Tête blonde (1950) Poster

(1950)

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6/10
idiosyncratic black comedy
myriamlenys3 February 2021
Warning: Spoilers
Only a few years have passed since the end of World War II and food is still scarce. All over France people are involved in some kind of smuggling, with packages of ham, sausages or butter appearing and disappearing in strange and manifold ways. One evening an ageing gentleman discovers an unattended package that looks - oh celestial delight ! - as though it might contain something tasty. He takes home the package and unwraps it in front of his unsuspecting wife. The contents, sadly enough, have very little to do with food, unless one happens to be a cannibal...

"Tête blonde" is a comedy about an older gentleman who commits a small theft and finds himself embroiled in a murder enquiry. It's a quirky black comedy with a very individual sense of humour. I watched it with a degree of pleasure but I would not call it entirely successful, since the idea of some poor young woman's corpse cut into pieces is not quite as funny as the various makers of the movie believed it to be. There are also a number of plot holes. For instance, at one point in the movie a plucky young woman discovers the identity of the real killer - but don't ask me how or based on what evidence. Millions of men all over France would have made equally plausible or implausible suspects.

The ending of the movie also seems to point at the birth of an unusually disquieting ménage-à-trois, although I may be too 21st-century cynical here.

Still, some of the scenes are pretty funny and some of the barbs land nicely in a deserving backside. People familiar with the workings of criminal law will recognize the kind of barrister involved : an expensive, diva-like egotist in love with his own eloquence, for whom the actual wishes or needs of the client are far less important than the marvellous tale he can spin in front of a spell-bound audience. Also enjoyable : the dance sequence with people trying to do the jive or the jitterbug, or the scene where our unfortunate protagonist meets with a self-declared expert on the faking of lunacy. I would not be surprised to discover that there still exist people trying out a few of the same general ideas...

So anyway, "Tête blonde" isn't too bad. However I would recommend the superior "Le mort en fuite", for a better screenplay and more frequent laughs.
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There may be trouble ahead...
kinsayder6 November 2010
Frédéric Truche, a respectable businessman, is on his way home one evening when he spots an unattended parcel on a luggage rack in the Métro. These days, the correct response would be to throw your hands in the air and run screaming in the opposite direction. But this is 1947 and there are food shortages, and M Truche, suspecting it to be a ham or a parcel of butter, slips it under his arm and takes it home to his wife. They unwrap it eagerly, only to find... something very nasty inside.

This might be the opening of a Fritz Lang noir; and the ensuing drama, in which M Truche finds himself sucked into a criminal process where no-one believes his innocence, could be the plot of a Hitchcock thriller. (In fact, it was - "The Wrong Man".) But "Tête blonde" is a comedy, and a fairly good one at that. The film's greatest asset is Jules Berry, an actor who excelled at playing screen villains but who could turn his hand to comedy with equal success. There's a lot of pleasure to be had here, watching the energetic Berry, in one of his last roles, trying to squirm and babble his way out of the Kafkaesque nightmare that seems to be leading inexorably to the guillotine.

Maurice Cam's direction of the comedy is unfortunately a little too heavy-handed, with a tendency to underline every quirky moment with jaunty music and wide-eyed close-ups. In the hands of a better director, this might have been something quite wonderful, rather than what it is: a pleasant black comedy and a showcase for Berry's comic skills.

Watch out for a strange cameo by Jean Tissier, a character actor who was exceptionally prolific around this time. Here, he plays a psychiatric patient giving Berry's character a lesson in faking insanity. It's hard to detect any real justification for this scene, other than the simple fun of seeing two great eccentric actors chewing the scenery together.
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