A Woman Kills (1968)
6/10
Lost and now back
22 February 2023
Warning: Spoilers
Everal sex workers have been killed and the populace is in a panic as a serial killer is on the loose. Then, a woman named Hélène Picard is executed for the crimes, yet within a few weeks, they start all over again as a mysterious woman is seen with the victims moments before they are killed. Meanwhile, the man who executed Hélène, Louis Guilbeau (Claude Merlin) begins a relationship with the woman who arrested her, Solange (Solange Pradel), yet he may not be who he claims to be.

A Woman Kills was directed by Jean-Denis Bonan, who was dealing with censors being enraged by his first short film, A Season for Mankind, which meant that producer Anatole Dauman was unable to find distribution for the film for 45 years until Luna Park Films brought it back to life in a new restoration.

What emerges is a film at the center of arthouse and grindhouse, yet leaning to the former. It has the POV shots of a slasher, yet the look and feel of the French New Wave mixed with German expressionism all with a short running time and a soundtrack that makes the whole thing feel ill at ease. In short, I loved it, a film that presents how the thriller or krimi may have become a genre of its own - in an alternate timeline - in France instead of Italy.

Look for a Jean Rollin in a small role!
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