With its wafer thin plot, this relies on the likeability of its cast and it's got just enough of that to make this entertaining from beginning to end. Gainsborough reused the story six years later as BACK ROOM BOY with Arthur Askey and although this won't be in anyone's top ten, it least it doesn't have Arthur Askey in it!
As naff as this is, I think I enjoyed it. I might even watch it again sometime. Why - because it was fun without being a comedy, exciting without being a thriller and watchable without being particularly well made. It relies on its two leads: Binnie Hale and professional cockney Gordon Harker. He's your typical grumpy but loveable cor blimey gov'nr cockney and he really carries this single handedly. He's also got some lovely old forgotten East End expressions. Surely it's time to resurrect this one: "I'll lay a pound to a sausage." It must mean something?
Just as I'm convinced that Genevieve Tobin is Joan Blondell's sister, Binnie Hale obviously must also be another sibling. She was an established actress on the stage but she hadn't quite mastered movie acting, nevertheless she's still better than a lot of established stars over in California. Looking at her, it's hard to believe she's actually the sister of Jessie Matthew's other half - whom, if you're familiar with Sonnie Hale - let's just say he didn't have the classic movie star looks! She's actually rather lovely (which you'd expect if she's Joan Blondell's long lost English sister!)
Some actresses have a magnetic screen presence because of their talent, Miss Hale might not exhibit a lot of talent but she certainly exhibits a lot of her legs - very nice legs too! Since Joseph Breen and his cohorts over in America had by 1935 banned anything remotely saucy, it fell on the shoulders of the British film industry to provide the public with a little bit of sexiness and Binnie Hale in shorts and negligee - not just a negligee but a wet negligee, certainly ticks that box.
Gainsborough in the early thirties didn't really do quality, they just made the sort of stuff you could veg out to with your brain switched off after a hard day's work. They were owned by Gaumont-British so had the same sort of relationship First National did to Warner Brothers. They made cheap simple, basic entertainment for the masses. So if you're not expecting too much from this, I'll lay a pound to a sausage that you might just enjoy it.
As naff as this is, I think I enjoyed it. I might even watch it again sometime. Why - because it was fun without being a comedy, exciting without being a thriller and watchable without being particularly well made. It relies on its two leads: Binnie Hale and professional cockney Gordon Harker. He's your typical grumpy but loveable cor blimey gov'nr cockney and he really carries this single handedly. He's also got some lovely old forgotten East End expressions. Surely it's time to resurrect this one: "I'll lay a pound to a sausage." It must mean something?
Just as I'm convinced that Genevieve Tobin is Joan Blondell's sister, Binnie Hale obviously must also be another sibling. She was an established actress on the stage but she hadn't quite mastered movie acting, nevertheless she's still better than a lot of established stars over in California. Looking at her, it's hard to believe she's actually the sister of Jessie Matthew's other half - whom, if you're familiar with Sonnie Hale - let's just say he didn't have the classic movie star looks! She's actually rather lovely (which you'd expect if she's Joan Blondell's long lost English sister!)
Some actresses have a magnetic screen presence because of their talent, Miss Hale might not exhibit a lot of talent but she certainly exhibits a lot of her legs - very nice legs too! Since Joseph Breen and his cohorts over in America had by 1935 banned anything remotely saucy, it fell on the shoulders of the British film industry to provide the public with a little bit of sexiness and Binnie Hale in shorts and negligee - not just a negligee but a wet negligee, certainly ticks that box.
Gainsborough in the early thirties didn't really do quality, they just made the sort of stuff you could veg out to with your brain switched off after a hard day's work. They were owned by Gaumont-British so had the same sort of relationship First National did to Warner Brothers. They made cheap simple, basic entertainment for the masses. So if you're not expecting too much from this, I'll lay a pound to a sausage that you might just enjoy it.