NYC Weekend Watch is our weekly round-up of repertory offerings.
Film at Lincoln Center
As the 4K restoration of Keane opens (read our interview with Lodge Kerrigan here) and Three Colors: Blue continues alongside Three Colors: White, the series “Animating Funny Pages” shows the inspiration of Owen Kline’s new feature—work by Robert Downey Sr, Frank Tashlin, and more.
Film Forum
To mark the great Alain Resnias’ centennial, a massive retrospective continues with Marienbad, Hiroshima, Je t’aime, je t’aime, and some of his lesser-seen (but no less great) features—Mélo, Stavisky, Love Unto Death, and Life is a Bed of Roses.
Bam
“Intimate Epics” continues with Happy Hour, Barry Lyndon, Andrei Rublev, and Sátántangó.
Museum of the Moving Image
Once Upon a Time in Hollywood, Licorice Pizza, and Sleeping Beauty all play on 70mm this weekend, while one of cinema’s most unsung heroes—women in Australian cinema—get...
Film at Lincoln Center
As the 4K restoration of Keane opens (read our interview with Lodge Kerrigan here) and Three Colors: Blue continues alongside Three Colors: White, the series “Animating Funny Pages” shows the inspiration of Owen Kline’s new feature—work by Robert Downey Sr, Frank Tashlin, and more.
Film Forum
To mark the great Alain Resnias’ centennial, a massive retrospective continues with Marienbad, Hiroshima, Je t’aime, je t’aime, and some of his lesser-seen (but no less great) features—Mélo, Stavisky, Love Unto Death, and Life is a Bed of Roses.
Bam
“Intimate Epics” continues with Happy Hour, Barry Lyndon, Andrei Rublev, and Sátántangó.
Museum of the Moving Image
Once Upon a Time in Hollywood, Licorice Pizza, and Sleeping Beauty all play on 70mm this weekend, while one of cinema’s most unsung heroes—women in Australian cinema—get...
- 8/18/2022
- by Nick Newman
- The Film Stage
Mubi is exclusively showing Alexander Zeldovich's Target (2011) from December 16 - January 14, 2017 in the United States.The natural terrain so revered in the past of Russian art is a largely digital entity in the future of Alexander Zeldovich’s Target, overlaid with megacities and serpentine highways and casually picked at by supercilious characters. (One of the protagonists contemplates a rare volcanic nugget and sticks it in his breast pocket, as if filching a novelty pen.) The year is 2020, and Moscow is a sleek network of glass compartments, robotic chimes, and Chinese billboards. Describing himself as “the King of the Mountain,” the Minister of Natural Resources (Maksim Sukhanov) has luxury and power and a gorgeous wife (Justine Waddell) purchased at the “bridal fair,” but that’s not enough—youth is the ultimate grail, finally available in a deserted excavation near the Mongolian border, where celestial radiation has a mysterious anti-aging effect on visitors.
- 12/16/2016
- MUBI
Cohen Media Group presents a double feature of two mid-period films from French auteur Alain Resnais, both significant titles overlooked on a resume of important and notable works. The first is 1983’s Love is a Bed of Roses, featuring revolving cast members who would frequent other titles from the director throughout the remainder of that decade, and also represents his first collaboration with actress/wife Sabine Azema, who would appear in nearly every one of his remaining film productions. The second is the superb 1984 film Love Unto Death, an existential portrait of love and death as fluid states of mind.
The playful Life is a Bed of Roses premiered at the Venice Film Festival and nabbed Cesar nominations for Azema as Best Supporting Actress and for production designer Jacques Saulnier. Penned by Jean Gruault (who wrote Resnais’ previous feature, 1980’s superior Mon Oncle D’Amerique), it’s a non-linear film divided into three distinct parts,...
The playful Life is a Bed of Roses premiered at the Venice Film Festival and nabbed Cesar nominations for Azema as Best Supporting Actress and for production designer Jacques Saulnier. Penned by Jean Gruault (who wrote Resnais’ previous feature, 1980’s superior Mon Oncle D’Amerique), it’s a non-linear film divided into three distinct parts,...
- 8/4/2015
- by Nicholas Bell
- IONCINEMA.com
I'm not interested in The Bible, I'm interested in death.
So, you think you're an art house movie buff? Good for you, buddy, because I don't know if I can handle it. My ambitions are entertainment with literacy with a wide definition for both. Alain Resnais is surely an opaque dividing line between my sort of dilettantism and the hard core, high art snob/hippie with Last Year at Marienbad (1961) being a classic example of unwatchable inner-rectal filmmaking to your mainstream audience. The Cohen Collection has put together two of his films, from the early 1980's, written by Jean Gruault, Life is a Bed of Roses (1983) and Love Unto Death (1984) one presumes because Criterion already has the rights to Last Year at Marienbad, Hiroshima Mon Amour (1959), and Night and Fog (1955). Still, given Resnais's stature in film history, he is criminally underrepresented in home video and these are odd enough to...
So, you think you're an art house movie buff? Good for you, buddy, because I don't know if I can handle it. My ambitions are entertainment with literacy with a wide definition for both. Alain Resnais is surely an opaque dividing line between my sort of dilettantism and the hard core, high art snob/hippie with Last Year at Marienbad (1961) being a classic example of unwatchable inner-rectal filmmaking to your mainstream audience. The Cohen Collection has put together two of his films, from the early 1980's, written by Jean Gruault, Life is a Bed of Roses (1983) and Love Unto Death (1984) one presumes because Criterion already has the rights to Last Year at Marienbad, Hiroshima Mon Amour (1959), and Night and Fog (1955). Still, given Resnais's stature in film history, he is criminally underrepresented in home video and these are odd enough to...
- 8/3/2015
- by Jason Ratigan
- JustPressPlay.net
This week on Off The Shelf, Ryan is joined by Brian Saur to take a look at the new DVD and Blu-ray releases for the week of June 23rd, 2015, and chat about some follow-up and home video news.
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Episode Links & Notes Follow-up Comic Con News Don Hertzfeldt Blu-ray Kickstarter Arrow Films: October releases Shout / Scream Factory: Comic Con announcements Kino: Epic Of Everest WB: Mad Max Fury Road Universal: Restored Spartacus Fox: August releases Disney: Mr. Boogedy & Bride of Boogedy coming to Dmc DVD (& on Amazon Instant now) Twilight Time: new website Sony: Christine Blu-ray Over The Garden Wall on DVD New Releases
July 7th
Beyond Zero: 1914–1918 Cell, The Contamination The Killers Maggie Ned Kelly Pit Stop Robot Jox Roller Boogie Truck Turner Virtuosity
July 14th
Adventures of Captain Fabian All Quiet On The Western Front The Andromeda Strain Baby It’s You...
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Episode Links & Notes Follow-up Comic Con News Don Hertzfeldt Blu-ray Kickstarter Arrow Films: October releases Shout / Scream Factory: Comic Con announcements Kino: Epic Of Everest WB: Mad Max Fury Road Universal: Restored Spartacus Fox: August releases Disney: Mr. Boogedy & Bride of Boogedy coming to Dmc DVD (& on Amazon Instant now) Twilight Time: new website Sony: Christine Blu-ray Over The Garden Wall on DVD New Releases
July 7th
Beyond Zero: 1914–1918 Cell, The Contamination The Killers Maggie Ned Kelly Pit Stop Robot Jox Roller Boogie Truck Turner Virtuosity
July 14th
Adventures of Captain Fabian All Quiet On The Western Front The Andromeda Strain Baby It’s You...
- 7/22/2015
- by Ryan Gallagher
- CriterionCast
Métamorphoses director Christophe Honoré agrees in a way with Wild Life (Vie sauvage) director Cédric Kahn Photo: Anne-Katrin Titze
La Vie Est Un Roman by Alain Resnais, Apichatpong Weerasethakul's Uncle Boonmee Who Can Recall His Past Lives, films by Pier Paolo Pasolini, Jean-Marie Straub and Danièle Huillet, and Rita Hayworth as a goddess are conjured up by us at the Film Society of Lincoln Center. Pina Bausch's Café Müller seems to have unconsciously influenced the performances of Erwan Larcher and Vimala Pons. Working with animals and the mythical cast of Métamorphoses that includes Amira Akili, Sébastien Hirel, Mélodie Richard, Damien Chapelle, George Babluani, Coralie Rouet, Matthis Lebrun, Gabrielle Chuiton, Jean Courte, Rachid O., and Keti Bicolli.
Christophe Honoré, true to the first Ovid fables, starts with nature. Water, springs, rain on lakes, sunshine on rivers, the transformation of the world has already begun. Then we meet a hunter,...
La Vie Est Un Roman by Alain Resnais, Apichatpong Weerasethakul's Uncle Boonmee Who Can Recall His Past Lives, films by Pier Paolo Pasolini, Jean-Marie Straub and Danièle Huillet, and Rita Hayworth as a goddess are conjured up by us at the Film Society of Lincoln Center. Pina Bausch's Café Müller seems to have unconsciously influenced the performances of Erwan Larcher and Vimala Pons. Working with animals and the mythical cast of Métamorphoses that includes Amira Akili, Sébastien Hirel, Mélodie Richard, Damien Chapelle, George Babluani, Coralie Rouet, Matthis Lebrun, Gabrielle Chuiton, Jean Courte, Rachid O., and Keti Bicolli.
Christophe Honoré, true to the first Ovid fables, starts with nature. Water, springs, rain on lakes, sunshine on rivers, the transformation of the world has already begun. Then we meet a hunter,...
- 3/21/2015
- by Anne-Katrin Titze
- eyeforfilm.co.uk
La Vie Est Un Roman by Alain Resnais, Apichatpong Weerasethakul's Uncle Boonmee Who Can Recall His Past Lives, films by Pier Paolo Pasolini, Jean-Marie Straub and Danièle Huillet, and Rita Hayworth as a goddess are conjured up by us at the Film Society of Lincoln Center. Pina Bausch's Café Müller seems to have unconsciously influenced the performances of Erwan Larcher and Vimala Pons. Working with animals and the mythical cast that includes Amira Akili, Sébastien Hirel, Mélodie Richard, Damien Chapelle, George Babluani, Coralie Rouet, Matthis Lebrun, Gabrielle Chuiton, Jean Courte, Rachid O., and Keti Bicolli.
Christophe Honoré, true to the first Ovid fables, starts with nature. Water, springs, rain on lakes, sunshine on rivers, the transformation of the world has already begun. Then we meet a hunter, with neon-yellow piping on the vest, out in the woods, spotting a red-wigged hermaphrodite taking a shower. A deer was shot.
Christophe Honoré, true to the first Ovid fables, starts with nature. Water, springs, rain on lakes, sunshine on rivers, the transformation of the world has already begun. Then we meet a hunter, with neon-yellow piping on the vest, out in the woods, spotting a red-wigged hermaphrodite taking a shower. A deer was shot.
- 3/21/2015
- by Jennie Kermode
- eyeforfilm.co.uk
Erwan Larcher (Hippomène) and Vimala Pons (Atalante) in Christophe Honoré's Métamorphoses
Métamorphoses director Christophe Honoré discussed with me why myths and cinema make a rare happy coupling, with a few exceptions. La Vie Est Un Roman by Alain Resnais, Apichatpong Weerasethakul's Uncle Boonmee Who Can Recall His Past Lives, films by Pier Paolo Pasolini, Jean-Marie Straub and Danièle Huillet, and Rita Hayworth as a goddess are conjured up by us inside the Furman Gallery at the Film Society of Lincoln Center. Pina Bausch's Café Müller seems to have unconsciously influenced the performances of Erwan Larcher and Vimala Pons. The mythical cast includes Amira Akili, Sébastien Hirel, Mélodie Richard, Damien Chapelle, George Babluani, Matthis Lebrun, Gabrielle Chuiton, Jean Courte, Rachid O., and Keti Bicolli.
Christophe Honoré with Anne-Katrin Titze: "For myths, there is one filmmaker working today whom I admire tremendously and that is Apichatpong Weerasethakul…" Photo: Anne-Katrin...
Métamorphoses director Christophe Honoré discussed with me why myths and cinema make a rare happy coupling, with a few exceptions. La Vie Est Un Roman by Alain Resnais, Apichatpong Weerasethakul's Uncle Boonmee Who Can Recall His Past Lives, films by Pier Paolo Pasolini, Jean-Marie Straub and Danièle Huillet, and Rita Hayworth as a goddess are conjured up by us inside the Furman Gallery at the Film Society of Lincoln Center. Pina Bausch's Café Müller seems to have unconsciously influenced the performances of Erwan Larcher and Vimala Pons. The mythical cast includes Amira Akili, Sébastien Hirel, Mélodie Richard, Damien Chapelle, George Babluani, Matthis Lebrun, Gabrielle Chuiton, Jean Courte, Rachid O., and Keti Bicolli.
Christophe Honoré with Anne-Katrin Titze: "For myths, there is one filmmaker working today whom I admire tremendously and that is Apichatpong Weerasethakul…" Photo: Anne-Katrin...
- 3/17/2015
- by Anne-Katrin Titze
- eyeforfilm.co.uk
Time to Leave: Alain Resnais’ Elegant Swan Song
Alain Resnais, that reluctant member of the French New Wave, passed away in March of 2014, not quite two months after the premiere of his last film, Life of Riley, at the Berlin Film Festival. Reaching its theatrical release, the film marks a graceful cap to an extraordinary filmography from a director that specialized in fragmented narratives that play with memory, time, perception, and the complicated nature of human interactions. His final film, while certainly more linear than many of his most famous works, is no exception to his exploration of time and the limited amount of it. Returning with several of his favorite key players, it’s the third Resnais adaptation of an Alan Ayckbourn play (originally titled Aimer, boire et chanter, which translates to Love, Drink and Sing), as charming as ever, presented with its stylized stage artifice.
Three couples...
Alain Resnais, that reluctant member of the French New Wave, passed away in March of 2014, not quite two months after the premiere of his last film, Life of Riley, at the Berlin Film Festival. Reaching its theatrical release, the film marks a graceful cap to an extraordinary filmography from a director that specialized in fragmented narratives that play with memory, time, perception, and the complicated nature of human interactions. His final film, while certainly more linear than many of his most famous works, is no exception to his exploration of time and the limited amount of it. Returning with several of his favorite key players, it’s the third Resnais adaptation of an Alan Ayckbourn play (originally titled Aimer, boire et chanter, which translates to Love, Drink and Sing), as charming as ever, presented with its stylized stage artifice.
Three couples...
- 10/23/2014
- by Nicholas Bell
- IONCINEMA.com
Complex and avant-garde French film director best known for Night and Fog and Last Year in Marienbad
Alain Resnais, who has died aged 91, was a director of elegance and distinction who, despite generally working from the screenplays of other writers, established an auteurist reputation. His films were singular, instantly recognisable by their style as well as through recurring themes and preoccupations. Primary concerns were war, sexual relationships and the more abstract notions of memory and time. His characters were invariably adult (children were excluded as having no detailed past) middle-class professionals. His style was complex, notably in the editing and often – though not always – dominated by tracking shots and multilayered sound.
He surrounded himself with actors, musicians and writers of enormous talent and the result was a somewhat elitist body of work with little concern for realism or the socially or intellectually deprived. Even overtly political works, Night and Fog,...
Alain Resnais, who has died aged 91, was a director of elegance and distinction who, despite generally working from the screenplays of other writers, established an auteurist reputation. His films were singular, instantly recognisable by their style as well as through recurring themes and preoccupations. Primary concerns were war, sexual relationships and the more abstract notions of memory and time. His characters were invariably adult (children were excluded as having no detailed past) middle-class professionals. His style was complex, notably in the editing and often – though not always – dominated by tracking shots and multilayered sound.
He surrounded himself with actors, musicians and writers of enormous talent and the result was a somewhat elitist body of work with little concern for realism or the socially or intellectually deprived. Even overtly political works, Night and Fog,...
- 3/3/2014
- by Brian Baxter
- The Guardian - Film News
Like Night of the Hunter, Tod Browning’s Freaks or Leonard Kastle’s The Honeymoon Killers, The Road to Yesterday can be ranked among the UFOs of cinema. It’s place in the heart of Cecil B. DeMille’s work proves to be in itself very distinctive. We know that, during his entire life, DeMille had virtually only one producer—Paramount (the former Famous Players Lasky)—just like Minnelli was MGM’s man and Corman American International’s. Sixty-three of his films (out of seventy) were produced at Paramount. And, oddly enough, it is among the seven outsiders, situated within a brief period from 1925 to 1931, that his best activity is to be found (I’m thinking of Madam Satan, The Godless Girl, and The Road to Yesterday)–his most audacious undertakings. To top it off, for this uncontested king of the box office, his best films were his biggest commercial failures.
- 3/18/2013
- by Luc Moullet
- MUBI
His Name is Khan and He is Different.A simple man with a simple message, .My Name is Khan and I.m not a terrorist.. Through simplicity, naivety, innocence and goodness a simple man with a simple message captures hearts in this Karan Johar directorial venture starring the legendary pairing of Shah Rukh Khan and Kajol..My Name is Khan. is the triumphant story of a simple man, an unconventional hero overcoming obstacles to regain the love of his life. Rizvan Khan, a Muslim man from India, moves to San Francisco to live with his brother and sister-in-law in a new and known land. Rizvan, who has Aspergers, falls in love with Mandira. Life is a bed of roses until September 11, 2001 when everything turns thorny as the world around them changes monumentally. When tragedy strikes, Mandira is devastated and they split. Confused, upset and perplexed at this sudden turn of events,...
- 8/11/2010
- Filmicafe
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