Bumble Boogie (1948) Poster

(1948)

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8/10
The Dizzy Mega Corporation inexplicably attributes . . .
pixrox13 June 2022
Warning: Spoilers
. . . "The Flight of the Bumblebee," aka BUMBLE BOOGIE to some unknown bozo called "Freddy Martin." In reality, a Ukrainian named Nick Rim-Sky Chorus-Slav composed this piece in 1899 or 1900. Because one of Nick's ancestors from the 1600's seduced Russian Empress Catherine the Great, Nick's whole family spent centuries pretending to be Russian. That's why BUMBLE BOOGIE sounds so paranoid, as the KGB secret police forerunners hounded Nick throughout his career, giving rise to penal bars of music and threatening piano keys helping viewers to picture the fragile mental state induced by spending a significant amount of time in Russia. Doubtless Dizzy used "Freddy Martin" as a front for Nick, since crediting his actual identity surely would have caused ALL Dizzy products to be permanently black-listed.
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9/10
One of the best shorts that made up "Melody Time"
planktonrules2 February 2011
This is the second short that was used to make up the full-length film from Disney, "Melody Time". Following WWII, Disney Studio was a mess--a terrible strike and the war (where many of the workers were drafted and many more were assigned to wartime animation work) decimated the studio and many of the old animators were gone. As a result, Disney did not get back to making traditional animated feature films for several years. In the meantime, their 'full-length' films were really odd compilations of shorts--and of a rather lackluster quality compared to earlier and later work. "Make Mine Music", "Saludos Amigos", "The Adventures of Ichabod and Mr. Toad" and the like were the norm from 1946-1950 for Disney.

This is an extremely simple cartoon with VERY splashy animation. But, because of its creative style and great music, it still is a dandy little short. After all, what could be better than a boogie-woogie version of "Flight of the Bumblebee"?! It's hard to adequately describe the look of the short--it's just a very creative music video that you can't help but enjoy. And, as a result, it's one of the best shorts from "Melody Time". Adorable, well-animated and clever.
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9/10
Rimsky Korsakov jazzed up?
TheLittleSongbird27 February 2010
When I heard this featured "Flight of the Bumble Bee" by Nicolai Rimsky Korsakov but jazzed up I was intrigued. This sort of thing either works or it doesn't you see. Watching it for myself I was impressed, while a little too short and rushed it is very entertaining. The bumble bee is cute and endearing, the animation was very well done very colourful and bright and the jazz arrangement of the piece in question was actually quite clever.(I am not sure what Rimsky Korsakov would think of it though, he was always very particular when it came to orchestration).

Overall, despite its scant running time, this is quite impressive, better than I thought it would be. One of my personal favourites of the segments featured on "Melody Time" along with "Johnny Appleseed" and "Once Upon a Wintertime". 9/10 Bethany Cox
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5/10
Cute
utgard1413 November 2014
This cartoon was originally part of Melody Time, an animated anthology of musical cartoons made by Disney. It's a slight little number. It does have some very nice animation. It's my least favorite of all the cartoons from Melody Time, to be honest. It's cute, though. I do like it. It's basically a little animated music video with a bee being attacked by musical notes and stuff, all to the tune of a boogie-woogie version of "Flight of the Bumblebee." It's only a few minutes out of your life so really what's the harm in trying it out? If possible, I'd recommend watching it in Melody Time as you get to see many other musical cartoons as well.
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10/10
Big Trouble For A Little Bug
Ron Oliver24 September 2002
A Walt Disney Cartoon.

A hapless bee becomes a BUMBLE BOOGIE when it's caught in a bizarre world of Daliesque proportions.

Wild & wonderful, this little extract from MELODY TIME (1948) allowed the Disney animators free rein to go wherever their imaginations carried them. Very fast moving. The music is a swing version of "The Flight of the Bumblebee" by Nicolai Rimski-Korsakov.

Walt Disney (1901-1966) was always intrigued by drawings. As a lad in Marceline, Missouri, he sketched farm animals on scraps of paper; later, as an ambulance driver in France during the First World War, he drew figures on the sides of his vehicle. Back in Kansas City, along with artist Ub Iwerks, Walt developed a primitive animation studio that provided animated commercials and tiny cartoons for the local movie theaters. Always the innovator, his ALICE IN CARTOONLAND series broke ground in placing a live figure in a cartoon universe. Business reversals sent Disney & Iwerks to Hollywood in 1923, where Walt's older brother Roy became his lifelong business manager & counselor. When a mildly successful series with Oswald The Lucky Rabbit was snatched away by the distributor, the character of Mickey Mouse sprung into Walt's imagination, ensuring Disney's immortality. The happy arrival of sound technology made Mickey's screen debut, STEAMBOAT WILLIE (1928), a tremendous audience success with its use of synchronized music. The SILLY SYMPHONIES soon appeared, and Walt's growing crew of marvelously talented animators were quickly conquering new territory with full color, illusions of depth and radical advancements in personality development, an arena in which Walt's genius was unbeatable. Mickey's feisty, naughty behavior had captured millions of fans, but he was soon to be joined by other animated companions: temperamental Donald Duck, intellectually-challenged Goofy and energetic Pluto. All this was in preparation for Walt's grandest dream - feature length animated films. Against a blizzard of doomsayers, Walt persevered and over the next decades delighted children of all ages with the adventures of Snow White, Pinocchio, Bambi, Peter Pan and Mr. Toad. Walt never forgot that his fortunes were all started by a mouse, or that simplicity of message and lots of hard work always pay off.
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