Warner Bros. Spared no expense in making their mark in the western genre. Errol Flynn plays a former soldier of fortune newly arrived to Dodge City, a town envisioned as the ideal family destination that's become a Mecca of licentiousness, ruled by a smooth-talking murderer (Bruce Cabot), who buys cattle on credit and has his backers killed when they try to collect.
Flynn reluctantly becomes Sheriff to clean the place up. Alan Hale as Flynn's sidekick provides a tonic of comic relief. The film has tonal shifts from happy-go-lucky to tragic, and doesn't pause to catch its breath. There are three great action set pieces: a cattle stampede, a saloon brawl that escalates to near-comic proportions, and a spectacular train hijacking sequence, all staged with virtuosity by director Michael Curtiz. Olivia De Havilland plays a well-bred miss who blames Flynn for the death of her brother. But, to no one's surprise, the two end up falling in love.
You quickly get past Flynn's posh accent, and with his dashing leading man persona, he makes for a believable cowboy. Ann Sheridan's part as a dance-hall entertainer is terribly underwritten, and barely worth mentioning. The color photography is stunning, even if the themes are black and white. Still, I found Dodge City thoroughly enjoyable.
In the film's introduction on Turner Classic Movies, Ben Mankiewicz had as a guest Alan K. Rode, a Michael Curtiz biographer. Mr. Rode said Flynn's agent was opposed to him doing Dodge City because he felt Flynn was not a good fit for a quintessentially American genre as a western. And De Havilland wasn't happy because she wanted to be working and preparing for Gone with the Wind.
Flynn reluctantly becomes Sheriff to clean the place up. Alan Hale as Flynn's sidekick provides a tonic of comic relief. The film has tonal shifts from happy-go-lucky to tragic, and doesn't pause to catch its breath. There are three great action set pieces: a cattle stampede, a saloon brawl that escalates to near-comic proportions, and a spectacular train hijacking sequence, all staged with virtuosity by director Michael Curtiz. Olivia De Havilland plays a well-bred miss who blames Flynn for the death of her brother. But, to no one's surprise, the two end up falling in love.
You quickly get past Flynn's posh accent, and with his dashing leading man persona, he makes for a believable cowboy. Ann Sheridan's part as a dance-hall entertainer is terribly underwritten, and barely worth mentioning. The color photography is stunning, even if the themes are black and white. Still, I found Dodge City thoroughly enjoyable.
In the film's introduction on Turner Classic Movies, Ben Mankiewicz had as a guest Alan K. Rode, a Michael Curtiz biographer. Mr. Rode said Flynn's agent was opposed to him doing Dodge City because he felt Flynn was not a good fit for a quintessentially American genre as a western. And De Havilland wasn't happy because she wanted to be working and preparing for Gone with the Wind.