Chalk and Cheese (TV Series 1977– ) Poster

(1977– )

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10/10
"You've got to have friends!"
ShadeGrenade25 August 2010
Warning: Spoilers
'Spasms' was a one-off comedy play ( broadcast on 9/11/77 ) by Alex Shearer ( future creator of 'Sink Or Swim' and 'No Job For A Lady' ) and which starred Jonathan Pryce as 'Dave Finn' and Robin Hawdon as 'Roger Scott', who meet in the waiting room of a maternity ward as their wives are about to give birth. They get chatting, and it soon transpires they have nothing whatever in common. Finn is a loud-mouthed, unemployed hippie with a view on every subject under the sun, whereas Scott is a young and upwardly mobile marketing director. Finn hopes he will have a son so he can call him 'Mickey'. Roger sneers: "Why don't you call him Dorsal?". As Finn's wife Rose ( Miriam Margolyes ) goes into labour, he himself experiences sympathy pains. The quality of the script was first rate. Despite his scruffy appearance, Finn is actually rather intelligent, and some of his observations are startlingly profound ( a possible prototype for Rab C. Nesbitt, perhaps? ). 'Spasms' was well received, and a series duly commissioned. When Pryce declined to return, the role was offered to Michael Crawford, then fresh from 'Some Mothers Do Ave Em'. Crawford donned a curly wig and beard to play 'Finn', and adopted a habit of perpetually chewing gum. Gillian Martell took over the role of 'Rose'.

The first episode of 'Chalk & Cheese' was a remake of 'Spasms'. The second began with Roger and wife Amanda ( Julia Goodman replacing Jenny Cox ) moving into their new house - only to find Finn is their new neighbour ( he'd inherited his home ). His garden is festooned with weeds while a tin bath hangs over the front of the house. He also has an annoying habit of wandering next door whenever he feels like it, often to borrow things ( without returning them ) and make long distance phone calls.

Over the course of the series the men found themselves in various locations - in one episode, Finn goes after a job at the office where Roger works, in another, they go off to the pub after rowing with their respective wives, and even manage to meet at the same church when their children are christened ( Richard Wilson played the vicar, incidentally ). Despite being at loggerheads a lot of the time, Roger cares about Finn and helps him get a job. Hawdon and Crawford were excellent. The show was directed by Michael Mills, the original producer of 'Some Mothers'. There was none of the visual comedy of that show, except for Finn's chaotic driving and a sequence in the second episode where Roger slips on a skateboard left on the pavement outside his house by Finn's tearaway son Flipper. One thing 'C & C' had in common with 'Some Mothers' was that the opening titles were also presented in a little strip running along the bottom of the screen. Robert Lang provided the narration heard at the start of each episode.

It was popular, but predictably failed to eclipse 'Some Mothers', and did not return. It found its way to U. K. Gold in the late '80's, but to date there has been no official D. V. D. Release. It is certainly not the disaster than the other reviewer seems to think. Tastes differ, I guess.
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3/10
Started well but quickly declined into third-rate class war dom-com
DavidKMatthews6 April 2018
This review is based on the regular episodes only as the original 1977 pilot, "Spasms", is not readily available.

Other than a couple of repeat runs on the UK GOLD channel many years ago, the "dusty archives" status of this sitcom is largely deserved... which is a shame given its strong opening episode. Sharply scripted, mostly genuinely funny and with a tremendous performance by Michael Crawford (successfully shaking off his Frank Spencer persona), it showed much promise...

However from the second episode onwards it slid into the substandard domestic comedy genre that peppered the output of the London ITV regions, Thames and London Weekend, throughout the 1970s. While Michael Crawford could be relied upon to "carry" a show single-handed, writer Alex Shearer promptly forgot that the other actors need at least some of the humorous dialogue to stir up effective "conflict" to propel the comedy. To the contrary, Robin Hawdon's Roger Scott essentially becomes a straight-man "feed" for his nemesis, while the actors portraying the wives are particularly badly served, each fulfilling a "little woman stuck in kitchen drudgery" role. Hardly progressive!

Accepting that Crawford's character, David Finn, is intended as the show's central character, the scripts needed to maintain his wit and idiosyncracies of the opening episode. Instead he becomes increasingly shallow, unlikeable and one-dimensional. Even anti-establishment characters need to have some redeeming qualities and raison d'etre. Beyond the first episode, the only attempt to provide characterisation was the ludicrous plot device in which Finn is given a job at Scott's company as a limousine chauffeur, despite him clearly being a constant danger to other road users. Finn was neither a hero nor anti-hero.

Meanwhile Scott behaves in ways to simply suit each episode's weak plot, rather than to aid any character development.

Ironically Thames Television's own contemporary "layabout" series 'Shelley' had none of these shortcomings; the eponymous protagonist in that show being imbued with valid reasons for "rebelling" and his weekly tussles with "authority" saw him rightly outwit it with clever subtlety.

'Chalk and Cheese' appears to be Alex Shearer's first television work and, as such, Thames should have provided him with assistance from a more experienced writer. It's not in any way an unpleasant viewing experience but it remains a series produced on the verge of the 1980s yet, opening episode aside, firmly stuck with the comedic attributes of the previous decade.
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