(1953) The Wild Geese/ Gan
(In Japanese with English subtitles)
DRAMA/ CHARACTER STUDY
Adapted from the novel by Ogai Mori, that has an elder lady, Oshige attempting to set up a single and rather young, Otama (Hideko Takamine) with a date with her loan shark, in exchange for him to forgive the loan. At the same time Oshige continues to remind her that her impoverished dad's health is waning, and at some point may not be able to continue to sell penny candy anymore. By the time, Oshige manages to convince Otami for a meet and greet, it turns out, he Suezô, (Eijirô Tôno) is a much older man, and that his occupation is really a money lender, often loathed by the community because of his interest rates. Contradicting what was told to her about him, that he owns a kimono shop, and that despite having him having children, he has no wife at all because she is deceased. Otami, of course eventually finds out about this after already accepting lavish gifts and a better home, including a housekeeper. She also finds out that her dad also knows about it as well, but chose not to say anything, she at this point begin to accept the term of her being his "mistress". Creating conflict within herself as she becomes accustomed to be attracted to a student who walks past her house daily, we find out he is a student, Mr Okada (Hiroshi Akutagawa) studying to be a doctorate. And he too depends on the loan shark, Suezô, some people often call "the master".
What I like about this movie is it's subtleties in terms of it's approach that does not need to be graphic, but is shown instead many implications, both from Otama's point of view as well as her father to other's that have their own selfish reasons the reason why some have done the things each of them have done.
Adapted from the novel by Ogai Mori, that has an elder lady, Oshige attempting to set up a single and rather young, Otama (Hideko Takamine) with a date with her loan shark, in exchange for him to forgive the loan. At the same time Oshige continues to remind her that her impoverished dad's health is waning, and at some point may not be able to continue to sell penny candy anymore. By the time, Oshige manages to convince Otami for a meet and greet, it turns out, he Suezô, (Eijirô Tôno) is a much older man, and that his occupation is really a money lender, often loathed by the community because of his interest rates. Contradicting what was told to her about him, that he owns a kimono shop, and that despite having him having children, he has no wife at all because she is deceased. Otami, of course eventually finds out about this after already accepting lavish gifts and a better home, including a housekeeper. She also finds out that her dad also knows about it as well, but chose not to say anything, she at this point begin to accept the term of her being his "mistress". Creating conflict within herself as she becomes accustomed to be attracted to a student who walks past her house daily, we find out he is a student, Mr Okada (Hiroshi Akutagawa) studying to be a doctorate. And he too depends on the loan shark, Suezô, some people often call "the master".
What I like about this movie is it's subtleties in terms of it's approach that does not need to be graphic, but is shown instead many implications, both from Otama's point of view as well as her father to other's that have their own selfish reasons the reason why some have done the things each of them have done.