Nothing But Pleasure (1940) Poster

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5/10
Another sad outing for Keaton
planktonrules8 February 2009
In the late 1930s and early 1940s, the great Buster Keaton was out of work and in desperate need for money so he made a string of forgettable short films for Columbia Pictures. Although he was a comic genius during the silent era, his career in sound movies was mostly horrible due to the industry's unwillingness to simply let him do what he did best and they insisted in trying to force him into uncomfortable molds that just didn't work. Sadly, because Keaton was lousy with money, he was so hard up for cash and unwilling to balk with the studios that he made some dreadful film and TV appearances that probably made him ashamed to look in the mirror. This is a stark contrast to Chaplin and Lloyd who made far fewer sound films but chose them much better. Plus, they knew when to walk away and retain much of their dignity. This is particularly true of Harold Lloyd, who never would have appeared in American-International movies such as BEACH BLANKET BINGO or a particularly wretched episode of "The Twilight Zone" like Keaton did.

As for the Columbia shorts, they were directed and produced by Jules White who was also responsible for the Three Stooges shorts. This is very, very obvious when you watch the Keaton shorts as the plots look indiscernible from the Stooges' films--with the same gags, sound effects and style. In fact, in some cases, Keaton does the same plots the Stooges had first done and this isn't surprising. That's because Columbia OFTEN repeated plots and many of the Stooges' later shorts for the studio are remakes of their earlier films! While Stooges die-hards might excuse this and think ALL of their films are gems, this is definitely NOT true--the remakes are definite duds. As for Keaton fans (and I am definitely one--having seen more of his silent films than practically anyone on the planet), they will also usually admit that his sound films were pretty poor and the Columbia films were at best passable entertainment. Plus, the Stooges' style is a horrible thing to try to fit the great Keaton into. It's akin to putting Greta Garbo in a Marx Brothers film!!! Buster has a plan. He and his wife will sell their old car, take a bus to Detroit, buy a new car and drive it home. Apparently in the old days, cars must have been cheaper when buying at the source. However, this "simple" plan as he called it turned out to be absolutely nothing of the kind, as one problem after another occur during their trip. And, in the process, their new car is eventually destroyed.

This poor outing is unfortunately one of the better Columbia films for Keaton. There are actually one or two funny bits and it's a bit more original than some of the other plots he did for the studio. Still, when there is so much talking and little physical humor in a Buster Keaton film, you know you're in for a rather dull ride.

Watchable and not particularly offensive and nothing like the Keaton of the silent era.
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6/10
Nothing but problems!
weezeralfalfa16 December 2018
Warning: Spoilers
One of a number of Buster Keaton-starring comedy shorts put out by Columbia around 1940. I've only seen one other (His Ex marks the spot), which was funnier than this one. But that's not to say that there are no funny scenes in this film........Buster finally convinces his reluctant wife that they should sell their car, take a bus to Detroit, and buy a new car. The bus ride is no great shakes, for several reasons. Buster turned down insurance for their new car, claiming he is a careful driver. But, not being familiar with the controls, the first thing he does is crash through a big plate glass at the dealership, which he has to pay for, leaving little money for the return trip. In trying to get out of his parking place, he crashes into the car behind, and has to shell out more cash, leaving precious little for the return trip. Now, his wife complains she's starving. With little money for food, Keaton decides to check out a barn, and finds various vegies. He has to run for his life when the farmer sees him. They rent a unit at The Cozy Auto Court. The wife goes to look for some milk........ Meanwhile, Buster cuts and cooks the veggies. He doesn't notice that a drunk woman(Beatrice Blinn) wanders in, and, after closing the door, lays down on his wife's bed. She looks much like his wife, so he assumes she is. But when he hears his wife yelling to let her in, he knows something is wrong. He doesn't want his wife to see her, so he drags her around, unsure what to do with her. Finally, he pushes her out the window and follows. For a brief moment , she is coherent, and tells him which unit she is supposed to be in. So, he carries her there, and tries to put her on the bed. But, the pull down bed, doesn't want to stay down without a weight on it. He has trouble coordinating things until, finally , he gets her on the bed. I find this entire section dealing with the drunk woman quite funny, and typical Keaton. ........Back in his own unit, Buster and his wife hear police beating on their door, they think. But, actually, it's the next door. The police have been tipped off that a couple of dangerous criminals are in the next room. But Buster assumes they have come for him for stealing those veggies. Both Buster, and the criminals get out of their back doors. The criminals steal Buster's car.(How without his keys?) The police are on their tail, and Buster is running after the cars. He hops on the back of an open truck carrying large tires, and gets inside a pair of tires roped together The truck goes up a hill and these tires roll off the back and down the hill, creating havoc for several people down the hill. After it stops, Buster sees his car speeding toward him, followed by the police. He makes the fateful decision to push the tires in front of his car, causing it to wreck. Remember that Buster has no insurance on his car. He suggests that they sell the car's remains to a junk dealer, and hope they get enough to buy back their old car. His wife doesn't like that prospect.. I give the film a 6.5. Check it out at YouTube.
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Pleasure, but not much
Buster and his wife must take a cross-country trip. She wants to travel by train, but Buster spends all their savings on a car ... and then he assures his wife that the long road trip will be "Nothing But Pleasure". Of course, everything goes wrong ... but some of it is funny.

At a low point in his career, comedy genius Buster Keaton cranked out low-budget shorts at Columbia for producer Jules White, in the same production unit where the Three Stooges were turning out some of their best and funniest films. "Nothing But Pleasure" is probably Keaton's best Columbia work ... which isn't saying much.

The only sequence truly worthy of Keaton in this film occurs when his car gets a puncture at the top of a hill. Buster has to change the tyre, but somehow he ends up INSIDE the tyre, and it starts rolling down the hill. You'll laugh at this. Keaton was 44 when he made this film, but he could still handle physical comedy brilliantly.

Watch for a scene on a bus. The little bald man sitting in front of Buster is Bobby Barber, who worked with several major comedians but is seen most frequently in Abbott & Costello films. In real life, Barber had a steady job as Costello's "gofer", which he managed to parlay into brief roles in several movies and on Bud & Lou's television series. Bobby Barber looks like Joe Besser's evil twin.
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Lesser Keaton
Michael_Elliott25 March 2008
Nothing But Pleasure (1940)

** (out of 4)

Buster Keaton and his wife sell their old car and take a trip to Detroit where they're going to buy a new one and drive it back home but nothing goes as planned. This Columbia short really isn't too different from the other ones that Keaton made there as it features a few laughs but not enough to make it worth watching by anything except a die-hard fan of the star. Once again, I think the biggest problem is that the studio tried turning Keaton into someone he's not. Had they let Keaton be Keaton then I'm sure the film would have been better but in the end we're left with worthless scenes of Keaton tripping over a chair or various other objects and this stuff simply isn't funny. The best scene in the film deals with Keaton trying to get directions from a cop who is losing his patience.
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