This western from the Republic is a good surprise. First for the character played by John Wayne, a pharmacist, who doesn't fire a single shot during the whole film and doesn't kill anybody. So he is not a typical John Wayne. Then the story, which cleverly mixes John Wayne's uneasy relationship with the titular villain, Albert Dekker (who tends to squint a bit too much), as they both covet Binnie Barnes, one unknowingly, the other very ostensibly. Then the arrival of the gold discovered in California and the madness that goes with it will change the game. The villain remains the villain of course.
Note that it is co-written by three writers, including two women. One of them having been a gagman at Universal (Frances Hyland). The comic relief is provided by Edgar Kennedy and Patsy Kelly, who are not subtle, but who contribute to the originality of this western.
The whole thing is mounted with rhythm where things happen quickly, without any dead time. With multiple settings. To serve these different plots, where everything is guessed, the film is conducted with efficiency by combining entertainment and dynamism.
Note that it is co-written by three writers, including two women. One of them having been a gagman at Universal (Frances Hyland). The comic relief is provided by Edgar Kennedy and Patsy Kelly, who are not subtle, but who contribute to the originality of this western.
The whole thing is mounted with rhythm where things happen quickly, without any dead time. With multiple settings. To serve these different plots, where everything is guessed, the film is conducted with efficiency by combining entertainment and dynamism.