Father's Week-end (1953) Poster

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8/10
Story of my life.
OllieSuave-00716 November 2017
This is a Goofy cartoon where it shows his daily, routine life - going to and from work and back home. On Saturday, he spends the night out on the town, and on Sunday, he rests. Seems like a great way of life. However, his son, who's quite a handful, wants Goofy to take him to the beach on a Sunday, where he has anything but fun.

It was quite entertaining seeing Goofy's interaction with his son while he runs into some misadventures at the carnival by the beach. Him getting stuck in traffic was the funniest scene, I think. Then, after Goofy finally arrives him and gets up the next morning, the routine workweek starts again - much like a story of my life.

A realistic and funny cartoon!

Grade B+
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8/10
Daddy, daddy cool - very funny, especially early and late
Horst_In_Translation15 December 2017
Warning: Spoilers
"Father's Week-end" is an American 7-minute cartoon from 1953, so this one has its 65th anniversary next year and this one including names Kinney², Colvig and Foray in its production makes obvious already that you can expect quality here. And if you do so, not even then, you will not be disappointed. Once again, Goofy plays the average (American) citizen, who not only struggles with his son, but also with his woman, his dog, neighbors and a brute at the amusement park, the tunnel of love to be more precise. I personally thought the frame of the film, i.e. the change between week and weekend and back, was among the best aspects. The way the mother shouts at the boy to leave daddy alone so he can sleep long enough and then bothers him with the hooves is pretty funny, just like the final reference about our man/dog badly needing Monday to relax from Sunday. The father-son trip was not that amazing or funny to be honest. It wasn't bad either, but pretty mediocre and inferior compared to the rest of the film. Shame it takes up so much time. I think I liked this one more when I watched it the first time several years ago, but I still give it the benfit of doubt and elevate it into the exclusive circle of short films from 1953 that were really great and this one is probably among the best the year had to offer, even without awards attention. See this one, one of my favorite Goofy cartoons. The narrator is very good too and adds humor from another perspective. That's all now, you don't wanna miss out here and you should make use of the fact that this one is also really easy to find.
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8/10
Most everyone knows from playing Monopoly that . . .
tadpole-596-91825625 April 2022
Warning: Spoilers
. . . parking is supposed to be free. Yet, when the dog driving his hybrid son to the ocean reaches the beach, a sign clearly states "Parking, 25 cents" midway through FATHER'S WEEK-END. This is a deft illustration of the If You Give A Mouse A Cookie Principle. Not content to rake in a few odd quarters, most American cities now have graduated to all-digital credit card parking fees, often coupled with a scam about "Peak Timing" in which it is ALWAYS the highest premium rate except for 3:32 to 3:33 AM, local time. Because the weak American generation which came of age during Goofy & Biden's 1950's failed to nip unfair parking fees in the bud, Today's drivers are stuck with Highway Robbery!
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9/10
Goofy's not so quiet Sunday
TheLittleSongbird16 August 2013
Any Goofy short is worth seeing once, and Father's Week-end is not an exception. Junior is cute to look at and counter-balances really well with Goofy, but somewhat of an irritating brat as well. Other than that, Father's Week-end is one of Goofy's better domestic shorts, which generally are entertaining if not quite on par with the How to...series. The animation is made up of vibrant colours and fluid drawing, the background art is often very striking. Especially that for the amusement park scene, though similar to those used in Straight Shooters(with Donald Duck) and Hold that Pose(also with Goofy). The music is lively and very pleasant on the ears, giving the gags a lot of character. One of the Disney shorts' biggest strengths was how the music blended and synchronised so well with the action and Father's Week-end is no exception to that. The gags are clever and don't forget to entertain, the scenes with Goofy in the tunnel of love and when he gets a tattoo are just great. The story is always involving and done in a way that you can relate to Goofy's situation, all of us would love a quiet Sunday, which for Goofy because of his son is not possible. Goofy is still an immensely likable character, and naturally humorous as well. Pinto Colvig and June Foray bring dynamic voice-acting to what they have, which is wittily written and easy to understand. Overall, easy to like, colourful and funny, not a masterpiece for Goofy but a winner all the same. 9/10 Bethany Cox
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10/10
A Goofy Sunday
Ron Oliver8 April 2003
A Walt Disney GOOFY Cartoon.

FATHER'S WEEK-END turns out to be something rather different from the quite respite for which he'd hoped.

This humorous little film has Goofy once again portraying his vaguely human alter ego George Geef. The viewer has to feel a tad sorry for him as he deals with all the complications the Disney animators can hurl his way.

Walt Disney (1901-1966) was always intrigued by pictures & drawings. As a lad in Marceline, Missouri, he sketched farm animals on scraps of paper; later, as an ambulance driver in France during the First World War, he drew comic figures on the sides of his vehicle. Back in Kansas City, along with artist Ub Iwerks, Walt developed a primitive animation studio that provided animated commercials and tiny cartoons for the local movie theaters. Always the innovator, his ALICE IN CARTOONLAND series broke ground in placing a live figure in a cartoon universe. Business reversals sent Disney & Iwerks to Hollywood in 1923, where Walt's older brother Roy became his lifelong business manager & counselor. When a mildly successful series with Oswald The Lucky Rabbit was snatched away by the distributor, the character of Mickey Mouse sprung into Walt's imagination, ensuring Disney's immortality. The happy arrival of sound technology made Mickey's screen debut, STEAMBOAT WILLIE (1928), a tremendous audience success with its use of synchronized music. The SILLY SYMPHONIES soon appeared, and Walt's growing crew of marvelously talented animators were quickly conquering new territory with full color, illusions of depth and radical advancements in personality development, an arena in which Walt's genius was unbeatable. Mickey's feisty, naughty behavior had captured millions of fans, but he was soon to be joined by other animated companions: temperamental Donald Duck, intellectually-challenged Goofy and energetic Pluto. All this was in preparation for Walt's grandest dream - feature length animated films. Against a blizzard of doomsayers, Walt persevered and over the next decades delighted children of all ages with the adventures of Snow White, Pinocchio, Dumbo, Bambi & Peter Pan. Walt never forgot that his fortunes were all started by a mouse, or that childlike simplicity of message and lots of hard work will always pay off.
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