On the one hand, as someone who has never gambled once in her life, this is low-key fascinating as it offers a glimpse into a world unknown to me. On the other hand, ill-advised, habit-forming, and kind of filthy as the vice is, I feel unclean even watching, like I may as well be watching people live in perpetual clouds of cigarette smoke and brush their teeth with nicotine. And on still another hand, 'La baie des anges,' or 'Bay of angels,' initially comes off as so direct - protagonist Jean's whole outlook changes after the very first time that he plays roulette - that the picture almost recalls exploitation flicks like 1936's 'Reefer madness' or 1954's 'Girl gang'; you know, the type of feature that posits a single puff of marijuana leads immediately to hard drugs and violent crime. Of course, it may be just as true that this is simply a drama that happens to center gambling, though I don't think the alternate perspectives are ameliorated by the fact that Jeanne Moreau, only 35 years old at the time this was released, is made to look significantly older in 1963 than she did in features released just before or even a few years after this. In any case, the movie is fantastically well made all around, and solidly engaging.
I don't know what is more rich and flavorful about this: Jacques Demy's direction, Jean Rabier's cinematography, Anne-Marie Cotret's editing, or Michel Legrand's original music. There's a smart dexterity to each of these facets that comes off as lightheartedness as they shape the film, and I wonder if they aren't the chief highlights above even the storytelling. With that said, Demy penned an engrossing narrative as Jean gets completely sucked into the gambling lifestyle alongside hopeless addict Jackie. The scene writing and dialogue is superb, and rather entrancing as the tale progresses. Above all, the two chief characters are complicated and intriguing in their shared ordeal, and the real focal point of both the writing and the picture as a whole. Jean and Jackie's personalities, and they way they're lit on fire by gambling, are the primary fuel for the proceedings, and I could stand for 'La baie des anges' to be longer than it is just on their account. To that same point, Claude Mann and especially Moreau give excellent performances befitting the variable dynamics of that central relationship and all that the pair go through, and it's a real pleasure as a viewer just to watch them ply their trade.
I can't say that this is perfect, as the ending is a tad too curt for my tastes, not to mention overly neat and clean; the cinematic journey isn't as entirely satisfying as it could have been if the destination weren't so close to where we began. Even setting that aside, for as well made as this is, there's no singular stroke of brilliance at any point, and the feature is never so captivating (let alone impactful) as to demand viewership. Yet for however much one may him and haw about the particulars, by and large this remains an enjoyable, very worthwhile viewing experience. It's a fine credit to all involved, including those behind the scenes, and ultimately a classic that deserves remembrance and recognition. I don't think there's any need to go out of one's way for it, but whether one is a big fan of someone involved or just looking for a good movie, as far as I'm concerned 'La baie des anges' is well worth checking out.
I don't know what is more rich and flavorful about this: Jacques Demy's direction, Jean Rabier's cinematography, Anne-Marie Cotret's editing, or Michel Legrand's original music. There's a smart dexterity to each of these facets that comes off as lightheartedness as they shape the film, and I wonder if they aren't the chief highlights above even the storytelling. With that said, Demy penned an engrossing narrative as Jean gets completely sucked into the gambling lifestyle alongside hopeless addict Jackie. The scene writing and dialogue is superb, and rather entrancing as the tale progresses. Above all, the two chief characters are complicated and intriguing in their shared ordeal, and the real focal point of both the writing and the picture as a whole. Jean and Jackie's personalities, and they way they're lit on fire by gambling, are the primary fuel for the proceedings, and I could stand for 'La baie des anges' to be longer than it is just on their account. To that same point, Claude Mann and especially Moreau give excellent performances befitting the variable dynamics of that central relationship and all that the pair go through, and it's a real pleasure as a viewer just to watch them ply their trade.
I can't say that this is perfect, as the ending is a tad too curt for my tastes, not to mention overly neat and clean; the cinematic journey isn't as entirely satisfying as it could have been if the destination weren't so close to where we began. Even setting that aside, for as well made as this is, there's no singular stroke of brilliance at any point, and the feature is never so captivating (let alone impactful) as to demand viewership. Yet for however much one may him and haw about the particulars, by and large this remains an enjoyable, very worthwhile viewing experience. It's a fine credit to all involved, including those behind the scenes, and ultimately a classic that deserves remembrance and recognition. I don't think there's any need to go out of one's way for it, but whether one is a big fan of someone involved or just looking for a good movie, as far as I'm concerned 'La baie des anges' is well worth checking out.