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Repetitious, simple-minded D'Amato take on the bard
lor_20 May 2011
JULIET & ROMEO sounds backwards, but Joe D'Amato's desultory porn version of Shakespeare indicates he would have flunked even a Cliff Notes exam on the play. It grabs three or four familiar motifs and uses them as an excuse for mechanical hump scenes.

Stefania Sartori stars as a plain-Jane Juliet, member of the Capulet family who falls for Romeo, a Montague. Unfortunately, overworked porn stud Mark Davis is miscast as Romeo, sort of the Euro version of casting somebody like Harry Reems or Jamie Gillis in the role.

Among the bases D'Amato touches are sword fights (very clumsily staged) resulting in deaths of Tybalt and Mercutio; sexual antics of Benvoglio (invented), the nurse helping Juliet stage her own fake death, and a silly switch on the tragic ending.

En route to the asinine "happy ending", D'Amato fills the movie with pointless sex scenes. Most of the humping is done by lovely Eva Dionisio and Shalimar/Cheyenne, cast as two Capulet maidens who constantly keep popping up in the narrative, just to get shtupped by Romeo or whoever is passing by. It's cumulatively similar to the inversion of Tom Stoppard on "Hamlet", turning it into "Rosencrantz and Guildenstern Are Dead" by focusing on two minor characters.

Terrible English dubbing ruins even the possibility of satire here, leaving the fans with generic XXX footage. For quality porn taken from Shakespeare, one should watch X HAMLET, an arousing and amusing Luca Damiano picture, which had D'Amato pop up in the role of Polonius.
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D'Amato
Michael_Elliott19 June 2009
Juliet & Romeo (1996)

* (out of 4)

Joe D'Amato decides to do his version of the classic story only this time we have no sad ending because everyone is too busy having sex. D'Amato has taken several famous stories and turned them into pornos with some having funny results but this one here is just lame and boring. The production is rather ugly, the sex boring and it's clear the director is bored out of his mind.

Director Joe D'Amato will always be remembered for his horror films like BEYOND THE DARKNESS and ANTROPOPHAGUS as well as his long running Emanuelle series with Laura Gamser. After the Italian horror market dried up, D'Amato had a comeback with the softcore ELEVEN DAYS ELEVEN NIGHTS, which eventually led to the director doing porn titles. The director had previously mixed sex and horror in such titles as PORNO HOLOCAUST and EROTIC NIGHS OF THE LIVING DEAD but those films were a long way off from his later day porn.
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