her American movie debut here. She's somewhat charming at times, but her characterization gets tiresome. She'd only make two more US movies before heading back to Europe. In the end, I found this overlong, corny, loud, entertaining in bits, but overall too clunky and lacking in pace and focus. It earned an Oscar nomination for Best Cinematography. This is in black and white, but one scene was tinted green.