Aquarius returns to screens as a weekly series, and expanded from a 40 minute show to 52 minute episodes. This opening edition has features including a performance of Strindberg's "The Stronger" with Britt Ekland and Marianne Faithfull.
Featuring a look at the awards of the Montreux Festival, new sculpture by a 71-year-old artist, and a look at events in the arts, including the movements of Stockhausen. The show ends with a black-and-white talk from Jonathan Miller.
Humphrey Burton presents what he calls an "anti-interview", as conversation fragments from Shirley Maclaine are collected together. Also included is a 34 minute featurette about the lesser-known side of Brighton.
Humphrey Burton risks a live broadcast in Drury Lane as he introduces light-hearted features, including Eric Idle and John Cleese performing a skit about football, and an Alan Bennett impersonator talking about pornography.
Featuring a look at The Go-Between, the Grand Prix Winner at Cannes, including an interview with director Joseph Losey. There's also a look at the British Jousting Association, given a humorous spin thanks to commentary from Eric Idle.
An edition that Humphrey Burton describes as a "mixed bag", featuring everything from a new Pinter play to Liza Minelli and Cabaret. There's also time for sculpture in the studio, and country music from both sides of the Atlantic.
Disc Jockey Kenny Everett acts as an architecture correspondent, giving tours of his favourite - and least favourite - views in London. There's also a look at a Constable exhibition in the Tate Gallery, and music from Julian Bream.
With the UK looking more certain than ever to join the Common Market, the Aquarius team travel to Paris to explore the culture there. Guests include Claire Gallois, Wole Soyinka, Susan Hampshire and Michel Polac.
The main feature on this edition is "Pressure Cookie", a behind-the-scenes look at the workload tensions facing Adam Faith as he films his new series, "Budgie".
The third series ends with a look at Munich's preparations for the 1972 Olympics, and a preview of Ken Russell's "The Devils". The main feature is an interview with Georg Solti, standing down as Music Director of the Royal Opera House.