It's easy to agree with the other reviewers that Etting wasn't the greatest singer and that this short is sub-par in many ways. Shorts, however, were shown between the main features and Etting was primarily a radio star--perhaps the first woman to fully become a radio-based celebrity. It's hard to know what she really sounded like--the technology of the day doesn't compare to now and if you listen to the spoken dialog it's just about as tinny as the vocals.
But I was very surprised to see the bit of creative film-making in the middle of this short. I'm referring to the scene where Etting is filmed sitting singing into a mirror. We see her sing through her reflection. Then, the mirror image changes and the frame around the mirror becomes a screen into which Etting and the audience can see, as if by remote surveillance video, the other characters going through their motions elsewhere. This was a common understanding at the time of what television would look like when made available. It also pretty well encapsulates Jacques Lacan's notion of the mirror stage--that place where the real and the fantasy bump against each other when desire comes out to play.
Not a great short but always interesting to find hidden gems of cinema making no matter where Hollywood buried them at the time.
But I was very surprised to see the bit of creative film-making in the middle of this short. I'm referring to the scene where Etting is filmed sitting singing into a mirror. We see her sing through her reflection. Then, the mirror image changes and the frame around the mirror becomes a screen into which Etting and the audience can see, as if by remote surveillance video, the other characters going through their motions elsewhere. This was a common understanding at the time of what television would look like when made available. It also pretty well encapsulates Jacques Lacan's notion of the mirror stage--that place where the real and the fantasy bump against each other when desire comes out to play.
Not a great short but always interesting to find hidden gems of cinema making no matter where Hollywood buried them at the time.