Joint direction by Marcelo Marchesi and Vittorio Metz, neither name familiar to me - but then, not being Italian and never having lived in Italy, there is a great deal I do not know about its cinema, apart from its neorealist period.
LO SAI CHE I PAPAVERI is now better known as a song than as a movie, but there are some charming aspects to this film, notably the beauty and freshness of Annamaria Ferrero, as a very young student enamored of her teacher/male lead Walter Chiari. The latter's imitation of ducks of various ages remains one of the film's high points.
Other than that, nice spoof of psychiatry - then very much in vogue in Italy - suggesting a Dr Jekyll % Mr Hyde personality in Chiari... but it left me baffled as to whether the taciturn teacher getting ready to marry and the night club-frequenting boisterous fellow who kisses Ferrero are the same man.
Interesting angle on how night clubs make money by selling everything - including photos taken by demi-clad beauties - at exorbintant prices.
The oddball, zany script is helped by competent cinematography by Riccardo Pallotini... but it still made no sense to me, despite the funny bunch of gargoyle-like drug dealers at the night club, and other hilarious moments. 6/10.
LO SAI CHE I PAPAVERI is now better known as a song than as a movie, but there are some charming aspects to this film, notably the beauty and freshness of Annamaria Ferrero, as a very young student enamored of her teacher/male lead Walter Chiari. The latter's imitation of ducks of various ages remains one of the film's high points.
Other than that, nice spoof of psychiatry - then very much in vogue in Italy - suggesting a Dr Jekyll % Mr Hyde personality in Chiari... but it left me baffled as to whether the taciturn teacher getting ready to marry and the night club-frequenting boisterous fellow who kisses Ferrero are the same man.
Interesting angle on how night clubs make money by selling everything - including photos taken by demi-clad beauties - at exorbintant prices.
The oddball, zany script is helped by competent cinematography by Riccardo Pallotini... but it still made no sense to me, despite the funny bunch of gargoyle-like drug dealers at the night club, and other hilarious moments. 6/10.