The Killing of a Chinese Bookie (1976)
Reference View | Change View
- R
- 2h 15min
- Crime, Drama
- 15 Feb 1976 (USA)
- Movie
Photos and Videos
Complete, Cast awaiting verification
Ben Gazzara | ... |
Cosmo Vittelli
|
|
Timothy Carey | ... |
Flo
(as Timothy Agoglia Carey)
|
|
Seymour Cassel | ... |
Mort Weil
|
|
Robert Phillips | ... |
Phil
|
|
Morgan Woodward | ... |
The Boss
|
|
John Kullers | ... |
The Accountant
(as John Red Kullers)
|
|
Al Ruban | ... |
Marty Reitz
|
|
Azizi Johari | ... |
Rachel
|
|
Virginia Carrington | ... |
Mama
|
|
Meade Roberts | ... |
Mr. Sophistication
|
|
Alice Friedland | ... |
Sherry
|
|
Donna Gordon | ... |
Margo Donnar
(as Donna Marie Gordon)
|
|
Haji | ... |
Haji
|
|
Carol Warren | ... |
Carol
|
|
Kathalina Veniero | ... |
Annie
|
|
Yvette Morris | ... |
Yvette
|
|
Jack Ackerman | ... |
Musical Director
|
|
David Rowlands | ... |
Lamarr
|
|
Trisha Pelham | ... |
Waitress
|
|
Eddie Shaw | ... |
Taxi Driver
(as Eddie Ike Shaw)
|
|
Sonny Aprile | ... |
Sonny
(as Salvatore Aprile)
|
|
Gene Darcy | ... |
Commodore
|
|
Ben Marino | ... |
Bartender
(as Benny Marino)
|
|
Arlene Allison | ... |
Waitress
|
|
Vincent Barbi | ... |
Vince
(as Vince Barbi)
|
|
Val Avery | ... |
Blair Benoit
|
|
Elizabeth Deering | ... |
Lavinia
|
|
Soto Joe Hugh | ... |
Chinese Bookie
(as Soto Joe Hugh)
|
|
Catherine Wong | ... |
The Bookie's Girl
|
|
John Finnegan | ... |
Taxi Driver
|
|
Miles Ciletti | ... |
Mickey
|
|
Mike Skloot | ... |
Scooper
|
|
Frank Buchanan | ... |
Flo's Friend
|
|
Jason Kincaid | ... |
Parking Lot Attendant
|
|
Frank Thomas | ... |
Poker Player
|
|
Jack Krupnick | ... |
Poker Player
|
|
Rest of cast listed alphabetically: | |||
Vincent Di Paolo | ... |
Hood (uncredited)
|
|
Harry Governick | ... |
Man at Bar (uncredited)
|
|
James Lew | ... |
Asian guard (uncredited)
|
|
John Pappas | ... |
Bartender (uncredited)
|
|
Derna Wylde | ... |
Dancer (uncredited)
|
Directed by
John Cassavetes |
Written by
John Cassavetes | ... | () |
Produced by
Phil Burton | ... | associate producer |
Al Ruban | ... | producer |
Music by
Bo Harwood |
Cinematography by
Mitch Breit | ... | (as Mitchell Breit) |
Al Ruban |
Editing by
Tom Cornwell |
Editorial Department
Robert Heffernan | ... | in charge of post production |
Craig Holt | ... | apprentice editor |
Neal Meisenheimer | ... | assistant editor |
Terri Messina | ... | assistant editor |
Fran Morgenstern | ... | assistant editor |
Jack Woods | ... | post-production consultant |
David Armstrong | ... | editor (uncredited) |
Production Design by
Sam Shaw |
Art Direction by
Phedon Papamichael |
Production Management
Art Levinson | ... | production manager |
Second Unit Director or Assistant Director
Nathan Haggard | ... | second assistant director (as Nate Haggard) |
Art Department
Verna Bagby | ... | set constructor |
Miles Ciletti | ... | props |
Bruce Hartman | ... | set constructor |
Bryan Ryman | ... | assistant art director |
Richard Upper | ... | titles and graphics |
Robert Vehon | ... | set constructor |
Sound Department
Bo Harwood | ... | sound |
Robert Knudson | ... | sound mixer (as Buzz Knudson) |
Stunts
Craig R. Baxley | ... | stunts |
Paul Baxley | ... | stunt coordinator |
Camera and Electrical Department
Mitch Breit | ... | in charge of lighting (as Mitchell Breit) |
Catherine E. Coulson | ... | camera assistant (as Catherine Coulson) |
Frederick Elmes | ... | camera operator (as Fred Elmes) |
Michael Ferris | ... | camera operator |
Rob Hahn | ... | camera assistant (as Robert Hahn) |
M. Todd Henry | ... | camera assistant |
Bruce Knee | ... | lighting crew |
Don Robinson | ... | lighting crew (as Donald Robinson) |
R. Michael Stringer | ... | camera assistant (as Mike Stringer) |
Chris Taylor | ... | lighting crew |
Richard Upper | ... | still photographer |
Costume and Wardrobe Department
Mary Herne | ... | wardrobe |
Location Management
David Armstrong | ... | location manager (uncredited) |
Music Department
Anthony Harris | ... | conductor / music arranger |
Jack Sheldon | ... | musician: trumpet (uncredited) |
Script and Continuity Department
Sandy King | ... | script supervisor (as Sandra King) |
Additional Crew
Steve Brooks | ... | operator: Cinemobile |
Lanie Heffernan | ... | secretary to director |
Connie McFeeley | ... | accountant |
Teresa Stokovic | ... | production secretary |
Production Companies
Distributors
- Faces Distribution (1976) (United States) (theatrical)
- Cinema International Corporation (CIC) (1978) (France) (theatrical)
- Impegno Cinematografico (1980) (Italy) (theatrical)
- AFMD (1992) (France) (theatrical)
- British Film Institute (BFI) (2007) (United Kingdom) (theatrical)
- Cinegate (1979) (United Kingdom) (theatrical)
- NEF Diffusion (II) (1977) (West Germany) (theatrical)
- Orly Films (2012) (France) (theatrical)
- Sandrew Film & Teater (1977) (Sweden) (theatrical)
- Team-Film (1977) (West Germany) (theatrical)
- BFI Video (2013) (United Kingdom) (Blu-ray) (3 disc limited edition)
- BFI Video (2013) (United Kingdom) (DVD)
- Castle Hill Productions (United States) (VHS)
- Concorde Home Entertainment (2012) (Germany) (DVD) (John Cassavetes Collection)
- Faces Distributing Corporation
- HBO Max (2020) (United States) (video) (VOD)
- Indaco Pictures (2005) (Italy)
- Koch Media (2007) (Germany) (DVD)
- Leopardo Filmes (2022) (Portugal)
- Magnum 3B (Italy) (VHS)
- Pioneer Entertainment (United States) (video) (LaserDisc)
- Stiftelsen Svenska Filminstitutet, Stockholm (2005) (Sweden) (DVD)
- The Criterion Collection (2004) (United States) (DVD)
- The Criterion Collection (2008) (United States) (DVD)
- Touchstone Home Video (United States) (VHS)
Special Effects
Other Companies
- Cinemobile System (location equipment)
- Playboy Limosine (appreciation to)
- Todd-AO Studios (sound)
Storyline
Plot Summary |
Cosmo Vitelli owns the Crazy Horse West, a strip joint in Los Angeles. He's laconic, vet, and a gambler. When we meet him, he's making his last payment on a gambling debt, after which, he promptly loses $23,000 playing poker. The guys he owes this time aren't so friendly, pressuring him for immediate payment. When he's not able to do so, they suggest he kill a Chinese bookie to wipe away his debt. Vitelli and the film move back and forth between the double-crossing, murderous insincerity of the gamblers and the friendships, sweetness, and even love among Vitelli, the dancers, a dancer's mother, and the club's singer, Mr. Sophistication.
Written by |
Plot Keywords | |
Taglines | A film by John Cassavetes. See more » |
Genres | |
Parents Guide | View content advisory » |
Certification |
Additional Details
Also Known As |
|
Runtime |
|
Country | |
Language | |
Color | |
Aspect Ratio |
|
Sound Mix | |
Filming Locations |
Did You Know?
Trivia | David Bowie was often present on set during the filming and can be seen in shots of the crowd at Cosmo's Crazy Horse West. See more » |
Goofs | Flo says "That jerk Karl Marx said opium is the religion of the people." While the actual Marx quote is "Religion is the opiate of the masses", this is likely to be an intentional misquote from the gangster, showing a lack of true education. See more » |
Movie Connections | Featured in If We Owned a Movie Theater - Overlooked Films: The Conversation, The Killing of a Chinese Bookie, Real Life, The Green Wall, And Now My Love, Happy New Year (1980). See more » |
Soundtracks | I Can't Give You Anything but Love See more » |
Crazy Credits | Opening scene has Chinese characters scrolling up, similar to a movie from China or Hong Kong. See more » |
Quotes |
Cosmo Vitelli:
Now, teddy. Teddy. Everything takes work. We'll straighten it out. You know. You gotta work hard to be comfortable. Yeah, a lot of people kid themselves, you know. They-they know when they were born, they know where they're goin'... they know whether they're gonna go to heaven,whether they're gonna go to hell. They think they know that. They kid themselves. Right? But the only people... who are, you know, happy... are the people who are comfortable. That's right. Now, you take, uh, uh, carol, right? A dingbat, right? A ding-a-ling.A dingo. That's what people think she is,'cause that's the truth they want to believe. But, uh, you put her in another situation, right? Put her in a situation that's tough. Stress. Where she's up against something,you'll see she's no fool. Right. 'cause what's your truth... is my falsehood What's my falsehood is your truth and vice versa. Well, look. Look at me, right? I'm only happy when I'm angry... when I'm sad, when i can play the fool... when i can be what people want me to be rather than be myself. See more » |