User Reviews

I don't understand all of the negativity in the few reviews of this movie. I concur with the preceding review, i.e., the acting was iffy in parts, especially the supporting cast. However, I thought that it was, overall, a decent film and that it was worth watching. Mr. Grubbs' acting was very genuine and so was that of his on-screen wife.

While some of the supporting cast didn't measure up, none was particularly dreadful. The mother wasn't too believable, though.

I did think that the longshoreman who helped the protagonist was particularly good, and the twist with respect to the pregnancy added a very sad touch to an already sad movie. I'm glad that I did watch the movie.

Jack (Nathan Grubbs) is a blue-collar worker whose job is to steer a barge on the Mississippi River. He's also going through drug rehab. But weak character that he is, one thing leads to another, and he finds himself doing drugs again. This time, his life spirals downward, big time. He's down, in New Orleans. His addiction affects others in his social orbit, including a new wife, his brother, some friends, and assorted drug thugs.

As a result of less than top-notch acting and directing, the film has received terrible reviews elsewhere. But it is a low-budget, indie film. As such, its quality is neither better nor worse than many other low-budget indies. And it has received one film festival award.

My main complaint has less to do with the direction and acting than with the screen story. It lacks both thematic depth and originality. Jack is a jerk throughout most of the story. The screenwriter doesn't give us much reason to root for this guy. Further, Jack's problems are not that much different from the problems of countless others. Ergo, what's the point of the film?

Arguably, the best sequence is in the second half when Jack gets confined to a straitjacket, alone in a detox room. Here, Grubbs gives a credible performance. And although the overall quality of acting throughout most of the film is sub-par, Gabrielle Sfardini does a good job as the wife. The film's color cinematography is fine. And I liked the song played during the title sequence.

"Down In New Orleans" has the apparent distinction of being the last film made in pre-Katrina New Orleans. And I admit that was my motivation for watching the film, which contains some nice views of the city. It's sad to think that some of the neighborhoods shown may no longer exist.

For viewers interested in low-budget, indie films, this one is not as bad as its reputation would lead one to believe. On the other hand, if you're looking for cinematic perfection, you had best look elsewhere.

I'm afraid I can't really understand the way in which this indie film has been slammed in some quarters. Admittedly some of the acting is a bit patchy, but the unknown leads Nathan Grubbs, particularly, and Gabriella Sfardini give quite excellent performances especially in the intense, dramatic scenes. The story does move slowly in the first half of the movie, but long before the end it proves to be a powerful indictment against drug addiction, and the scene with the straight-jacketed Grubbs in the semi-padded room is both poignant and powerful. The street and river scenes of New Orleans, before the the dreadful devastation of Hurricane Katrina, lend great authenticity to the proceedings. In fact, this is a gripping and absorbing movie which is undoubtedly very underrated.