The standout performance here is Gemma Whelan's -- very real, memorably so, and, if you'll forgive the cliché, brave. (Reminded me of Lorraine Stanley, similarly brilliant in "London to Brighton.") I'm always impressed when an actress who, on the evidence of photos, normally looks clever and pretty can play a character as fat, dumb, weak, and unattractive as Shannon Matthews (and can make her genuinely interesting).
Among the remarkably unappealing folk of Moorside (coarse, creepy, loutish-looking men, pulpy obese women, all speaking in almost unintelligible Yorkshire accents), the neighbor played by Siân Brooke, relatively slim, soft-spoken, and beautiful, stuck out like another species. I admit to finding her the most sympathetic character in the drama.
However, the story's heroine is clearly supposed to be Julie Bushby, the self-appointed community leader, played by Sheridan Smith. She struck me as somewhat obnoxious and self-important in the first episode, and I was pleased to see her taken down a peg, if only briefly, in the second.
The way she rallied the neighborhood on behalf of the missing girl seemed useless and rather ridiculous -- parades, candlelight vigils, singalongs, etc. -- but maybe the Moorsiders actually went in for such virtue-signaling stunts. At one point episode 2 actually has them singing Kumbaya.
This drama was marred, for me, by a few scenes of horribly contrived preachiness and exposition, especially one in which Brooke and Smith discuss pedophilia. The dialogue seemed totally fake. (It was also marred, in places, by sloppy editing, such as a scene between four women in a car that focuses so disproportionately on three of them that you wonder if the fourth, played by the ubiquitous Siobhan Finneran, is even in the car with them.)
The biggest surprise, for me, was how pleasant, or at least not shabby and ugly, the Moorside council estate is. While the individual houses are crowded together, as in any development, they look, at least on the outside, fairly attractive -- quite a contrast to the multilevel council flats one sees in many movies.
Among the remarkably unappealing folk of Moorside (coarse, creepy, loutish-looking men, pulpy obese women, all speaking in almost unintelligible Yorkshire accents), the neighbor played by Siân Brooke, relatively slim, soft-spoken, and beautiful, stuck out like another species. I admit to finding her the most sympathetic character in the drama.
However, the story's heroine is clearly supposed to be Julie Bushby, the self-appointed community leader, played by Sheridan Smith. She struck me as somewhat obnoxious and self-important in the first episode, and I was pleased to see her taken down a peg, if only briefly, in the second.
The way she rallied the neighborhood on behalf of the missing girl seemed useless and rather ridiculous -- parades, candlelight vigils, singalongs, etc. -- but maybe the Moorsiders actually went in for such virtue-signaling stunts. At one point episode 2 actually has them singing Kumbaya.
This drama was marred, for me, by a few scenes of horribly contrived preachiness and exposition, especially one in which Brooke and Smith discuss pedophilia. The dialogue seemed totally fake. (It was also marred, in places, by sloppy editing, such as a scene between four women in a car that focuses so disproportionately on three of them that you wonder if the fourth, played by the ubiquitous Siobhan Finneran, is even in the car with them.)
The biggest surprise, for me, was how pleasant, or at least not shabby and ugly, the Moorside council estate is. While the individual houses are crowded together, as in any development, they look, at least on the outside, fairly attractive -- quite a contrast to the multilevel council flats one sees in many movies.