Shock Treatment (1973) Poster

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7/10
"Shock Treatment"
tim-764-29185619 February 2012
'Shock Treatment' is the quoted translation at the start of this Alain Delon flick, part of the Alain Delon 'Screen Icons' box-set. The title used by IMDb stinks of Carry On innuendo as it belittles a popular sort of subject when it was made in 1973.

Rejuvenation and cosmetic beautification and its perceived ramifications were subjects handled quite a bit by the likes of Michael Crichton and this rather strange brew of beauty and savagery quite neatly stitches these two aspects together.

Annie Girardot plays the retail executive out to get some posh spa treatment at the exclusive resort run by the sinister Dr Devilers (Delon). Amongst the carrot juice cocktails and seaweed scrubs are life- affirming injections, whilst the ever rotating staff of illegally working Portuguese young male staff are despondent for some reason. A fellow patient mysteriously commits suicide and so Girardot goes on the prowl and does some investigating.

The explicit nudity was indeed an eye opener as I was only aware beforehand that it was cert 15 but of course all that frivolity, naturalness and freedom comes at a price. It all becomes nicely sickening the more we know as to how the clinic works and how it gets its medical "powers".

All in all, it's quite fun, suspenseful and macabre but please don't think that it's a cheesy comedy that's only out for cheap laughs that its popular title conveys.
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7/10
Futuristic shock treatment is tame today
melvelvit-112 September 2008
Warning: Spoilers
Alvin Toffler's "Future Shock" was required reading on college campuses across America back in 1972 and the alarmist book, "about the future and the shock that its arrival brings" was only a forerunner of the fears the 1970s grappled with. Many movies at the time jumped on the bandwagon with cautionary tales and one of the better ones was Alain Jessua's TRAITMENT DE CHOC (1973) which tells the story of Helene (Annie Girardot), a wealthy French fashion designer who has a mid-life crisis when her boyfriend leaves her for a younger woman. On the advice of a friend (Robert Hirsch), she checks into a revolutionary rejuvenation clinic run by the charismatic Dr. Devilers (Alain Delon) where the clientèle, "a microcosm of society" consisting of judges, politicians, bankers, and wealthy heirs, form a sort of secret sect. Helene feels great after the first injection but when her friend can no longer pay, he becomes a pariah in the tight-knit community and he tries to warn her away. The next day he commits suicide and Helene is determined to leave the spa against the doctor's advice until she's approached by two undocumented Portugese male help who separately plead with her to help them escape just before they disappear. Helene becomes intent on discovering the suddenly sinister clinic's mysterious secrets and doesn't hesitate to sleep with the doctor to find out...

The primitive "tribal" soundtrack reflects the film's premise that for all of man's technological advancements, the law of the jungle still holds with the strong preying on the weak (or, in this case, the rich feeding off the poor) in a society with more than its share of "disposables". The suspense builds slowly and the climax, although it's lost some impact after decades of similar denouements, is a shocker -but what's really scary is how little the rest of the world cares about the dreadful things Helene discovers. The similarly-themed SOYLENT GREEN was made the same year which shows that these "Me Decade" fears taken to the extreme were universal and continued to be reflected on the screen in such sci-fi films as WESTWORLD (1973), THE STEPFORD WIVES (1975), and DEATH RACE 2000 (1975). There's also a bit of "free love" commentary as the aptly named Dr. Devilers (get it?) casually sleeps with all his female patients and, compared to Hollywood films at the time, both the sympathetic treatment of a gay man (Hirsch) and the full-frontal nudity of Delon & Co. come as a bit of a shock even though both were "natural" and in context. Recommended.
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6/10
The Brotherhood of Youth
claudio_carvalho23 July 2012
When the executive of the fashion industry Hélène Masson (Annie Girardot) is dumped by her lover, she has a midlife crisis and her friend Gérôme Savignat (Robert Hirsch) advises her to spend vacation in the isolated rejuvenation clinic owned by Dr. Devilers (Alain Delon) and his partner Dr. Berbard (Michel Duchaussoy). Hélène is welcomed by the happy clients and befriends the Portuguese employee João, who is an illegal immigrant, practicing her knowledge in Portuguese language with him.

After the first injection of a formula based on animal blood, Hélène feels very well. But soon Gérôme can not afford to pay the treatment and commits suicide. Then João disappears and Dr. Devilers does not allow her to check-out the clinic. Hélène is suspicious that something is wrong and she goes further in her investigation of the clinic and finds the secret of the rejuvenation formula of Dr. Devilers.

"Traitement de Choc" is an unbelievable story of a doctor that uses illegal immigrants as an important component of his formula of rejuvenation. The story is of the same year of "Soylent Green" and both uses human blood and flesh with different purposes. The director Alain Jessua uses a bold but also silly scene of frontal nudity of the actors and actresses that does not add any value to the movie. My vote is six.

Title (Brazil): "Tratamento Diabólico" ("Devilish Treatment")
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7/10
Rejuvenation
jotix10017 February 2011
Warning: Spoilers
Helene Masson, a busy executive from Paris goes for a special treatment at a spa where she meets a lot more than just to give her body a treat, and a rest from her busy schedule. The clinic where she is going to stay is run by an enigmatic man, Dr. Devilers, whose program gets fabulous results in restoring a youthful appearance and a special glow to its many repeat patients, that find what they are looking for at the hands of the able staff. Unfortunately, they will be eating a diet that includes a lot of sea grass in its menu.

It does not take long before Helene starts noticing the Portuguese workers moving like automatons. When one of them falls in the swimming pool, she jumps to save him from drowning. There are many things that do not make sense. Helene decides to investigate, something that takes her to uncharted territory. In doing so, Helene is suspected of wanting to destroy Dr. Devilers wonderful work. She will be shocked when she realizes what she has gotten herself into.

Director Alain Jessua directed this thriller with shades of science fiction we never saw. Because of its nudity, this film probably had limited release, but not knowing for sure, we could not even hazard a guess. One of the strengths of the film is the production design by Geo Huris, Yannis Kokkos, and Constantin Mejinsky. The setting for the film looks contemporary by today's standards. The achievement of Mr. Jessua lies on the great look he gave the picture, something that is rare in films of more recent vintage. The camera work of Jacques Robin works well, as does the original score by Mr. Jessua and Rene Koering.

Annie Girardot, one of the great French cinema actresses of all times, is excellent as Helene. Alain Delon, one of the handsomest faces of the world cinema, bares it all in a sequence that will be remembered for its frankness at a time when nudity well known actors did not show their charms for audiences to see. Robert Hirsch and Michael Duchaussoy are also featured.
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6/10
Shocking enough ?
chaswe-2840227 August 2018
The biggest shock was watching the interview with the director, Jessua, on the special features disc. Anyone less like a movie personality would be hard to imagine. More like your friendly neighbourhood greengrocer. How did this guy ever stray into the cinematic world ? If this flick became a success it was because it presented two stars, in roles which did not type-cast them. There is also an extended, reasonably unshocking, nudist scene of numerous extras at the seaside. Including the stars, Delon and Girardot. Hilarious. Weird is not the word. Plot and direction are beyond eccentric. Positively peculiar. Sort of haphazard. Murder, immigrant exploitation, police and other corruption are the message. Same as what used to be that of the News of the World, of distant British memory. Shock enjoyed for phony moral reasons.
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7/10
"What are you after?"
moonspinner5527 March 2024
38-year-old businesswoman (Annie Girardot), healthy but exhausted from work, takes the advice of her gay friend and checks into a rehabilitation spa overlooking the ocean. The institute specializes in living cell therapy, the menu consists of seaweed dishes, and a notice on the wall claims "your physical posture reflects the state of your psyche". It all looks good from the outset, but the new arrival's first hint of trouble comes while observing the frightened staff, the other clients, and even some of the locals, all of whom behave strangely...and then her gay friend maybe/maybe not commits suicide after warning her about the clinic's "monstrous horrors". French-Italian co-production, an early precursor to the For God's Sake, Get Out! Thriller genre, has been expertly-crafted for the most part by director and co-writer Alain Jessua, though one does wish the heroine made more sense as a character (she's sleeping with power-mad head honcho Alain Delon one minute and spying on him the next). Still intriguing, with rueful finish. *** from ****
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7/10
Clinical but very well-done thriller
gridoon20246 August 2023
Warning: Spoilers
"Traitement De Choc", a well-done thriller, is ahead of its time in several ways: a) it has a positive gay character, b) it has full-frontal nudity, even by the two leads (yes they show everything), c) it predates the fitness / wellness clubs fads. The talented writer-director Alain Jessua, who also co-wrote the wildly offbeat, jungle-flavored music score, builds the tension gradually, helped by the terrific performances of Annie Girardot, who also reveals a surprisingly splendid body (surprising because she was never really famous as a sex symbol), and Alain Delon, who is effective in a rare completely villainous turn. *** out of 4.
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5/10
Not much to watch beyond the basic stuff, no shock value, no rhythm
vostf6 November 2021
The curse of French cinema: as it is (heavily) subsidized, people with really original ideas get to shoot them while they are either not necessary talented directors, or not being challenged enough for the ideas to blossom into a great feature.

Shock Treatment is a perfect example. The premise, the synopsis are exciting aplenty, but we only get a pedestrian rendition of it. Basically, apart from the view of Belle-Ile, you would almost be better off reading the summary of the movie instead of sitting through this piece of monotonous movie-making.
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4/10
Alain...you have been the most beautiful man ever.
Unbelievable story and an AWFUL music. But I give it 4 points because Alain Delon's face makes it possible to watch this ridiculous film
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8/10
Alain Jessua :an accursed director?
dbdumonteil26 February 2005
Alain Jessua has made some of the most disturbing movies of a generally tame French cinema (mainly in the seventies and early eighties unless some "avant-garde" drivel like "themroc" counts). Barely ten movies in almost forty years.His best works are to be found between 1972 and 1982,his most fruitful decade which begins with "traitement de choc" and encompasses forgotten works such as "les chiens " "Armaguedon" and "paradis pour tous" . "Traitement de choc" is his towering achievement though:and not only because Delon and Girardot are completely naked for one sequence by the sea .There's much more substance to find here.The core of movie is the fear of dying ,and when you see so many people worship their body today,you cannot deny this flick was ahead of its time.

In a strange clinic , doctors Delon and Duchaussoy make people look younger ,thanks to animal cells.That's what they say.Their patients set up a small community of happy few .Girardot who has been ditched by her partner and who comes to think she begins to get old enters the place.Little by little,strange things happen:a lot of the staff (migrant workers) are sent back home because they've got the homesick blues.That's what they say.One of her friend commits suicide because he was broke and could not afford this luxury anymore.That's what they say.The tension increases and in the last fifteen minutes ,"traitement de choc" becomes a true horror film.(One should note it was made the same year as "Solyent Green").

"Traitement de choc" is the selfishness of the bourgeoisie ,the power of money,the eternal dream of perpetual youth which haunts all of us ,man's exploitation of his fellow man (in every sense of the term)."Shock therapy" indeed.
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5/10
Weird mix of thriller and horror
dierregi11 August 2021
Watching movies from the 70s can be an anthropological exercise. For instance, in those faraway times, people did not wear safety belts in cars. In fact they even sat on the rear body of convertibles.

They also bathed naked and we were allowed to see both male and female naked bodies, even getting glimpses of Delon's jewels.

With all this in display the plot take back stage, also because by now we saw it many times already. Girardot is a rich businesswoman who wants to ty a rejuvenating, expensive and secret treatment in a creepy clinic by the sea (nice landscape, though).

Delon is the mysterious doctor who manages the clinic. Add the Portuguese young members of staff who disappear one by one, do the math and you'll probably guess what's going on long before Girardot.
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10/10
This Alain Jessua film enables viewers to have a tiny glimpse of their favorite stars in the buff.
FilmCriticLalitRao18 January 2016
Warning: Spoilers
It is not possible for anybody to prevent films from getting negative publicity or becoming famous for 'wrong reasons'. French director Alain Jessua directed one important film in his long career which could easily belong to the above mentioned category. It is called 'Traitement De Choc'/Shock Treatment. For absolute puritans, the appearance of French actors Alain Delon and Annie Girardot in some nude scenes might be a cause of concern but for average viewers they provide a healthy dose of voyeurism which is something that is craved by all people. However, the true essence of a film cannot simply rest on the presence of just few sex scenes. This is precisely why a film like Shock Treatment is revolutionary as it was the first film in the history of cinema which heralded the use of human beings as guinea pigs for sadistic pleasures of a few denizens of a selfish capitalist society. Director Alain Jessua chose to highlight the sad plight of impoverished Portuguese boys who were deceived into selling their own bodies when they came to France in search of a better living. Shock treatment is not a horror film but some scenes are not for viewers with a weak heart. Lastly, if you have been enjoying actor Alain Delon's performances as a leading man then 'Shock Treatment' has an element of surprise in it. Watch it in order to explore it with your own eyes.
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8/10
Great French horror thriller
guisreis21 June 2021
Very good horror thriller, very atmospheric since the beginning, with a good social political background. Weird situations and bizarre blasé rich people make spectator feel uncomfortable. Nice action and story, disturbing. Appropriate end.
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8/10
Nicely done medical thriller
Woodyanders6 May 2022
Warning: Spoilers
Burnt out French businesswoman Helene Masson (a fine and appealing portrayal by Annie Girardot) checks into an exclusive seaside clinic that specializes in rejuvenation treatments for rich people. Helene discovers that clinic head Dr. Devilers (an excellent and charming performance by Alain Delon) is doing some serious sinister stuff concerning said treatments,

Director/co-writer Alain Jessua relates the absorbing story at a steady pace, makes nice use of the coastal locations, grounds the premise in a credible workaday reality, and pulls out the startling stops at the dark and grim climax. Moreover, this film offers a strong and provocative subtext on man's basic fear of aging and obsession with staying young at any cost complete with a potent message on how the upper class live at the expense of the lower class. The notorious coed skinny dipping scene rates as a definite highlight. Great throbbing tribal score by Rene Koering, too. Well worth a watch.
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