Cop Regis Toomey returns the ten grand to Gerald Mohr and arrests him. In return, Mohr kills him. Some time later, police lieutenant Scott Brady wants Alexis Smith, Toomey's daughter to help him crack open a drug ring and clear the whispers about her father. She goes undercover on a path to leads to doctor Edmon Ryan.
It's a melodramatic and foolish movie, one I never found very engrossing, although Royal Dano, in his movie debut, gives a fine performance as an obvious hophead who's always looking for a score of any sort. There's nothing obviously wrong about any of it, except that everyone's motivations get in the way of any sort of accomplishment, from Ryan's lust for Miss Smith, to Miss Smith's quest for vengeance against whoever it was that killed her father, to Brady's lust for Miss Smith. It makes one admire Mohr, who at least knows what he's in the dirty business for. Neither is the dialogue ever particularly surprising. Cinematographer Carl Guthrie gets in some nice compositions, but they're not enough to lift this out of the ordinary.
It's a melodramatic and foolish movie, one I never found very engrossing, although Royal Dano, in his movie debut, gives a fine performance as an obvious hophead who's always looking for a score of any sort. There's nothing obviously wrong about any of it, except that everyone's motivations get in the way of any sort of accomplishment, from Ryan's lust for Miss Smith, to Miss Smith's quest for vengeance against whoever it was that killed her father, to Brady's lust for Miss Smith. It makes one admire Mohr, who at least knows what he's in the dirty business for. Neither is the dialogue ever particularly surprising. Cinematographer Carl Guthrie gets in some nice compositions, but they're not enough to lift this out of the ordinary.