It's not just the font of the opening credits that winks at Woodyphiles, we also see hints of "Another Woman" in its flashbacks, cold earth tones seen in costumes, settings and cinematography itself. We even hear a woman's confessions through what might be a vent similar to the character of Marianne in Woody's Bergmanesque chamber piece. The director gives a nod to "Autumn Sonata" playing with the mother/daughter relationship. Both Woody and Luca relish in the use of flashbacks where characters peer into their pasts as the are "played out" in front of them. One of Woody's favorite themes makes an appearance in the struggle of the artist and how hat struggle affects those closest to them. A fine homage to two masterful filmmakers (Bergman and Allen) and one might want to add Luca into the pantheon of the (film) giants.
Review of The Staggering Girl
