Although the title of this film refers to the daily life of a coal miner, it;s really just a framing device for a series of scenes depicting the various processes taking place at a typical colliery in the early 20th century. What's noticeable is the primitive working conditions - just look at that lift that transports the miners to and from the coal face - and the dour expressions on the faces of the miners, even as they queue to collect their wages in their misshapen jackets and patched up trousers. It's also surprising to see how many women were employed by the collieries.
What you think will be the final shot of the film is a mirror of its opening scene: the miner returning home to his waiting family after his day's work. But there's another scene after this titled 'a cosy fireside' and we see not the miner's family relaxing after their day's work, but an obviously wealthy family enjoying the warmth of a coal fire. Can't help thinking this was perhaps a jab in the ribs of the middle classes...
What you think will be the final shot of the film is a mirror of its opening scene: the miner returning home to his waiting family after his day's work. But there's another scene after this titled 'a cosy fireside' and we see not the miner's family relaxing after their day's work, but an obviously wealthy family enjoying the warmth of a coal fire. Can't help thinking this was perhaps a jab in the ribs of the middle classes...