Bruno Dumont tells the story of a television journalist and presenter. To show us what goes on behind the scenes, the way these journalists operate, their lack of humanity, the staging, their selfishness despite the showcase they present. But also the character of Léa Seydoux, who carries the film, whom Bruno Dumont paints with her contradictions, her complexities, her changing moods. This makes the character almost endearing, not at all monolithic, which we as viewers can't judge, given the number of contradictions in her character.
The mix of professional and amateur actors works perfectly, providing a real anchor that gives density to the subject.
We can only admit that the strings are thick: the film is devoid of subtlety. This is always the case with Bruno Dumont. But the trick with the laptop resting on the joystick that plays the commentary is really a screenwriter's trick, not believable for a second. This penalizes the film as a whole.
It's worth noting that all Léa Seydoux's scenes with her husband, Benjamin Biolay, are the best in the film, whether as a couple or in a group with other people.
All in all, Bruno Dumont gets his messages and criticisms across well, while inviting reflection in which not everything is black and white.
The mix of professional and amateur actors works perfectly, providing a real anchor that gives density to the subject.
We can only admit that the strings are thick: the film is devoid of subtlety. This is always the case with Bruno Dumont. But the trick with the laptop resting on the joystick that plays the commentary is really a screenwriter's trick, not believable for a second. This penalizes the film as a whole.
It's worth noting that all Léa Seydoux's scenes with her husband, Benjamin Biolay, are the best in the film, whether as a couple or in a group with other people.
All in all, Bruno Dumont gets his messages and criticisms across well, while inviting reflection in which not everything is black and white.