Far, far better than DIABOLIQUE remake (1997). Tuesday and Joanne worked well together, and kept their ultimatums hidden, sort of. Cleverly nuanced with sharp and intelligent plot movement. And Sammy got what he deserved, or did he? The special effects near the end reveal how to do it without state-of-the-art special effect machinery. Well, it is television. And the Ending, The Real Ending, one that had been criticized some in its day, is beaut. Had this flick as a strong 8, but made it a 9, cuz of that very provocative, and highly shaded piano playing upstairs. Forgot what piece it was, though. Listen closely.
Review of Reflections of Murder
