User Reviews

Seen this little gem on TCM a couple weeks ago, wow,, first off this is quite long run time over 4 hours without commercial. Natalya Glan wow she is pure beauty,, and sexy as well, this takes place during the Bolshevik Revolution,, a man and his cohorts are trying to wipe Russia off the face of the earth with the ampules that are filled with some kind of poison, they are attached to antennas spread across the city and once the signal is given,, instant annihilation,, but in their way are three intrepid, clumsy, and yet hilarious reporters, it seems weird how this story seems to just fall into their lap, dumb luck i guess,, time is of the essence and they really don't have time to tell Interpol, or say the police, so these brave reporters must do it all by themselves,, this is a very good silent picture, as i have seen more than a few, this is the first foreign one however that i have seen, and i think that TCM is on the right path here, i would like them to make a whole entire day once a month of nothing but silent films.. excellent film with great characters,, and humor also.

Miss Mend is a 4-and-a-quarter hour sprint that will leave you breathless in its sheer epic expanse and non-stop running, driving, swimming and horse-back riding action - surely the most athletic silent movie ever!

Some of the other reviewers have guessed at the historical context of the film, albeit inaccurately. The Bolshevik revolution was over by 1926; the post-WWI Civil War in Russia actually had ended in 1922 (16 million Russians died between WWI and the Civil War). The Bolsheviks were in sole power, but it would still be 4 more years before Stalin consolidated and took sole dictatorial control of the Soviet Union. Stalin would ultimately micro-manage much of Russian film production - but not yet. Thus, and here I am guessing, Russian film makers probably had more freedom for these few years to experiment, and be less heavy-handed in their propaganda, then they soon would be. Hence, a Western-style series of films, including a lot of explicit criticism of Communism, which I doubt Uncle Joe would have allowed later, even if it is expressed by the bad guys.

And who are the "bad guys" exactly? We have to play along with the fact that those who see the Communists as evil are the bad guys; those looking to help the Soviet Union the good guys.

The plot is absurd, and one has to really over-look a lot of sloppiness in the details; just a few examples: 2 reporters locked in small coffin-shaped boxes in the hold of a ship for its entire journey from America to Leningrad - a 10 or 14 day trip - without food or bathrooms; the improbability that the Westerners and Russian people would be able to communicate with each other, given the unlikelihood that the Russians spoke English or the English Russian (French was the preferred second language of early 20th century Russia). And so on.

One scene appears to be the inspiration for "Weekend at Bernie's": one of the reporters grabs and nods the head of the unconscious Arthur Stern as he is questioned by his co-horts. He remains unconscious as he is carried from the car he is in - but not before opening his eyes and looking around just before being removed from the car.

The attempts at recreating Western or American life are hilarious - others have mentioned the reference to "Rocfeller and Co."; how about the "Police Office" sign, instead of Police Station? However, these are more than made up for by some outstanding visions of lovely Leningrad (today back to St. Petersburg).

Finally, the funniest title card in the history of Silent Film may have appeared in this film: "Who's next in line for an enema?" Fascinating film history. Try to watch at least some of it.

Miss Mend (1926)

*** (out of 4)

Russian serial lasting over four-hours was originally released in three parts but for the current DVD release it's presented as one long film. Office girl Vivian Mend (Natalya Glan) and three men fixated with her try to stop a mad scientist from spreading poison gas and killing everyone around. Considering this film runs over four hours that seems like a pretty short plot summery but that's about it in terms of story but there's plenty of action here. Apparently the directors were tired of "high class" films from Russia so they decided to spoof the various American and German movies that were being shown in the country. The best way to describe this film would be a mixture of the epics Lang was making in Germany with a bit of Chaplin and Keaton from America. I think there are a few very funny areas where the Russian directors are trying to "show" America as it was but come off horribly wrong. I'm sure there was nothing mean spirited behind this but it does add a few nice laughs to everything. The main reason to watch this epic are for the various stunts as it's clear the directors tried to throw just about everything they could think of into the film. There are chases via cars, boats and trains. There are fights with guns, bottles, chairs and various other items. We have car crashes, trains crashing into cars and of course the gas that can kill in a matter of seconds. Is the film fun? Sure, the thing has so many weird images and wild stunts that you can't help but find it fun. At the same time, I'm really not sure it needed to run over four hours. I think the running time is going to keep most people away, which is understandable but if you feel you can sit in one place for this long then MISS MEND is a pretty fascinating film.

At over 4 hours this was quite an undertaking for the silent era of Russian cinema and frankly I was prepared to be bored. But that was far from the case. It kept going, adding new layers to the adventures of our four intrepid heroes and their counterparts, the two leaders of a capitalist cabal set on destroying the Soviet Union. Their plot was very much the glue that held the whole thing together and gave meaning to our heroes' actions and yet it seemed nothing more than a vehicle that permitted them to exhibit their extraordinary physical and comedic abilities. These were all fit people able to run at length, climb walls, jump, fight and in general be highly active. For example in the third installment Barnet, the director, jumps out of a second story window with only a pile of snow to break his fall and runs through the snow bare-chested.

I wonder if the capitalist plot was not used to get the film past the censors who might otherwise not look kindly on a frivolous serial. In any case it is very entertaining and even more so because of the way the Russian film-makers sought to portray Americans. It's obvious they didn't have a clue. None of the actors even remotely looked American. And they must have thought all Americans wore high water pants, rumpled shirts and over-sized, ill-fitting coats despite their wealth and social standing. Very funny indeed.

As for the title, "Miss Mend" is a bit of a misnomer. The real protagonists are the three reporters. Vivian Mend does very little other than glare and be generally victimized by the bad guys. Even the good guys treat her more like an object, ignoring her for the most part unless she is in danger in which case they gallantly run to her rescue.

Finally other than Barnet and Igor Ilyinsky who plays Hopkins, the real standout is Vladimir Fogel who plays the photographer and in my opinion a real athlete. He should be familiar to aficionados of silent Russian cinema. I was sorry to learn that he committed suicide in 1929 at the age of 27, apparently from the strain of his busy schedule.

This is a truly fascinating silent film from Russia of the 1920s. It moves along quickly with constant action. In spite of the five hour length, the picture held my interest. The leading characters are attractive and energetic. The plot takes constant twists and turns. The photography is terrific. It depicts Russia at the time in so many different ways. The costuming is realistic and represents how ordinary Russians dressed in that era.

The villains are very villainous - it is easy to identify with the lead characters and to deplore the villains.

While there is certainly an element of socialist realism and I'm sure the picture was heavily censored, it is believable and kept me on the edge of my seat.

I just sat down and watched it again, with only an interruption for dinner. Once again, it was quite worth the time as I saw many things that I missed the first time around.

I recommend this film to all who love silent movie adventures.

This is quite a find. I'm watching this serial on TCM right now. A Soviet melodrama (with humour) based on a Russian pulp novel heroine modeled on "The Perils of Pauline" is the pretext for a satire of American institutions (wicked capitalists, anti-Soviet hatred, rampant racism) while never failing to entertain. Its central premise is a plot by rich American fanatics to poison the whole Russian population with bacterial warfare triggered by radio antennas. Its main protagonists are a resourceful typist and three reporters alternately channeling The Three Stooges and The Three Musketeers.

While referencing France's "Judex" and the much more somber Fritz Lang spy thrillers of the same era, the film keeps a light tone thanks to actors who are talented, easy on the eyes and physically fit, a necessary requirement for the many action scenes.

The many complex and involving story-telling tricks and subtleties are what will keep you riveted to the screen, however. These characters look and feel like real people you could actually care about. Many of the incidents in this serial would find their way in the comic-book "Adventures of Tintin" later on.

It's interesting to note that one of the co-directors, Fedor Ozep, went on to make films in France ("La Dame de Pique", 1937) and that Quebec's burgeoning cinema of the forties owes him two important early films ("Le Père Chopin" and "La Citadelle").

The depiction of an "imagined America" by a foreign filmmaker is very rare in the history of cinema, although Americans never had any compunction about slapping together their recreation of other countries in their own image on film.

One of the only other parallels I can think of is Henri Verneuil's 1953 comedy "L'Ennemi public numéro un"/"The Most Wanted man", starring Fernandel as a timid Macy's product demonstrator who gets mistaken for a notorious criminal. It was a satire of American gangster films as perceived by the French audience who had a love-hate relationship with them.

A three part Russian serial, running a little over four hours. It's a pretty big time commitment, but this series is darn entertaining. It's a sometimes uneasy combination of Soviet propaganda and American adventure, with the American adventure kind of winning out in the end. The film starts off more on the propaganda side, with three American reporters (Barnet himself, Vladimir Fogel, who starred in many famous films of the era including The Extraordinary Adventures of Mr. West, By the Law, Chess Fever, The End of St. Petersberg, and Igor Ilyinsky, who starred in Aelita: Queen of Mars) covering a workers' strike. As corporate lackeys, they only care about sensationalism, and the three of them fall for the factory's own Norma Rae, Miss Vivian Mend (Natalya Glan). The propaganda aspects start to fade into more Feuillade-inspired crime conspiracy territory, with villain Chiche (Sergey Komarov) using corporate funds to create a biological weapon he plans to use against the Soviet Union. The film also has some elements of German expressionism, with direct references to Nosferatu and The Cabinet of Dr. Caligari sprinkled in. Over the course of the serial, the three reporters and Miss Mend (who, truth be told, is a pretty passive heroine) follow Chiche to Russia to stop his plot. This film was not well regarded by Soviet critics of the day - they instantly noted that the film's ideologies were often eclipsed by its love for adventure - but audiences loved it, and it was one of the more popular films among general audiences at the time. It's a bit hard to follow at times, but it's worth the time.