Calvin Claymore (Frank Morgan) is a tycoon trying to pass a humanitarian bill for Nazi occupied Europe. He is opposed for helping the enemy. He gets drawn to a nightclub and becomes attached to showgirl Mary Morgan. Their encounter was set up by a blackmailer. When she turns up murdered, the blackmailer frames him for it.
Morgan's politics is naive at best and wrong at worst. The audience would know it soon enough. His political position actually bugs me a lot and the other side isn't that helpful either. They are debating about the effects without trying to fix the root cause. In the end, that part isn't necessary to the blackmail. He would still be after his money with or without the issue. As for Calvin, he is still the cause of his own problem no matter how much of a gentleman he tries to be. He willingly gets hooked. He has no one to blame but himself. Well, it's in the title. It's all melodrama.
Morgan's politics is naive at best and wrong at worst. The audience would know it soon enough. His political position actually bugs me a lot and the other side isn't that helpful either. They are debating about the effects without trying to fix the root cause. In the end, that part isn't necessary to the blackmail. He would still be after his money with or without the issue. As for Calvin, he is still the cause of his own problem no matter how much of a gentleman he tries to be. He willingly gets hooked. He has no one to blame but himself. Well, it's in the title. It's all melodrama.