As if Salim wasn't enough, the actor gets a fight to the finish line by a completely new talent, Or by new talents. For Fenar Ahmad has a commendable ability to spot fresh faces and perhaps also looks into an undergrowth, which not many other Danish directors look into.
Soheil Bavi is seen as the icy Muhdir, who is making his Danish debut here and is Danish, but trained as an actor in Iran. And also young Ahmad Ayman as Diddi must be mentioned as an interesting type who has something to offer in terms of acting.
At the same time, he knows how to utilize the Copenhagen locations, so that they have an international format as backdrops. Rarely has our capital looked so grimly delicious. So much so that you often completely forget that it is Copenhagen. And that is meant to be positive.
Fenar Ahmad has a thing for using Danish street rappers in his film, first Gilli, then Branco and this time Noah Carter.
The action scenes were better filmed in the first movie. More lively than in this one.
Do I want a 3? No, in my opinion there is nothing more to tell.
Soheil Bavi is seen as the icy Muhdir, who is making his Danish debut here and is Danish, but trained as an actor in Iran. And also young Ahmad Ayman as Diddi must be mentioned as an interesting type who has something to offer in terms of acting.
At the same time, he knows how to utilize the Copenhagen locations, so that they have an international format as backdrops. Rarely has our capital looked so grimly delicious. So much so that you often completely forget that it is Copenhagen. And that is meant to be positive.
Fenar Ahmad has a thing for using Danish street rappers in his film, first Gilli, then Branco and this time Noah Carter.
The action scenes were better filmed in the first movie. More lively than in this one.
Do I want a 3? No, in my opinion there is nothing more to tell.