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6/10
Slumming
boblipton1 July 2011
Warning: Spoilers
Some swells decide to go see the 'real' Paris and head off to a cellar to see life in the raw. It starts well when they get to see a real apache dance, with the fellow mauling his dance partner. Then comes a rival, and there is bloodshed: not only the jealous lover, but a flic who comes in to restore order winds up dead, and the rich folks flee to the safety of better behaved arrondisements, leaving the con artists -- none of whom are dead -- to divide up the rich goods they left behind in their haste.

This was a classic short con that was later used in longer movies -- it's one of the bits in Raymond Grffith's PATHS TO PARADISE -- but here in the short form, it is an amusing 'snapper' story of the O. Henry mode -- and the dance is a pretty good one.
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Tables Turned Over
Cineanalyst22 November 2020
Included under the "slumming" section of Edition Filmmuseum's two-disc set "Screening the Poor," "Seeing the Real Thing," otherwise known as "The Grand Duke's Tour," subverts the bourgeois gaze of the prior two films in the collection, especially "Two Violinists" (1911), which was also a mistaken-identity farce, but there it was about upper-class women slumming by busking. Here, the con is a gin cellar that attracts bon viveurs, who are led to believe they're watching a love triangle play out between apaches and a gigolette. After a bit of dancing, the situation quickly escalates into a shootout, including a supposed policeman. The bon viveurs flee the scene, although, importantly, not before settling their bill. Reflexively, like film itself, the spectacle was entirely an act, as the gin cellar's performers go back to taking a break, awaiting their next customer, or mark.

(From Cinémathèque Française 35mm nitrate print restoration)
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