Viva Maria! (1965)
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- Not Rated
- 2h 0min
- Adventure, Comedy
- 18 Dec 1965 (USA)
- Movie
- Won 1 BAFTA Film Award. Another 3 nominations.
- See more »
Photos and Videos
Complete, Cast awaiting verification
Brigitte Bardot | ... |
Maria Fitzgerald O'Malley aka Maria I
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Jeanne Moreau | ... |
Maria Fitzgerald O'Malley aka Maria II
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George Hamilton | ... |
Flores
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Paulette Dubost | ... |
Mme Diogène
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Gregor von Rezzori | ... |
Diogène
(as Gregor Von Rezzori)
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Poldo Bendandi | ... |
Werther
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Claudio Brook | ... |
The Great Rodolfo
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Carlos López Moctezuma | ... |
Rodríguez
(as Carlos Lopez Moctezuma)
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Jonathan Eden | ... |
Juanito Diogène
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Francisco Reiguera | ... |
Father Superior
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Adriana Roel | ... |
Janine
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José Baviera | ... |
Don Alvaro
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José Ángel Espinosa 'Ferrusquilla' | ... |
The Dictator of San Miguel
(as José Ángel Espinoza)
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Fernando Wagner | ... |
Father of Maria I
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Roberto Pedret | ... |
Pablo
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Luis Rizo Casolo | ... |
Strongman
(as Luis Rizo)
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Rest of cast listed alphabetically: | |||
Ramón Bugarini | ... |
Minor Role (uncredited)
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José Luis Campa | ... |
Scout Soldier (uncredited)
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Roberto Campa | ... |
Scout Soldier (uncredited)
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José Esqueda | ... |
Scout Soldier (uncredited)
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Eduardo Murillo | ... |
Scout Soldier (uncredited)
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Carlos Riquelme | ... |
Town Major (in railroad station) (uncredited)
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Directed by
Louis Malle |
Written by
Louis Malle | ... | (scenario and dialogue) and |
Jean-Claude Carrière | ... | (scenario and dialogue) (as Jean-Claude Carriere) |
Produced by
Óscar Dancigers | ... | producer (as Oscar Dancigers) |
Music by
Georges Delerue |
Cinematography by
Henri Decaë | ... | director of photography (as Henri Decae) |
Editing by
Suzanne Baron | ||
Kenout Peltier |
Editorial Department
Claude Le Gallou | ... | assistant editor (as C. Le Gallou) |
Claudine Merlin | ... | assistant editor (as C. Merlin) |
Production Design by
Bernard Evein |
Costume Design by
Pierre Cardin | ||
Ghislain Uhry |
Makeup Department
Odette Berroyer | ... | makeup artist (as O. Berroyer) |
Pierre Berroyer | ... | hair stylist (as J.P. Berroyer) |
Simone Knapp | ... | makeup artist (as S. Knapp) |
Production Management
Pascual Aragonés | ... | production director (as Pascual Aragones) |
Alain Quefféléan | ... | production director (as Alain Queffelean) |
Second Unit Director or Assistant Director
Juan Luis Buñuel | ... | assistant director (as Juan-Luis Buñuel) |
Manuel Muñoz | ... | assistant director (as Mañuel Muñoz) |
Volker Schlöndorff | ... | assistant director (as Volker Schloendorff) |
Art Department
Rafael Suárez | ... | set dresser (as Rafael Suarez) |
Sound Department
José B. Carles | ... | sound (as Jose Carles) |
Special Effects by
Lee Zavitz | ... | special effects (as Lee Zavits) |
Camera and Electrical Department
Alain Douarinou | ... | camera operator |
Jicky Dussart | ... | still photographer (uncredited) |
John R. Hamilton | ... | still photographer (uncredited) |
Douglas Kirkland | ... | still photographer (uncredited) |
Costume and Wardrobe Department
Georgette Somohano | ... | costumer (as G.Somoano) |
Script and Continuity Department
Jacqueline Parey | ... | script girl (as Jacqueline Decae) |
Additional Crew
Georges Gillet | ... | administrator |
Ghislain Uhry | ... | color advisor |
Jess Hahn | ... | voice dubbing: Claudio Brook (uncredited) |
'Chema' Hernandez | ... | livestock coordinator: Mexico (uncredited) |
Production Companies
- Nouvelles Éditions de Films (NEF) (co-production)
- Les Productions Artistes Associés (co-production)
- Vides Cinematografica (co-production) (Rome)
Distributors
- United Artists (1965) (France) (theatrical)
- United Artists (1965) (United States) (theatrical) (subtitled)
- United Artists (1966) (Argentina) (theatrical) (as Artistas Unidos)
- United International Pictures (UIP) (1966) (West Germany) (theatrical)
- United Artists (1966) (United Kingdom) (theatrical) (subtitled)
- United Artists (1966) (Sweden) (theatrical)
- Dear Film (1966) (Italy) (theatrical)
- United Artists (UA) (1966) (Japan) (theatrical)
- Nova Film (1966) (Netherlands) (theatrical)
- Kommunenes Filmcentral (KF) (1966) (Norway) (theatrical)
- National Broadcasting Company (NBC) (1973) (United States) (tv) (original airing) (dubbed version) (pan/scan)
- 2ème chaîne ORTF (1974) (France) (tv)
- RTL-TV (1977) (Luxembourg) (tv)
- Antenne 2 (A2) (1988) (France) (tv)
- Canal+ (1989) (France) (tv)
- Canal+ (1995) (France) (tv)
- France 2 (FR2) (1997) (France) (tv)
- Image Entertainment (1997) (United States) (video) (LaserDisc)
- MGM Home Entertainment (2005) (United States) (DVD)
- Kinokuniya (2006) (Japan) (DVD)
- ARTE (2009) (France) (tv)
- Fox Pathé Europa (2017) (France) (Blu-ray) (restaured master)
- Fox Pathé Europa (2017) (France) (DVD) (restaured master)
- Malavida (2022) (France) (theatrical) (re-release) (4K restoration)
- MGM Home Entertainment (1994) (United States) (VHS)
- MGM World Films (2005) (United States) (DVD)
- Metro-Goldwyn-Mayer (MGM) (2005) (United States) (DVD)
- Warner Home Video (1994) (United States) (VHS)
- Warner Home Video (1994) (United States) (VHS) (for MGM/UA)
Special Effects
Other Companies
- Pierre Cardin (costumes)
- Panavision France (filmed in)
- Estrella (staff)
- S.I.M.O. (auditorium)
Storyline
Plot Summary |
Somewhere in Central America in 1907: Maria II is the daughter of an Irish terrorist. After her father's death, she meets Maria I, a singer in a circus. She decides to stay with the circus, and on her debut as a singer, she unintentionally invents the strip-tease and makes the circus famous. Then they accidentally meet a socialist revolutionary and find themselves leading a revolution against the dictator, the capitalists and the Church.
Written by Stephan Eichenberg |
Plot Keywords | |
Taglines | Viva Don't Miss It! See more » |
Genres | |
Parents Guide | View content advisory » |
Certification |
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Filming Locations |
Box Office
Budget | $2,200,000 (estimated) |
Did You Know?
Trivia | This movie was the subject of one of two U.S. Supreme Court cases that led to the establishment of the MPAA Ratings Code. Upon the U.S. release of this "Viva Maria," the movie classification board of the city of Dallas, Texas, banned the movie within the city on the grounds that it was too racy. The American distributor sued - case title: "Interstate Circuit, Inc. v. City of Dallas (1968) - and, on 22 April 1968, won. In its ruling, the Supreme Court stated that censorship aimed at minors was okay, but censorship could not be applied to adults. On the same day, the Supreme Court handed down its ruling in a second case, titled "Ginsberg v. New York (1968)," which established that 17 years of age constituted adulthood in cases of censorship. The case involved a New York City luncheonette owner named Sam Ginsberg who was caught selling a "Playboy" magazine to a 16 year old in a NYPD sting operation. The Supreme Court ruled that if the boy had been 17 years old, then Ginsberg would have done no wrong in selling him the magazine. By combining these two rulings, the Supreme Court established the precedent that adult-oriented movies were acceptable as long as "no one under 17 is admitted without parent or adult guardian." See more » |
Goofs | The Pound sign on the wanted poster has been placed after the figure. This is the French practice. In England it would be in front. See more » |
Movie Connections | Featured in Hollywood Comes of Age (1996). See more » |
Soundtracks | Paris, Paris, Paris See more » |
Quotes |
Maria Fitzgerald O'Malley aka Maria II:
Rodolfo, come over here and meet my new partner. Oh, that's right, I don't even know your name. Maria I: Marie Fitzgerald O'Malley. Maria Fitzgerald O'Malley aka Maria II: Marie? The Great Rodolfo: Mary? Maria I: I'm not Mary. Marie. The Great Rodolfo: Mary and Mary. That's splendid! See more » |