French director Marcel Pagnol had a unique way of composing his films. His best example is September 1938's "The Baker's Wife." Pagnol's style of filmmaking consisted of full shots of all his characters who are captured within the frame. He has them conversing in long takes without resorting to any cutaways. Despite his spare scenes, Pagnol was able to convey his message, displaying an entire range of human emotions to propel his plot forward.
"It is a slice of French life from the past that is timeless in its telling," praised film reviewer Chanan Stern. "It is one of those movies that can and should be watched many times." Pagnol, a famous playwright in the 1920s before turning to film in the early 1930s, is mostly known for his 'Marius' trilogy, especially 1932's "Fanny." Adapting one of the stories from Jean Giono's 1932 novel 'Blue Boy,' "The Baker's Wife" follows baker Aimable (Raimu), who's a recent arrival to a French village. He sets up a bakery shop to replace a recently shuttered one. All the villagers love his bread, including the Marquis (Fernand Charpin), who sends his shepherd (Robert Vattier) to fetch 30 loaves every week. The shepherd attracts the eye of Aurelie (Ginette Leclerc), the baker's attractive young wife. She and the shepherd slink out of town, much to the distress of her husband. He gets drunk and stops making bread. A catastrophe is in the making as the querulous townspeople, who always bicker amongst themselves, agree on one thing and that is to bring back the baker's wife so they can buy their daily bread.
"The Baker's Wife" was a make-busy project for Pagnol's film crew after a previous production using his studio was cancelled, leaving a two-month gap until the next movie was scheduled to be shot. Pagnol had an unusual habit of shaping his stories on the personalities of his actors. He lived with his cast and film crew during the duration of the shoot, ate his meals alongside them, and played games between setups. The director/writer was so familiar with his actors he would shape and rewrite his scripts daily on the basis of their mannerisms and temperament. The nexus of "The Baker's Wife" was actor Raimu, who was Cesar in the 'Marius' trilogy. Raimu had to be coxed to play the baker after he and Pagnol had a falling out. Actress Ginette Leclerc stepped in as an intermediary between the two to patch things up. Raimu ended up giving an unforgettable performance reflecting the immense pain he experiences by his wife running off with another man. "The poignancy comes from the situation - this poor man, who so easily makes himself lovable on screen, is broken in front of us," notes film reviewer Erik Beck. Orson Welles, impressed by Raimu's performance, called him "the greatest actor in the world."
"The Baker's Wife" was acknowledged as the Best Foreign Film of the year by both the National Board of Review and the New York Film Critics. The Pagnol film is included in the '1001 Movies You Must See Before You Die' book.
"It is a slice of French life from the past that is timeless in its telling," praised film reviewer Chanan Stern. "It is one of those movies that can and should be watched many times." Pagnol, a famous playwright in the 1920s before turning to film in the early 1930s, is mostly known for his 'Marius' trilogy, especially 1932's "Fanny." Adapting one of the stories from Jean Giono's 1932 novel 'Blue Boy,' "The Baker's Wife" follows baker Aimable (Raimu), who's a recent arrival to a French village. He sets up a bakery shop to replace a recently shuttered one. All the villagers love his bread, including the Marquis (Fernand Charpin), who sends his shepherd (Robert Vattier) to fetch 30 loaves every week. The shepherd attracts the eye of Aurelie (Ginette Leclerc), the baker's attractive young wife. She and the shepherd slink out of town, much to the distress of her husband. He gets drunk and stops making bread. A catastrophe is in the making as the querulous townspeople, who always bicker amongst themselves, agree on one thing and that is to bring back the baker's wife so they can buy their daily bread.
"The Baker's Wife" was a make-busy project for Pagnol's film crew after a previous production using his studio was cancelled, leaving a two-month gap until the next movie was scheduled to be shot. Pagnol had an unusual habit of shaping his stories on the personalities of his actors. He lived with his cast and film crew during the duration of the shoot, ate his meals alongside them, and played games between setups. The director/writer was so familiar with his actors he would shape and rewrite his scripts daily on the basis of their mannerisms and temperament. The nexus of "The Baker's Wife" was actor Raimu, who was Cesar in the 'Marius' trilogy. Raimu had to be coxed to play the baker after he and Pagnol had a falling out. Actress Ginette Leclerc stepped in as an intermediary between the two to patch things up. Raimu ended up giving an unforgettable performance reflecting the immense pain he experiences by his wife running off with another man. "The poignancy comes from the situation - this poor man, who so easily makes himself lovable on screen, is broken in front of us," notes film reviewer Erik Beck. Orson Welles, impressed by Raimu's performance, called him "the greatest actor in the world."
"The Baker's Wife" was acknowledged as the Best Foreign Film of the year by both the National Board of Review and the New York Film Critics. The Pagnol film is included in the '1001 Movies You Must See Before You Die' book.