Consentement mutuel (1994) Poster

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7/10
Mutual consent
jotix1002 May 2012
Warning: Spoilers
After ten years of marriage, Romain and Jeanne decide their union is irreversible damaged so the best thing is to get a divorce. They have come to the decision after fights that only hurt their young daughter, Mado. The custody of the daughter is given to the mother. Jeanne who lived in the suburbs of Paris, takes a giant step when she decides to move to the city where she thinks will be a clean break for her and Mado.

The divorce is amicable. Jeanne loves Mado dearly, but she does not think anything leaving the child at home while she goes on a movie date with a Laurent, a co-worker. In fact, Jeanne, craving to have sex, asks her new friend to come home with her, something that, at first, turns him off. Eventually, she is bold enough to get him to her bed, with Mado sleeping in the next room.

Romain does not stay single for too long. He begins a relationship with Ingrid, a woman younger than him. Romain does not love her, but she just fills in the void caused by Jeanne's departure. Romain becomes obsessed when he sees the impact of Jeanne's lackadaisical way to handle Mado's education. That starts a battle between the former spouses until Jeanne breaks down and it is Romain's time to get into action.

An interesting film based on a story by Marie Dedale, adapted for the screen by its director, Bernard Stora who co-wrote it with Philippe Delannoy. This 1994 film showed up recently on cable. Not having seen it, we decided to take a look which turned out to be a surprise. The story deals with divorce from a different angle. Naturally, in most cases, custody is given to the mother. Sometimes, the mother proves to be unfit, as seems to be with Jeanne, even though she adores her daughter. It also pays that Romain pays attention to the way his separation from Jeanne is affecting the young child.

Although one is not given a hint as to why Romain and Jeanne got married, it appears the age difference between them must have been a deciding factor. The couple's personalities must have play a big part in the break-up. Romain is an executive who probably did not get what he was looking for in the woman he fell in love with and married. Jeanne, on the other hand had a lot of problems within herself, making her an unfulfilled woman who was not at peace with himself.

Bernard Stora got excellent work from the two stars of the film. Ann Brochet gives an excellent performance with her intense take on Jeanne. She clearly understood what made this Jeanne do the things she did and reacted to get out of the feeling she had being married to a man she did not love. Richard Berry did one of his best appearances with his Romain, the man involved in the painful divorce. Young Adrienne Winling surprises with her maturity playing Mado. In supporting roles, Emanuelle Devos, Marine Delterme, and Charles Berling are seen among the talented cast.
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8/10
A rewarding, unusual film about a very ambiguous divorce
debblyst20 March 2003
Recently divorced couple Richard Berry and Anne Brochet try to treat each other respectfully in behalf of their 10-year old daughter (Adrienne Winling), but things begin to get nasty. He's a professionally successful, power-driven, persuasive, rational, obsessive kind of man. She's spontaneous, edgy, carefree, somewhat irresponsible, and has the legal custody of their daughter, but is increasingly unbalanced by the convoluted schemes of her ex-husband.

At first, it looks like the usual cliché film about the dire consequences of a divorce, with the child used as a voluntary/involuntary weapon by both. Fortunately, it's rather an intelligent and sensitive portrayal of the nerve-wrecking battles in an apparently resolved but resentful divorce, making mean and revengeful traces emerge in perfectly "normal" people though they try to maintain a civilized "varnish" -- battles which ultimately throw them dangerously off balance.

Well, this is a French film, so there's a LOT of dialog but - thankfully - no scenes of physical violence, child abuse or characters going berserk, as it's usual in Hollywood "bad divorce" flicks. The ambiguous motivations of the characters, with their qualities and objectionable flaws, enrich the film considerably, making you sympathize with each character alternately throughout the film -- and ultimately making it hard for us to decide "who's right".

Although the film apparently takes no sides, as the film progresses we can very much feel that this is not only a movie about two divorcés, but also about family law procedures, social conventions and the clash between "classic" male and female stereotypes. The male character is about reason, objectivity, power, success, money, control; the female character is about spontaneity, freedom, irrationality, sensitivity, subjectivity, lack of control.

The script and direction concentrate on the main couple, but supporting characters are also well drawn and acted, from the woman's parents to the child's teacher, from the man's bored new girlfriend (the beautiful Marine Delterme) to the woman's office-mate and occasional bed-mate (a chubby and unsexy Charles Berling, in one of his first movie roles). The acting is especially fine: the young girl who plays the emotionally torn apart daughter (Adrienne Winling) does a very subtle and effective job. But the warmest "chapeaux" must go to Richard Berry and Anne Brochet for their magnificent performances. Berry, especially, is wonderful to watch as he weaves his spiderweb to entrap his ex-wife, trying to implode her life and sanity with meticulous obsession, a sort of modern-day Charles Boyer in Gaslight.

Filmmaker Bernard Stora's filmography as a writer is more impressive and abundant than as director. I haven't seen any other of the movies he directed -- they haven't reached Brazil, as far as I know -- but the titles already make me drool: "La Corruptrice", "Six Assassins sans Crime", "Un Dérangement Considerable", "Vent de Panique", "L'Inconnu de Vienne".

Don't watch this film if you've been through a recent divorce and your ex-spouse is giving you trouble. Otherwise, you'll enjoy this subtle, witty, involving film.
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No more a bridegroom!
dbdumonteil26 February 2006
In Bernard Stora's first movie,"Le jeune marié " (1983)(the bridegroom) ,it was love at first sight with ...another woman the night following the wedding.It spoke volumes about what this director thought of marriage ....and was still thinking in 1994.

I have not got many things to add to what the precedent user wrote."Consentement Mutuel" is a disturbing unconventional movie,marred by an ending which does not make sense at all:we're waiting for madness ,an open ending,and all we get is a politically correct conclusion.Besides ,how dumb Berry 's new partner must be! Hasn't she had enough?

Richard Berry is excellent .His character was probably "carefully" taught "properly" brought up (too bad we do not see his parents)and he wants his daughter to be the best and to be as regular as clockwork. But he's got to get his custody for he's divorced his wife.So he begins his ominous plan:everywhere, he demeans his wife.The scene at school is revealing: at first the schoolteacher was skeptical but little by little,in a suave voice, with wicked insinuations,he soon changed her mind for his.Berry's interpretation of his daughter's drawings is also worth the price of admission.

This character is probably mentally ill.That's why the ending dissatisfies.On the other hand,even when she loses her mind ,we do not believe that such a "straight" person as this modern attractive mother can do wrong.Anne Brochet' s best scene is probably the dinner which she attends ,"dressed as a whore" as her friend tells her.
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