User Reviews

There are some movies from which you know that they aren't good but still you love them to death. La Boum 2 (and of course La Boum as well) is such a movie as every European teenager will have seen this movie and every of them will have fallen in love with Sophie Mazrceau as well. La boum is a French word for a party and all what happens is the story between two youngsters, and you know very well how it will end...but it must have something to do with the nostalgia of things... The music is sloppy 80's music that everyone liked and this was very much different from the usual American teenagemovies we saw simply as it was about real people and real situations, how stupid they might have been. The thing is that as a kid it means more to you that you have house arrest rather than stealing a Cadillac...or the typical John Hughes-script. Perhaps totally dated and perhaps Sophie Marceau herself can't believe her eyes when she sees it again but nostalgia always work...

So I enjoyed it mostly but it feels kind of like the first movie. Teenagers going to party at other people's houses and have fun. But I wished there was a new turn in the narrative. Also it may have been cool if the movie would have taken place right after the first movie ended. To see what happens to the character viq, but after all I enjoyed it.

After over 20 years, I can say that I do miss this type of coming of age film (Breaking Away, My Bodyguard, 400 Blows) done before the modern age of jaded irony & cynicism. It's for those old enough to miss the young subjects of Truffaut, only without the melancholy. Even the cheesy but sprightly tunes invite nostalgia. Like Bardot before Marceau, her precocious innocence here holds up against French frankness. Sophie has yet to recapture the same appeal even after limited exposure to her more grown-up international efforts (Braveheart, 007), even Lambert Wilson's mature exposure (Matrix Reloaded, Catwoman) come off now as well, ironic & cynical.

Although "La Boum" 2 is more than 30 years old, it is heartening to learn that it has not lost an iota of its emotional appeal. It is known by cinema goers as far as in faraway Japan where Sophie Marceau went to promote her film. La Boum 2 talks about the world of youngsters and their parents especially from a "generation gap" angle. It shows that their world has not changed due to the control some parents continue to exert on their children. We get to see that the attitude of parents has remained same as they like to continue to spy on their kids fearing that their kids would no longer be in their control. It is as if somebody is afraid of losing them.Leading French actors Claude Brasseur and Brigitte Fossey play their roles with great finesse as parents of a young lady named Vic who is loved by everybody around her. Although "La Boum" is considered a cult classic, it is also a "perfect" family film as any member of the family can easily watch it.Lastly,La Boum 2 is a film for all those who like their comedies to transform their worlds into a "stress free" world.

I saw this movie as a 13 year old and instantly fell in love with Sophie Marceau. It shows a normal world with normal people and normal Teenager. It was the Teenager Movie!

I had a good time watching it. I traveled back to those times. J'aime cette actresse et la musique bien sure!

I saw this movie when it came out and i have to say that I totally identified with Sophie Marceau`s Character. It`s about "Teenager Problems" like falling in love for the first time and having to beg to go to a party. I think it`s a movie EVERY teenager can identify with!

It is a rule of commercial cinema, that if a film is successful, it will most probably have a sequel, which, because of existing only for financial reasons, will have no cinematic value. Yet, not only is "La Boum 2" an excellent teen film, but it is also better than its predecessor.

Two years after the events of "La Boum", Vic, our heroine, has grown up. At the not so tender age of 16, she is searching for the person with whom she will experience "the first time" - in short, the one to with whom to make love. Encouraging her is her best friend, Penélope, who has already taken this step closer to adulthood. When Vic meets Philippe (Pierre Cosso), she knows she has found the one. The fact that he's a bit older and certainly more experienced in matters of love than the indecisive Vic - the New York Times in their review of the first film ironically wrote that it would be the first one "in a series of undoubtedly many romances" - don't help in making him acceptable to Vic's concerned parents.

Speaking of which, they now have more problems. After the the birth of Vic's little brother, the mother has become a successful cartoonist, while the father decides to leave his job as a dentist to pursue a career in research. This, though, will be proven difficult to manage, when he is asked to move to another city for professional reasons.

Claude Pinoteau changed nothing from his winning formula in the sequel. The characters are all the same, with only Vic's new love interest, his girlfriend - and thus Vic's rival-, Catherine and a young pianist, played by the then-unknown Lambert Wilson, being added to the cast.

The general feeling of innocence didn't change either. The significance of "the first time" is in no way perceived for what it truly is - as mentioned above, a step closer to adulthood - but is viewed as a brave, rebellious action that will be then shown-off to one's friends. The same stands for drugs; in a party, some teenagers are shown to take one such substance, but the director portrays it more as a fun action showing the recklessness of the adolescents than an irresponsible, and just plainly stupid thing to do. Still, Pinoteau didn't intend to make a moral guide to teenagers, but a realistic portrayal of their behaviour, so it is no wonder he showed everything through their perspective.

What significantly changed was the aesthetic of the film. Everything, from the music to the buildings, to the fashion seemed more modern. Concerning the first one, Vladimir Cosma offered a score far removed from the first opus's variety. While "La Boum's" soundtrack featured a plethora of genres, including jazz, ska and pop, the sequel's score only has in it synthesiser-driven pieces, with the exception of the boogie "Reaching out", performed by Freddie Meyer, and some rock'n'rol-like songs by Paul Hudson. This, of course, didn't obstruct the composer from coming up with excellent melodies, including the romantic signature song of the film, "Your eyes", performed by Cook da Books, who also sang the infectious "Silverman" and "Get it together". They were a band that had started with performing politically charged songs against the Thatcher government. With their participation in the soundtrack of "La Boum 2" - which happened by chance, only because Richard Sanderson, the singer of the first film, was on tour in Japan at the time- they became a more commercial band, although none of their later works met the success of "Your eyes".

When writing that the buildings seemed more modern, this doesn't mean that France had undergone any huge construction project between the two films' production. It simply means that to me, the settings of "La Boum 2" came off as more polished, slick, as if they were all renovated only for the benefit of the picture. Dancing inside appartments with white walls, or dimly-lit stadiums, the teens of "La Boum 2" were living in a more New Wave world than their younger selves.

As for the fashion, it was, in my opinion, a way of exhibiting the characters' transition from early adolescence to adulthood. Wearing bandanas, Adidas jackets and Stan Smiths, the heroes were no longer children. It wasn't that the clothes themselves had something innovative. The bandana, for example, had already been popularised in France by the singer Renaud, who had made it his trademark since the late 70's. It was their differene for the characters' way of dressing in the first film that made them seem so new. Gone were the dungarees and the pigtails. Now, the way one dressed was more important than before, with the characters giving more attention to their appearance, and maybe that's why it was also more stylish for a lover of early 80's aesthetic as myself.

Besides all that, though, the reason "La Boum 2" is such a satisfying film is its ending. There is none of the well-intended irony of the first film. Now, everyone gets what they wanted. Philippe and Vic's love story is given a conclusion most predictable yet most deserving to it, and even the parents get what they desired, being forced to make a choice affecting both their relationship and their professional lives.

If I was only talking about Vic this whole time, it was because the others had no significant participation in the film. Even the parents were restricted to some scenes, and Vic's once ubiquitous group of friends was left desiring more attention - one of Vic's co-stars called "La Boum 2" a "film only about Sophie Marceau", and in that he was right.

For, it was Vic that made most of the viewers return for the sequel. Her trademark way of speaking, her liveliness, her relevant maturity to the other members of her group, still stuck to a more innocent childhood, made her relevant to teenagers of the time. It was for her that most of them rooted, wanting to see her live her dream with Philippe, one that would end in a train station, with the dreamy music of Cook da Books playing in the background;

When you smile your eyes show your heart

Lost inside, a suit torn apart

Feeling alone with people around

True love is hard to find now...

Vic, at least, found true love, however hard it was.

This was the first movie I saw at the movies. I fell in love with Sophie and Pierre. It was one of the first teenager movies of its kind in Germany (La Boum was the first one). It is very funny! I recommend the movie to anyone, especially young people. It's about first love and the chaos of dealing with one's family.

Over 40 years have passed, Sophie Marceau is nearly 60, by now, but recognizable and charming as ever (thinking of "Mrs. Mills" with Pierre Richard).

The phenomenon "La Boum" caught the major part of european kids at that time, and most get sent back to their youth, while watching it, as its an honest look at the time/decade and how teenagers and their parents felt and interacted.

While watching both movies again, it's quite noticeable, that this one wouldn't get a rating for the target audience today, as it depicts and talks of things, topics, details, events ... some people think, are not acceptable any more, despite the fact, that kids stumble across far more explicit stuff, every day.

Movies with teenagers (nearly) always are a mirror of that years society and look at them. So, comparing La Boum with todays "young movies" might serve as a warning from certain developments, that ignore the social and emotional reality behind.

Hello all,

I'm a great fan of french films and of course, I like La Boum 2 very much. There is a scene where Felix plays the piano (while Vic and her friend play a game at the table) and where Vic and he meet the first time. Now, I'd like to know the name of the song he plays. This scene is, before Vic has to go down the street as a prostitute.

It would be great if anybody could help me in this case!

Many thanks in advance!

Bye from Graz, Austria Christian

Saw this movie in my high school French class - a typical teenage, coming-of-age flick, with all the sappiness, rebellions, dating, and semi-raunchy stuff. It stars future Bond girl Sophie Marceau in one of her first film features.

I remembered that the film got quite the laughs from my class, but I myself found it just mildly entertaining with its slow plot, average acting, and uninhibited-ness. This is a sequel to 1980's La Boum.

Grade C