...that's the third in a series from Fox and director Raoul Walsh.
Edmund Lowe and Victor McLaglen return as Sgt. Quirt and Capt. Flagg, respectively, two US Marine brothers-in-arms who are rivals in everything else. The episodic plot sees them shipped around the world, from a stateside furlough to a stint in Sweden where they battle over local girl Elsa (Greta Nissen), to disaster aid in Nicaragua, and finally to Egypt, where they find Elsa in the harem of local Prince Hassan (Bela Lugosi).
This series started with the silent What Price Glory in 1926, followed by The Cock-Eyed World (1929). There would be one more entry after this one, 1933's Hot Pepper. Director Walsh himself called this a "turkey", and that's a fitting description. The script is threadbare, the situations unfunny and uninspired. What entertainment exists is due to the performers, who generally try their best, although Brendel's shtick gets old quick. I watched this for Lugosi; he doesn't appear until the final 20 minutes. One noteworthy aspect of this film was that there was another co-star, Humphrey Bogart, but his entire role was left on the cutting room floor. Lucky him.
Edmund Lowe and Victor McLaglen return as Sgt. Quirt and Capt. Flagg, respectively, two US Marine brothers-in-arms who are rivals in everything else. The episodic plot sees them shipped around the world, from a stateside furlough to a stint in Sweden where they battle over local girl Elsa (Greta Nissen), to disaster aid in Nicaragua, and finally to Egypt, where they find Elsa in the harem of local Prince Hassan (Bela Lugosi).
This series started with the silent What Price Glory in 1926, followed by The Cock-Eyed World (1929). There would be one more entry after this one, 1933's Hot Pepper. Director Walsh himself called this a "turkey", and that's a fitting description. The script is threadbare, the situations unfunny and uninspired. What entertainment exists is due to the performers, who generally try their best, although Brendel's shtick gets old quick. I watched this for Lugosi; he doesn't appear until the final 20 minutes. One noteworthy aspect of this film was that there was another co-star, Humphrey Bogart, but his entire role was left on the cutting room floor. Lucky him.