I Walked with a Zombie (1943) Poster

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8/10
Genuinely spooky.
Hey_Sweden19 October 2014
Betsy Connell (Frances Dee) is a Canadian nurse hired to come to the Caribbean island of St. Sebastian, to work at Fort Holland. There she will attend to the needs of the mute, unresponsive, yet seemingly alive Jessica Holland (Christine Gordon). Jessica is wife to a plantation owner named Paul Holland (Tom Conway), with whom Betsy falls in love. Betsy becomes determined to do the right thing by Paul by trying to cure her, if she can. That includes immersing herself in the local voodoo culture.

There may be modern horror fans who bemoan the lack of what one might consider horror in "I Walked with a Zombie". It starts to go for more of a traditional creep factor in its second half, using the imposing Darby Jones as the mysterious, zombified Carrefour to great effect. Everything is handled with a great deal of sensitivity and authenticity by screenwriters Curt Siodmak & Ardel Wray, producer Val Lewton, and director Jacques Tourneur. Unlike some of the horror product of the time, it actually treats its black characters with a great deal of dignity and respect, and also gives the actors a chance to shine, such as Theresa Harris as Alma the maid.

As was always the case with these Lewton productions, the story (based to some degree on Jane Eyre, with factual articles on voodoo in the West Endies also used as a basis) is pretty tight, and the running time is typically short. (69 minutes all told.) We don't get to know the characters all that well, but we do still like them, and in a refreshing touch, there are no clear cut villains or explanations for the strange events. The actors each do a solid job: Dee as the heroine, Conway as the husband, James Ellison as his half brother, Edith Barrett (in old age make-up) as their mother, James Bell as the doctor, and Sir Lancelot as the calypso singer. As one can see, some of the cast were regulars in these Lewton films.

Overall, there's a real feeling of sadness to the atmosphere, helping to make this one of the best of Lewtons' filmography. One wouldn't know from the end result how quickly and cheaply these productions were made, as they have the power to grip their viewers 70 plus years later.

Eight out of 10.
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8/10
Not your usual brain-eating corpses...and that's a good thing!
Coventry15 November 2004
First of all: PLEASE don't let the misleading, rather silly sounding title discourage you! I walked with a Zombie is another brilliant result of the collaborations between producer Val Lewton and director Jacques Tourneur. Released one year after the simply astonishing movie 'Cat People', this is yet another intelligently elaborated and genuinely original genre-masterpiece. The solid screenplay contains a rarely seen before amount of eeriness and handles about a young ambitious nurse who goes to San Antonio in order to take care of Jessica. Jessica is the wife of plantation-owner Paul Holland and she suffers from a bizarre mental paralysis, supposedly caused by a tropical fever. She is – in fact – a zombie only not the type of walking corpse you usually expect in horror movies. Betsy, the nurse, is somehow convinced that Jessica may still be cured and turns to the Voodoo-community that is living on the island as well. Just like he pulled it off in Cat People, Tourneur manages to bring suspense in a subtle way. Without bloody images but with a unique photography and efficient set pieces! I walked with a Zombie contains great dialogs, intriguing characters and mind bending plot-twists. This is an intelligent and demanding film, especially made for people who take this genre serious! It ranks slightly under 'Cat People' but light-years above most other horror films. Check it out!
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8/10
Fascinating and unusual film, very different from other 40s movies
cherold1 November 2015
There are a lot of terrific elements in this movie. It is moody and atmospheric, subtly ominous, and like many Lewton movies leaves its supernatural elements ambiguous.

But the most unusual thing aspect from a 1940s movie is how it treats black people. First off, note that the West Indies natives don't speak in either the "yass ma'am" or "ooga booga" styles that represented the entire spectrum of black portrayals in the U.S. at the time. They talk in slightly accented, but perfectly normal English.

Also, the movie specifically mentions the slave industry at least twice. There is a wonderful scene near the beginning in which the main character discusses the island's history with her driver. He mentions they were brought here in chains and she says, well at least they brought you to a beautiful place. "If you say so," he says, very politely

That is such an awesome exchange. He is a servant and he's not going to argue with her, but he also won't kowtow. It is a conversation you can actually believe would happen.

The movie also shows surprising respect for the Voodoo aspects. The natives believe in it, but they aren't mocked for it, and in the ceremony they do actual African dance, instead of some weird Hollywood fakery.

The movie, again typical of Lewton, has a lovely complexity to it. Characters are more than they appear to be, and their motives are not simple.

It's not a perfect movie. Some of the acting is less than stellar and I suspect some explanatory scenes were cut, as it sometimes feels rushed and slightly disconnected. But it is not to be missed.
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Another great movie from Jacques Tourneur, the man who turned pulp into poetry!
Infofreak12 June 2003
Present day viewers watching this wonderful movie after reading the label "horror" and seeing the word "zombie" in the title, might be in for a shock if they think they're going to be in for a Romero/Fulci gorefest. This is a completely different kind of zombie movie! In fact, calling it horror is quite misleading, mystery is the more appropriate description. Anyone who has seen 'Cat People', the earlier collaboration between director Jacques Tourneur and producer Val Lewton, will know what to expect. A haunting and subtle yet suspenseful, and yes, at times quite scary, thriller. 'I Walked With A Zombie' (a classic title! Later lifted by Roky Erikson for a classic song) follows 'Cat People's ambiguous format quite closely with a series of events which may or may not have a supernatural explanation. Add a dash of 'Jane Eyre' to it and a West Indies setting and there you have it. Tourneur was a master of atmosphere and there are moments in this movie which are truly unforgettable. The two leads Tom Conway and Frances Dee are both very good, and Dee is cute to boot. I don't think 'I Walked With A Zombie' is quite as brilliant as 'Cat People', which I still think ties with the film noir classic 'Out Of The Past' as Tourneur's greatest film, but it comes very close, and I highly recommend it. If you've never seen this one before, turn off all the lights and watch with someone special. You are in for a real treat!
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7/10
Good, but flawed in my view
BrandtSponseller25 January 2005
The film opens with Betsy Connell (Frances Dee) being interviewed for a home-care nursing position. Oddly, she's asked during the interview if she believes in witchcraft. She gets the position, working for Paul Holland (Tom Conway), who is a wealthy plantation owner on the Caribbean island of St. Sebastian. Holland has hired her to take care of his wife, Jessica (Christine Gordon), who is in a perpetual state that resembles somnambulance. As Betsy spends more time on the island, she learns that most of the population believes in and practices voodoo, and she learns that Jessica had a relatively tumultuous past with Holland's family.

This was director Jacques Tourneur and producer Val Lewton's second horror/thriller collaboration (the first being Cat People (1942) and the third The Leopard Man (1943)). For many viewers, it is their favorite of the three. While I like the film, I don't like it quite that much--I prefer Cat People. But still, I Walked With A Zombie ends up with a 7 out of 10 from me.

The horror aspects of I Walked With A Zombie are really very minor. They're really present only as a kind of personification of the results of complicated romantic and familial relationships. Yes, there is an admirable "haunted house"-styled scene involving a spooky stairway and creepy, distant sounds, and yes, the trek to the voodoo "home fort" is well done, but this kind of material doesn't work as well for me here as it did in Cat People, because here it's not really the focus of the story. It's ancillary material with the function of helping to solve a very different kind of mystery. Also, much of the voodoo material (such as the actual ceremony) tends to be overrated in my opinion, although the final sequence related to the voodoo theme is appropriately eerie.

But what works best for me in I Walked With A Zombie are the many dialogue-heavy scenes where the three main characters--Connell, Holland and Wesley Rand (James Ellison)--gradually learn more about one another, and where the "mystery" is gradually uncovered. A scene where a local "minstrel" sings part of the backstory while Connell and Rand are having a drink is exquisite, for example. Yet, even with this positive aspect, I never felt that the backstory was sufficiently explained. The mystery remains, and the moralizing bookends of the film do not help, either.

Still, I Walked With A Zombie is definitely worth a watch, and based on the extravagant praise that many viewers utter towards the film, you might like it much better than I do.
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7/10
Ambiguous Zombie Movie
claudio_carvalho4 November 2014
The Canadian nurse Betsy Connell (Frances Dee) is hired to travel to St. Sebastian, in West Indies, to work at Fort Holland nursing Jessica Holland (Christine Gordon), the wife of the sugar plantation owner Paul Holland (Tom Conway). Betsy meets Paul in the ship and is welcomed by Paul's estranged half-brother Wesley "Wes" Rand (James Ellison) in the farmhouse. During the night, she overhears a woman crying and she believes that might be Jessica and goes to her room. She finds a creepy mute woman and she learns that Jessica had a mental paralysis after a severe tropical fever and is a hopeless case, unable to speak or have power. Soon Betsy falls in love with Paul and she decides to help Jessica to be cured to make Paul happier. She suggests an experimental treatment with shock to Dr. Maxwell (James Bell) but it fails. While talking to the maid Alma (Theresa Harris), she discovers that another woman was cured in a voodoo ceremony by a voodoo priest and she decides to use witchcraft to cure Jessica. However the natives believe that Jessica is a zombie that cannot be cured. When Betsy meets Paul and Wesley's mother Mrs. Rand (Edith Barrett), she finds that Jessica was the pivot of a fight between Paul and Wes and she believes that her daughter-in-law is a zombie.

"I Walked with a Zombie" is an ambiguous zombie movie directed by Jacques Tourneur. The plot is a family drama and the zombies in this movie are not like in George Romero's trilogy or "The Walking Dead", but related to voodoo in a Caribbean Island. There is a creepy atmosphere with a beautiful cinematography, the non-stop voodoo drums and the native Carrefour, but no gore, violent death or scream. The conclusion is ambiguous after the revelation of Mrs. Rand. My vote is seven.

Title (Brazil): "A Morta-Viva" ("The Living Dead")
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7/10
Atmospheric low-budget horror from Lewton & Co.
sme_no_densetsu3 October 2010
"I Walked with a Zombie" is one of the most highly regarded of the handful of horror films that Val Lewton produced in the early to mid forties. The story is based partly on Charlotte Brontë's "Jane Eyre" and partly on a magazine article by Inez Wallace.

In the film, a young Canadian nurse accepts a position in the West Indies where she will care for a plantation manager's convalescent wife. She finds that the woman's mental faculties have been affected by a fever and the locals refer to her as a zombie. She determines to effect a cure, even if she has to enter into the mysterious (and potentially dangerous) world of voodoo.

The acting is decent enough but nothing to write home about. The top-billed James Ellison gives a forgettable performance but co-stars Frances Dee & Tom Conway fare better. In support, some actors seem more authentic than others but overall the cast is satisfactory.

Jacques Tourneur was handed the directorial duties and he did a fine job with the resources that were available to him. The direction, cinematography & score (by Roy Webb) create an ominous atmosphere that makes up for any inadequacies inherent in the film's low budget. The screenplay (co-written by Curt Siodmak) also deserves praise for its psychological depth and ambiguous treatment of the supernatural.

All in all, "I Walked with a Zombie" is a worthwhile horror picture and a welcome change from today's stereotypical flesh-eating zombies. While its B-movie origins are sometimes apparent, this film elevates itself above the usual expectations with intelligent screen writing and skillful technique.
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10/10
An atmospheric film of quiet horror
richwar19 September 2005
Except for a single scream, no one speaks above a hard whisper. Wind rustles through sugar cane fields guarded by a pop-eyed, nearly skeletal zombie who stands as lifeless and stick-shouldered as a scarecrow. A dead rabbit hangs in a tree. Voodoo drums thrum the night air.

"I Walked with a Zombie" is a movie of such voluptuous atmosphere that if you surrender yourself to it, it almost seems as if you've been transported to another world. It's a horror movie of suggestion, inference, punctuated with the occasional visual just sharp enough to prick through the feeling of dread and send a chill up the spine.

All performances low-key and excellent (Frances Dee notably good), the dialog crisp, but it's the lighting, sets and camera work that make the movie what it is, a gorgeous vision of shadows that haunts the mind days later.

And it's only 69 minutes long.
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7/10
Offbeat zombie plot set in the West Indies w/ great voodoo ceremony
secondtake6 October 2010
I Walked with a Zombie (1943)

This sounds like a creaker, and it's not. The biggest reason? My guess is the director Jacques Tourneur, who had just finished the terrific "The Cat People" and was going to soon do the near legendary "Out of the Past." For this odd and enchanting zombie movie, he takes very little and makes a lot out of it. The mood, the plot (with help from writer Curt Siodmak, brother of the famous director Robert Siodmak), and the settings are made more substantial than was likely given the budget.

Besides the Jane Eyre-ish plot, the huge role given black actors is a rare thrill (for 1943) and they have complex and reasonably convincing roles to fill out, including the voodoo religious culture. There is one great dancing and drum scene halfway through that struck me as honest and great to watch.

There is no one of any fame here, yet all the key actors (there are half a dozen with critical roles) are really strong, not hammy and not faltering. I guess I keep addressing the fear that this is a low-budget cult film, and it doesn't feel like one. It's easily as good as most of the monster and horror films Universal was cranking out a decade after "Dracula."
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9/10
Lyrical and Atmospheric
gbheron19 June 2002
"I Walked with a Zombie", besides having one of the oddest movie titles, took a different approach to the horror genre than the popular Universal movies of the day. Maybe it harkens back to the earlier Universal heavies like "Dracula" and "Bride of Frankenstein". Made by Val Lewton and Jacques Tourneur, they crafted their collaborations using a poetic, dreamlike approach to cinematic storytelling. Lyrical and atmospheric, "I Walked with a Zombie" recounts the story of a Canadian nurse sent to a small West Indian sugar island to tend for a young comatose woman, the wife of the island's plantation owner. What's wrong with her? Hints abound through the songs of the calypso singers, bits of dialogue, objects in the movie. The story, as odd as it is, is not told directly. You may think it is, but at the end of the film, you're not so certain of what's happened. Were the events the work of the supernatural? Was a crime committed? Or both? Or neither? It's difficult to say. I recommend this movie, it's important not to forget the older, off-beat films.
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7/10
Essentially, it's Jane Eyre with zombies
Leofwine_draca21 April 2017
Warning: Spoilers
I WALKED WITH A ZOMBIE is a classic of atmospheric horror that comes courtesy of famed producer Val Lewton. Like the rest of Lewton's output in the 1940s, this is a mood piece all about the atmosphere; the story comes second to the visuals and the stylistics. The story is set in the Caribbean and features a plucky young nurse heroine who arrives at a plantation only to discover some weird goings-on involving her employer's somnambulist wife.

Essentially it's Jane Eyre with zombies, and there's no harm in that. The voodoo material in this production is pretty effective, and the horror highlight is the sight of Darby Jones as the emaciated zombie with bulging eyeballs wandering through the cane fields; these scenes are quite exceptional and help to make the film. However, the dialogue scenes are also engaging and there's never a dull moment despite the slow pace. I WALKED WITH A ZOMBIE is a classic for good reason.
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9/10
Great horror film, almost a 10
preppy-327 October 2003
A nurse (Frances Dee) is assigned to the West Indies to care for the semi-comatose wife of a plantation owner (Tom Conway). Over there she becomes involved with a very dysfunctional family and the realization that her patient may be a zombie--one of the living dead.

Eerie, poetic horror film--one of the great ones producer Val Lewton made for RKO on no budget. There are many creepy sequences--the crying and first meeting of Dee with her patient; the constant pounding of the voodoo drums in the distance at night; Dee being awakened by shadows outside her bedroom window; the walk through the sugar cane field to the voodoo ritual and the guard they must pass. There's also a man with a guitar who pops up from time to time acting as a Greek chorus--always commenting on the action. The script is very good and literate and the acting is actually not bad--except for Conway (who's lousy). But Ellison and Dee are good.

I almost gave this a 10--but one thing kept me from doing that. The silly love story between Conway and Dee. It's not needed and is a great distraction from the plot. Also Conway's acting is so bad that it makes the scenes play even worse. Those aside though, it's a truly great horror film. A must see.

Cute little trivia note: Look closely for the "Any characters and events depicted in this photoplay..." etc. etc. under the opening credits. Especially note this line: "Any similarity to actual persons living, dead, OR POSSESSED is purely coincidental." Cute joke...wonder how many people caught it.
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7/10
Zombies are people too
tomsview20 April 2013
Warning: Spoilers
The most arresting scene from "I Walked With a Zombie" was featured in Martin Scorsese's "A Personal Journey Through American Movies". Anyone who saw that clip would want to know more about it. Unfortunately, the film does not quite live up to the promise of that eerie sequence when Francis Dee leads Christine Gordon in a twilight journey through the cane fields. Although the film is not equal to the sum of its parts, those parts are still interesting.

Apparently producer Val Lewton was saddled with the title but allowed to construct his own story around it. He chose to re-work Bronte's Jane Eyre, setting it on a Caribbean island with a theme of voodoo and black magic.

Betsy Connell, a nurse played by Francis Dee, is hired to tend the wife of a sugar planter on a Caribbean Island. She journeys to the island by schooner with the planter, Paul Holland – played with monumental stiffness by Tom Conway – and realises he is a man with issues. On her first night, she dines with Paul's half-brother Wesley Rand, played by James Ellison, and discovers that the case has some unexpected twists.

Betsy meets her patient, Jessica Holland, played by Christine Gordon, when she finds her in a trance-like state climbing the stairs of the tower. Yes, there is a tower, and those stairs could only exist in a movie such as this; they are so perilous one would almost need the help of a Sherpa to climb them.

During a visit to the nearby town, Betsy strikes up a friendship with Mrs Rand, Paul and Wesley's mother played by Edith Barrett. Betsy learns that Jessica Holland's illness has been brought about by an adulterous affair with her brother-in-law, Wesley. Betsy is persuaded to seek help for Jessica from the island's voodoo practitioners.

On the given evening, Betsy leads Mrs. Holland on that aforementioned journey to the voodoo ceremony. The finale of the movie reveals that Jessica has been one of the undead all along – a zombie in fact – all as a result of the powerful emotions her affair with Wesley had unleashed in his mother. By this time, Betsy has fallen in love with Paul Holland and they seek each other's support when Wesley finally ends Jessica's torment and his own.

Sound complicated? It is. For a seventy-minute movie there is enough plot, exposition and revelation for a mini-series. Although made on a tight budget, the film has great mood thanks to its celebrated art direction – the Caribbean setting allowed for extensive use of shutters and slats that bathe the characters with an amazing interplay of light and shade.

The movie is set in an indeterminate time – the fashions, and other references mark it as modern day (the 1940's) but there is not one automobile to be seen in the entire movie.

The film makes few demands on the actor's abilities. The two male leads are not much above the zombie level themselves. Sandra Dee is fine as Betsy Connell but any number of actresses could have been cast without any loss of effect.

It is perhaps wrong to label "I Walked with a Zombie" as a horror story. Like many of Lewton's films it is more of a psychological study; it even delivers a reasonably plausible explanation for Jessica's affliction. "I Walked With a Zombie" is an unusual film but it does contain a couple of sequences that are compelling enough to be fondly remembered by one of cinema's modern masters.
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5/10
Good voodoo scenes but weak plot Warning: Spoilers
Well the original meaning of a zombie is not a dead creature that is brought back to life or became a flesh eating monster due to a virus as in today's tales, but is it is a human that has no more will of his own and is directed by witchcraft in this case voodoo. That is what we see with the blonde lady and also the black guard with his big eyes. Well the voodoo scenes are done really well and that is why I pass this movie. However it falls pretty flat in story and characters. None of them is remarkable and the dramatic story with relationship intrigues is just as uninteresting as the standard soap opera. Besides there is too many characters involved which made the whole pretty tedious to watch. The location was nice though.
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Poetic, entrancing, and one of Lewtons two best.
James L.18 August 2000
The basic plot: A Canadian nurse arrives at the isle of St. Sebastian to take care of a plantation owners mentally entranced and disturbed wife, but once she get's there, she learns more than she should about the family secrets, voodoo , and zombie fever......

The praise: A truly poetic, hypnotizing, and creepy film experience. The poetry of the island traditions, the family mysteries and everything else about the movie is truly evocative and sensitive. There are smatterings of spooky moments throughout, all frightening suggestively, using sound , imagery and implied chills. All classically and romantically constructed and written, a flagon of longing, taste, and character in every little detail. Well-shot, especially the impressive voodoo ceremony. Very atmospheric, with black& white used to enhance the mood, as in all Lewton movies. Watch for calypso singer Sir Lancelot, who Lewton also used in " Curse of the Cat People", an equally poetic movie, which I also have reviewed. A masterpiece of the horror film, it has many scenes which take together the essential elements of suspense and atmosphere , sound and imagery , such as Dee traveling to the voodoo ceremony. A must-see. Very hard-to-find. The only way I could find it was to order a copy of an unauthorized copy of it from Canada.Truly great.
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6/10
Mood it has, weird it is
bkoganbing20 March 2015
After watching I Walked With A Zombie I was shaken a bit, a little unnerved as it were. But when I started to analyze the film I was wondering just what did I see?

Frances Dee has been hired to look after Tom Conway's wife Christine Gordon who is in a coma, but this is the sleepwalking type of coma and the natives have identified here as a zombie. Here illness whatever it is has cast a pall on the household. Conway and his mother apparently make a nice income which is half brother James Ellison drinks a lot of it away.

One thing that was interesting and highly unusual. The natives are the descendants of escaped slaves and the heritage there is one of reverting back to their tribal beliefs as an act of defiance. Slavery with few exceptions is rarely dealt with from the slave or former slave point of view.

Edith Barrett plays Conway and Ellison's mother. She likes Dee and views her as an ideal daughter-in-law for one of her kids. She also has another role on the island, one I can't reveal here.

Val Lewton produced and Jacques Tourneur directed I Walked With A Zombie. It's not great, I think it was butchered in the editing department. But the mood that is created will linger with you. And the ending is decades ahead of its time, something you might see in a Stephen King work.
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6/10
Some great voodoo scenes, but a little understated
gbill-7487729 August 2018
A nurse (Frances Dee) comes to the West Indies to help two brothers (Tom Conway and James Ellison) tend to the older of the two's wife (Christine Gordon), who is stuck in a perpetual trancelike state. Her doctor is mystified, but it's clear that voodoo from the locals must be involved. There are some nice scenes at night in the film, such as a walk through the rustling sugarcane fields, which evoke a dreamy and gothic feeling. The characters involved in the voodoo itself are fantastic, most notably, the solemn Carrefour (guardian of the crossroads), played by Darby Jones, who has an extraordinary appearance. He alone makes the film worth seeing, especially as it's so short at 69 minutes, but it's also great to briefly see the voodoo dancers.

Unfortunately, the film's three main characters are all uninspiring, wandering through this script as if they were the ones who were zombies, at least emotionally. A love is supposed to develop between Dee and Conway, which isn't based on anything we can possibly see, and is therefore unbelievable. The character actions also seem hard to believe at times as well, for example, when they discover the wife doesn't bleed when cut, nothing is done with this information. As in 'Cat People' (1942), also directed by Jacques Tourneur, there are some really nice, eerie moments in this film, but the rest of it is too understated for my taste, and lacking in emotion.
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7/10
Beautiful, Ethereal, Hypnotic, Tragic, Extremely Well Made Black-And-White Horror Classic
ShootingShark5 October 2007
Warning: Spoilers
Betsy is a nurse hired by Paul Holland, a sugar plantation owner on the Caribbean island of Saint Sebastian, to care for his comatose wife. Upon arrival, Betsy finds her patient's condition shrouded in mystery, a bitter family feud and the powerful influence of the local voodoo traditions. To complicate matters, she gradually falls in love with Paul ...

This is an extremely original, fabulous little film, which, despite its lurid title and meagre budget, has become a respected cult classic which continues to intrigue audiences on TV decades after the glossy romances and musicals it played as a B-feature to have been forgotten. Its power comes from the genius of two Hollywood immigrants; French director Tourneur, who creates an incredible style and atmosphere from almost nothing, and German writer Curt Siodmak, who seamlessly incorporates Gothic romantic elements from Jane Eyre and Rebecca into a a creepy, haunting tale of voodoo and hedonism. The sequence where Dee and Gordon walk through the canefields in search of the Houmfort is one of the subtlest, most spookily effective in all horror cinema, and the tragic plight of the characters, ending in a murder-suicide and a grim epitaph is still as potent and shocking as ever. This short film is crammed with memorable scenes - the minstrel's sung warning to Dee ("Her eyes are empty and she cannot talk / And a nurse has come to make her walk / The brothers are lonely and the nurse is young / And now you must see that my song is sung ... "), Ellison suddenly emerging from the shadows behind Conway, Barrett's guilty confession of the voodoo curse, all of the shots involving the amazing-looking Jones. Beautifully photographed by J. Roy Hunt, and handsomely produced by Val Lewton. Tourneur is probably the classic example of the refined Old School of horror film-making (though he worked in lots of genres) where what the movie creates in your own imagination is much more terrifying than anything you see. He was a brilliant director, and this is arguably his best movie. Sensational.
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8/10
There's no beauty only decay, everything dies here even the stars
sol-kay7 November 2004
Warning: Spoilers
***SPOILERS*** Undoubtedly the most atmospheric of the Lawton/Tourneur film collaborations "I Walked with a Zombie" is completely told in flashback by nurse Betsy Connell, Frances Dee. Who was sent from the cold weather of Ottawa Canada's Memorial Hospital to the warm Caribbean tropical breezes of the Island of St. Sebastian in the West Indies to care for Paul Holland's, Tom Conway, comatose wife Jessica.

A rehash of the Charlotte Bronte classic "Jean Eyre" the movie is also about the supernatural and unknown in the form of the Island's natives strange belief in Voodoo. Were also shown in the movie how it can effect a person thats put under it's spell by making them become a walking dead, a Zombie.

Betsy with the help of Dr. Maxwell, James Bell, can find no reason for Jessica's abnormal condition and thinks that she's the victim of some unknown tropical disease with no cure for it. But as the story goes on Betsy Paul and Dr. Maxwell as well as Paul's step-brother Wesley, James Ellison, begin to realize that what struck Jessica is something beyond the understanding of modern science or medicine. We learn the truth about Jessica, and what struck her and who was responsible for it, from non other then Mrs. Rand, Edith Barrett, Paul and Wesley's mother. Who's also a doctor, mostly for the natives, on the Island of St. Sebastian.

The movie has what's become a trademark in Lawton/Tourneur movies with it's use by director Tourneur of light and sound as well as the audience imagination to build up the tension. The tension reaches a point where it almost becomes unbearable to those watching without having a stiff drink to settle them down. The scene with Betsy and Jessica walking through the dark sugar cane field is a good example of how Tourneur can scare the hell out of you without any special effects like the way it's done in horror movies by todays movie makers.

In the quite and eerie moonlight the two women walk through the dark and spooky cane fields running into a host of bloodcurdling Voodoo artifacts. Then when reaching the outskirts of Islands Homefort where Betsy want to get Jessica help from the local Voodoo priestess, guess who she is, and runs into seven-foot tall Carre-Four, Darby Jones, standing guard. The sight of the creepy and giant Carre-Four scares the living hell out of Betsy as well as those of us in the audience watching. But that's as far as he's made to go by the movies director just to stand there, but the effect is absolutely heart-stopping.

Betsy falls in love with Paul but at the same time wants to restore Paul's wife Jessica back to health and thus lose him. Paul who also fell in love with Betsy want's her to leave the Island to prevent that from happening. But at the end of the movie it becomes evident that Jessica is not alive but a Zombie and it was Mrs. Rand who hid this from everyone to keep the truth from coming out. Mrs. Rand in a way held herself responsible for Jessica's illness since she was deeply involved with the Island natives who's spell put Jessica in that condition.

Were also told that Jessica was not exactly the sweet and kind person that Nurse Betsy was told that she was by Paul. I was Jessica that wanted to destroy the Holland family, as well as their sugar company on the Island, by having an affair with Paul's step-brother Wesley. This all lead to the casting of a deadly Voodoo spell on her by the local natives which turned her into a card carrying member of the walking dead.

Tragically in the end Wesley, who realized that his affair with Jessica lead to all this, together with the doomed and already dead Jessica end up under the waves of the Caribbean Sea. The movie does such a good job of exploring and explaining Voodoo and Zombies that it almost makes you believe, like it does Paul Wesley Betsy Dr. Maxwell and Mrs. Rand, in it.

Don't expect "I Waked with a Zombie" to be a horror movie. It's a far more gripping and perceptive film about the unknown that's all around us that were just too blind to see and believe. Until it's jolting effects hits us, like it did to those in the movie, right between the eyes.
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7/10
Very good and moody reworking of Jane Eyre
planktonrules1 November 2006
Warning: Spoilers
This is a very strange movie in several ways--beyond just that fact that the producer and director wanted a "strange" film. The genre of film is very tough to determine for I WALKED WITH A ZOMBIE. Despite the title and the zombies, this really isn't a horror film--though there are definitely some scary elements. And, unlike the original, it isn't exactly a romance. Sure, the nurse (Francis Dee) does become infatuated with the older brother (Tom Conway--the real life brother of George Sanders), but unlike the original Jane Eyre, this is not really fully developed in the film. And, in some ways, it's a mystery film because HOW Conway's wife became a zombie was a secret that is only revealed at the end. And, it's a tragedy as the ending, in particular, is quite sad. So, in effect, it's a horror-like romantic-suspense-mystery! Considering that the movie was a B-movie with a small budget and lesser name actors, they certainly had a very successful film that delivered a lot of "bang for the buck". The acting was decent, the direction superb and the sets super-effective. While not a great film, it is quite entertaining and worth seeing. I was really torn on how to score this film--it's more of a 7.5!
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8/10
Beautiful and dreamy horror(ish) film.
hitchcockthelegend27 May 2008
Nurse Betsy arrives in the West Indies to care for Jessica, the wife of Paul Holland. Jessica was struck down with a fever that has rendered her in a permanent state of mental paralysis. As Betsy starts to fall for Holland, she resolves to cure Jessica and get to the bottom of just what is going on in this mysterious place.

Producer Val Lewton firmly carved out a reputation for having a keen eye with a number of literary horror adaptations in the 1940s, there is certainly a case for I Walked With A Zombie being one of the best of the bunch. Tho tagged as a horror film, and boasting a title to further that inkling, I Walked With A Zombie is more in keeping with the dreamy and atmospheric romanticism of Jane Eyre. Sure the voodoo core of the film is chilling in its intent, but to really sell this as an outright horror film would do it a big disservice.

Lewton's ideals are more focused on suggestion in a psychological way, the scares more cloaked in a shadowy unease, director Jacques Tourneur perfectly in tune with his producer to unhinge the audience by way of an approaching dread we can't see. Some of Tourneur's work here is wonderful, hauntingly elegiac sequences linger long in the memory, rustling wind blows as characters are appearing to float thru sugar cane fields, the distant rumble of ceremonial drums luring them forward with mystical powers. A voodoo zombie shuffling on a mission to fetch poor Jessica from the plantation home is not horrifying, its damn near gorgeous, soft and near silent in its execution, the whole film is simply full of memorable moments.

Written by Curt Siodmak, the concept for the piece came about by way of a number of newspaper articles that were telling of voodoo and witchcraft in Haiti, the scope for a screamathon horror movie was obviously there, but thankfully in this viewers humble opinion, we get a classy and chilling film that is dripping with ethereal beauty from first reel to last. 8/10
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6/10
Say what?
dstanwyck28 May 2015
That's what I said. What in the world, or rather, other world was that all about? Beautifully atmospheric and photographed and as James Agee said about Frances Dee "one of the most beautiful faces in Hollywood", and well enough acted. But - what was going on? One absurdity after another. No real need to make any sense out of it. After all, what sense could be made? None. Too many loose ends and unfinished thoughts and jumpings ahead and poorly scripted without anything holding it up. And, finally, who cares and if you do, why? However - it was exquisite to look at which is all that you need to do for this film. Just look at it and breathe it in. And, in the end, in this film - that is all that really mattered. 6 stars for "stuff" and 11 stars for beauty.
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10/10
Moody, Creepy Masterpiece
Gafke16 April 2004
"I Walked With A Zombie" is a brilliant bit of film making. Based somewhat on the classic story of "Jane Eyre," "Zombie" takes us to the South Seas, where Nurse Betsy Connell arrives on a remote sugar plantation owned by the mysterious and reclusive Paul Holland. Betsy has been hired to care for Paul's wife Jessica, a catatonic beauty who wanders around in her nightgown a lot, looking (as the Sex Pistols once put it) Pretty Vacant. The locals whisper about zombies, believing that Jessica has been cursed and is now one of the living, walking dead. A calypso singer follows Nurse Betsy around a lot, providing her with clues in his catchy songs. Nurse Betsy, far from being a close-minded Westerner, becomes intrigued by the tales of zombies and is determined to learn the truth about Jessica's condition in hopes of curing the woman. She even bravely ventures into the cane fields in the dead of night, following the worlds creepiest looking native (a golf-ball eyed zombie-like man) to a voodoo ceremony with Jessica at her side.

Fans of Fulci zombies may be disappointed by the lack of gut-munching gore here. These zombies are not cadavers returned from the grave, half-rotted horrors shambling about looking for flesh to feast upon. These are traditional, mind-erased zombies, unfeeling, unthinking and unresponsive to anything. The atmosphere is wonderful, filled with great music, strong women and natives who look like the real thing. The love triangle quickly becomes a love square and the haunting conclusion is both shocking and grimly satisfying. Fans of the brilliant Tourneur won't be disappointed - his mark is all over this beautiful film, from beginning to end. It is one of his very best.
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6/10
Unstoppable voodoo.
michaelRokeefe6 November 2004
Thought-provoking, literate horror from RKO Radio Pictures. This 'Jane Eyre'-like story is probably the most memorable Val Lewton/Jacques Tourneur collaboration. This eerie film still holds firm after all these years. The story's menacing fear is not what appears on screen, but what hovers in the minds of the characters on screen. A young American nurse(Frances Dee)comes to Haiti to care for a rich plantation owner's(Paul Holland)catatonic wife(Christine Gordon), who appears to be burnt out by a tropical disease. Of course the locals believe she is a zombie...victimized by rampant voodoo. The nurse falls in love with her employer and is desperate to find a cure for his wife and seeks a cure at a voodoo ritual. Creepy enough with great eerie atmosphere. Rounding out the cast are: James Ellison, Edith Barrett and the beach strolling zombie...Darby Jones.
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5/10
Not Your Typical Zombie Movie
ccthemovieman-112 February 2006
Well, this was nothing like I thought it might be, which means good news and bad news.

BAD NEWS - Very little action, almost none. Mostly talk, talk and more talk. This was much more of melodrama with the only skeletons were the ones in the closet that are revealed near the end, uncovering past sins in a family. With the title of this film, I can't expecting something dramatic, something to happen....but it didn't.

GOOD NEWS - The black-and-white film offered some great visuals, wonderful contrasts and, as Lewton films are known to do - "atmospheric" cinematography. That, and the strange-looking anorexic voodoo man, are my main good memories of this film, which was transfered nicely on DVD as part of the Lewton Horror Collection.

The acting was fine and the dialog interesting at times. In summary, a so-so film I might watch again, and I might not. It's that kind of film.
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