US art dealer returns to his native Germany for a visit and is attracted by Nazi propaganda.
Director:
Writers:
Stars:
Awards:
- Nominated for 2 Oscars.
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Cast verified as complete
Paul Lukas | ... |
Martin Schulz
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Carl Esmond | ... |
Baron von Friesche
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Peter van Eyck | ... |
Heinrich Schulz
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Mady Christians | ... |
Elsa Schulz
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Morris Carnovsky | ... |
Max Eisenstein
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K.T. Stevens | ... |
Griselle Eisenstein
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Emory Parnell | ... |
Postman
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Mary Young | ... |
Mrs. Delaney
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Frank Faylen | ... |
Jimmie Blake
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Charles Halton | ... |
Pip-Squeak Who Censors Play
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Erwin Kalser | ... |
Stage Director
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Frank Reicher | ... |
Professor Schmidt
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Dale Cornell | ... |
Carl Schulz
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Peter Newmeyer | ... |
Wilhelm Schulz
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Larry Olsen | ... |
Youngest Schulz Boy
(as Larry Joe Olsen)
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Gary Gray | ... |
Hugo Schulz
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Rest of cast listed alphabetically: | |||
Fred Aldrich | ... |
Rock-Tossing Rioter (uncredited)
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Louis V. Arco | ... |
Nazi Party Member (uncredited)
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Martha Bamattre | ... |
Cook (uncredited)
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Tina Blagoi | ... |
Maid (uncredited)
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Sven Hugo Borg | ... |
Angry German at Play (uncredited)
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Vernon Dent | ... |
Nazi Party Member (uncredited)
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Carl Ekberg | ... |
Chauffeur (uncredited)
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Fred Essler | ... |
Minister (uncredited)
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Fred Farrell | ... |
Gateman (uncredited)
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Arno Frey | ... |
German (uncredited)
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Hans Fuerberg | ... |
Footman (uncredited)
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Curt Furberg | ... |
Nazi Party Member and Guest (uncredited)
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Frederick Giermann | ... |
Bank Clerk (uncredited)
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Ernest Golm | ... |
Franz (uncredited)
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Ilka Grüning | ... |
Grandma (uncredited)
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Sam Harris | ... |
Guest at Christening (uncredited)
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Peter Helmers | ... |
German (uncredited)
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Stuart Holmes | ... |
Guest at Christening (uncredited)
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Dick Jensen | ... |
Nazi Party Member (uncredited)
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Paul Kruger | ... |
Nazi Party Member (uncredited)
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Bert LeBaron | ... |
Nazi Party Member (uncredited)
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Ralph Linn | ... |
Nazi Party Member (uncredited)
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John Merton | ... |
Angry German at Play (uncredited)
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Bert Moorhouse | ... |
Guest at Christening (uncredited)
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Harry Hays Morgan | ... |
Waiter (uncredited)
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Otto Reichow | ... |
Angry German at Play (uncredited)
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Robert R. Stephenson | ... |
German Postman (uncredited)
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Hilda Tanzler | ... |
Guest at Christening (uncredited)
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Dorothy Vernon | ... |
Cook (uncredited)
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Lucy Von Boden | ... |
Guest at Christening (uncredited)
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Directed by
William Cameron Menzies |
Written by
Herbert Dalmas | ... | (screen play) |
Kressmann Taylor | ... | (story) |
Lester Cole | ... | (adaptation) (uncredited) |
Produced by
Lonnie D'Orsa | ... | assistant producer |
William Cameron Menzies | ... | producer |
Sam Wood | ... | producer (uncredited) |
Music by
Ernst Toch | ||
Mario Castelnuovo-Tedesco | ... | (uncredited) |
Cinematography by
Rudolph Maté | ... | director of photography |
Editing by
Al Clark |
Art Direction by
Lionel Banks | ||
Walter Holscher |
Set Decoration by
Joseph Kish | ... | (set decorations) |
Second Unit Director or Assistant Director
John Sherwood | ... | assistant director |
Sound Department
Edward Bernds | ... | sound engineer (uncredited) |
Camera and Electrical Department
Victor Scheurich | ... | camera operation |
Richard H. Kline | ... | assistant camera (uncredited) |
Costume and Wardrobe Department
John Hambledon | ... | costumer |
Henry West | ... | wardrobe |
Music Department
Morris Stoloff | ... | musical director (as M.W. Stoloff) |
Ernst Toch | ... | arranger |
Production Companies
Distributors
- Columbia Pictures (1944) (United States) (theatrical)
- Columbia Pictures Corporation (1944) (United Kingdom) (theatrical)
- Columbia Pictures of Canada (1944) (Canada) (theatrical)
- Columbia Films S. A. (1944) (Mexico) (theatrical)
- Columbia Pictures of Chile (1944) (Chile) (theatrical)
- Christiaan van der Ree (1944) (Venezuela) (theatrical)
- Columbia Pictures de Cuba (1944) (Cuba) (theatrical)
- Columbia Pictures do Brasil (1944) (Brazil) (theatrical)
- Columbia Pictures of Peru (1944) (Peru) (theatrical)
- Columbia Pictures of Peru (1944) (Bolivia) (theatrical)
- Columbia Pictures of Panama (1944) (Panama) (theatrical)
- Screen Gems (1956) (United States) (tv)
- Sony Pictures Television (2002) (United States) (tv) (syndication)
- Sony Pictures Television International (2005) (United States) (tv) (syndication)
- Sony Pictures Home Entertainment (2011) (United States) (DVD) (dvdr)
- Mill Creek Entertainment (2019) (United States) (Blu-ray) (in Noir Archive 9-Film Collection)
Special Effects
Other Companies
- International Alliance of Theatrical Stage Employees (IATSE) (acknowledgement)
- Western Electric (mirrophonic sound recording)
Storyline
Plot Summary |
Martin Schulz (Paul Lukas), a German-American art dealer, returns to Germany at the outbreak of World War Two, adopts the Nazi propaganda philosophy, refuses to protect the Jewish fiancee, Griselle Eisenstein (K.T. Stevens), of his son Heinrich Schulz (Peter Van Eyck), who has stayed in America to run the family business, and ultimately falls victim to the Gestapo himself.
Written by Les Adams |
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Taglines | To the millions who were shocked when they read it! This picture if the fulfillment of your every expectation! (original prints ads) See more » |
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Parents Guide | Add content advisory for parents » |
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Did You Know?
Trivia | K.T. Stevens (real name: Gloria Wood) is the daughter of the film's producer, Sam Wood. See more » |
Goofs | When Griselle first puts her bloody hand on the frame of Schulz's entrance door after he opens up, the right hand is placed at a certain height and angle while the fingers are spread in a certain shape. But in the following cuts, the hand and fingers have constantly changed angles and positions. In addition, the shape of the bloody hand-print left on the door frame after Schulz closes the door does not match the shape and location Griselle originally placed her hand. See more » |
Crazy Credits | The final fade-out is a closeup of the returned letter, specifically the "Address Unknown" stamped in English. It forms an end title card, which was itself unusual for its time. See more » |
Quotes |
Baron von Friesche:
Does he know the conditions he doesn't like? I find that hard to understand. I myself would hesitate to form conclusions without firsthand evidence. You must set him right. I suppose it isn't easy for a foreigner to understand the agonies our people have suffered since the Treaty of Versailles. What years of less and less bread, of leaner bodies, of the end of hope... [pauses to offer Herr Schulz a cigarette] Martin Schulz: [accepting a cigarette] Oh, thank you. Baron von Friesche: The quicksand of despair held us. Then just before we died, a man came and pulled us out. Baron von Friesche: [turning to Herr Professor] You are a native of Munich, Herr Professor? Professor Schmidt: Well, uh... Baron von Friesche: You have *witnessed* this deliverance. Professor Schmidt: If it *is* a deliverance... Baron von Friesche: [turning to Herr Schulz] You know, there's a surge, my friend. A surge. Our whole despair has been thrown aside like a forgotten coat. No longer do we wrap ourselves in shame. Baron von Friesche: [turning to Herr Professor] What can be wrong about a man who affects people so? Professor Schmidt: When people are hungry, they don't care *what* kind of a man it is who gives them bread. See more » |