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9/10
Bar none, the most fun episode I've seen to date, and I've seen almost all of them!
imdb-252882 April 2023
What a joy this episode was! The humor is dialed up at a max, and it's very well played, courtesy of writers, Ricardo's portrayal of Mr. Roarke (and let's face it: it's truly the only reason I keep watching, in spite of mediocre fantasies) and, surprisingly, Roddy McDowall too, whom I tend to dislike because he is such a ham who tends to hog the spotlight. But not here: both actors played very well off each other, and they were a joy to watch in their tour de force denouement.

At first, I thought they were going to try to cram too much in it, but they did it just right. Perfect balance of all 3 stories. I wasn't sure which one I was going to like best. I was disappointed when I saw the addition of Julie (I've watched the last 2 seasons first on GET TV, so... I know!) but her acting in rather on par here. (She was awful in her "country western" episode of several "weeks" prior!) So I was really surprised but I guess it's because her character goes thru a whole range of emotions, so she didn't have to wonder about character motivation.

The less interesting story, for me, was the Ziegfeld showgirls (even though earlier this week, I watched parts of a 3 hr movie about Flo, starring William Powell, and the week prior I caught a couple of actual musicals by him). Still: I can't stand Barbi Benton in the least and Audrey Landers "deer in the headlights" stare grates on my nerves. However, I was surprised that Barbi nailed the "old woman voice" and she was passable here, Audrey's character was rather insufferable. No surprise here: it's now playing on GET TV and they cut their entire storyline, LOL! (Without this one, I might have given it a 10!)

Finally, we have a cool "Vasquez Rocks" Western, and the story is quite amusing as well. None of the actors in either story plays it for laughs, and that's the cool part: they all play it very straight and that's what's incredibly funny about it. Jack Elam is just a delight in it and quite funny and kooky throughout. The guy having the fantasy (Ned Plummer? I think...) is pretty good too. When I saw him climb the stairs as his fantasy was ending, I knew exactly what was gonna happen. And I was right!

I'd like to here point out what an incredibly talented actor Herve Villechaize was! I know he gets a lot of hate in these here pages, because he has a quadruple whammy against him and someone will dislike him for either one or all 4! (His pronounced French accent; his character being a somewhat arrogant womanizer; and, let face him, some have a problem with his dwarfism and/or his Filipino looks. Plus add his private life to the equation, and some people will get caught in a tangled web of prejudice where they can't see the man and his talent. Their loss! All this to say: he brought a lot of humor to his part and he was a delight to watch. (I think it's a pity they didn't get his salary demands met, because he surely deserved them!)

Few more details: there is a woman photographer taking herself for Mae West and I found her aggravating. Watch for the gorgeous Hawaiian girl in the quicksand, she's a beauty! Oh and how could I forget Cameron Mitchell!? I quite liked him here. Is he good? Is he bad? He neither plays good nor bad... or does he play both? A recurring actor in this show, and one of the better ones, plus he always seems to be changing his look. He's quite handsome here.

Highlights of the show: all the humor; the face off between Roarke and Roddy (yeah, I'm watching Roarke the character but seeing Roddy the ham!) and, of course, Tattoo's mischief throughout his Western scenes.

I strongly suggest you catch this episode on Tubi, as I just did, or on DVD, to watch the complete episode. Though you're not missing much minus Barbi and Landers, a few scenes have been cut from the other stories as well. A solid 9/10, this episode makes watching the duds very well worth it to find the few gems like this. (And there are others!) And now I have one more thing to do, and that is to look up the names of the writers, because they wrote 2 solid storylines here, and wishing they'd written more. (I suspect they might have written the other little gems like this.) Don't miss this one, fans, it's well worth your time.
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Do we really need Julie?
stones786 November 2014
This is one of the first of many episodes starring Wendy Schaal as Julie, who's basically a female Tattoo, and all dressed in white. I'm not sure if it was for ratings or not, but I don't think she was needed, unless Tattoo was being phased out. Schaal certainly wasn't bad in her role, but I feel it's too many cooks in the kitchen type of deal. Anyway, the most interesting aspect is the last appearance of Mephistopheles, played brilliantly by Roddy McDowell again, as he attempts to take over Mr. Rourke's soul. A year earlier in 1980, McDowell starred as the same character, but was thwarted by Rourke in what I think was the better segment, although this was still a solid story too; an odd coincidence has Arte Johnson starring in the other fantasies of both episodes. I'll get to Johnson's segment in a minute, but regarding the "Devil", I thought the claiming of souls got a bit confusing, and he should've known that Rourke would foil him again. I did like how he possessed Julie though, and how he exits the island and warning of his return, although it never happened again. The other weaker story stars Johnson, Jack Elam, and Cameron Mitchell, in a segment revolving around a shoe salesman(Johnson)wanting to meet a famous outlaw, and this is where Tattoo makes a small appearance, although their becoming less and less as the show ages.
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6/10
Hints of a bygone era
harptapestry11 April 2021
Warning: Spoilers
Since the other two storylines of this episode have already been reviewed here, I will focus on the third one. This storyline centers around two elderly women who wish to experience their youth again. Joan and Ruby are lifelong friends in their sunset years who, decades ago, performed as regulars on stage with the Ziegfield Follies. The two friends' fantasy is to become young again and revisit their glory days on stage by taking part in the Fantasy Island Follies Revival. This episode does not specifically involve the ladies traveling back in time (as do many other history-related fantasies in this intriguing series). However, Rourke and his magic manage to evoke a sense of the period (the early '20s) to which he "takes" them back, and we see the women in the present as they were during their Follies years, complete with decadent constumes. With their unique insight into the quality of the Ziegfield Follies, Joan and Ruby coach the revival show dancers and model "how it was done back then." The presence of Joan's granddaughter as a performer in the revival gives rise to a brief but poignant subplot which reveals some muddy waters in the older women's longstanding friendship. Ruby, in the "young" version of herself, literally flirts with possibilities with the show's director even though he is already in a relationship with Joan's granddaughter. This conflict points up the similar experience Joan went through with Ruby back in their show business days, and she (rather aggressively) challenges Ruby to yield. This challenge (or more accurately, a threat) seems to come not only from Joan's protectiveness towards her granddaughter, but from love for Ruby herself, and the strength of the women's friendship is revealed as Ruby finally agrees to "let the other woman win this time." This episode will appeal to those who appreciate seeing how a strong friendship can take a hit and still ultimately thrive through love, forgiveness and humility. It will also tease the fancies of those who would welcome a peak at the elaborate stage shows of a bygone era, just about a century ago.
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6/10
Only the Devil Can Break Off a Branch
QContinuum17820 September 2021
Warning: Spoilers
Barbi Benton in her upteenth appearance dressed, once again, as an old lady. This time, she and her best friend, Audrey Landers, of the ubiquitous Landers' sisters that appeared all over the television screen during the '80s, want to revisit their years in the Ziegfeld Follies. Roarke gives them the requisite youth potion and, off they go, to the Fantasy Island Follies rehearsals where they remember a great deal about how legendary Florenz Ziegfeld worked his magic, but less about the big fight over how Audrey stole Barbi's boyfriend back in the day.

Will history repeat itself in this trite and, rather silly, fantasy segment. Roarke is nowhere to be seen giving advice to the gals as he would typically do because he has his hands full. We'll get to that in a moment.

Arte Johnson returns to the island, this time playing a fan of the Wild West outlaw Kid Corey. Johnson has romanticized the Kid, despite admitting that he killed 27 men, not including foreigners. Roarke gives him a lesson in reality as Arte finds himself in real danger which one would think would be self-evident when one wants to go back in time and meet a dangerous outlaw. Fortunately, Tattoo is up to the challenge of hanging around and finally pulling the rope, literally, that saves Arte from the noose at the end.

Barbie & Audrey are on their own and Arte is stuck with Tattoo because Roarke is stunned to recognize Roddy McDowell in his fourth appearance on the island. Unlike the first two appearances, in which he played your standard Fantasy Island characters, this time, he reprises his role as the Devil. One wonders just how much Roarke can predict or control about who sets foot or what happens on his island

That is somewhat relevant as, if he is in total control, he used his god-daughter as a lure to defeat Satan again; hardly an ethical act. If not, he shows remarkable foolishness taking Julie - in only her second episode - with him to confront McDowell at a relatively-tame devilish party he's throwing. As a consequence, McDowell sets his sights on her as a possible way to trap Roarke. Sure enough, within about 60 seconds of encountering Julie in the jungle, McDowell causes a native islander to fall into quicksand. Julie makes only a cursory attempt to rescue the poor girl, without trying to break off a branch herself or even walk around to get closer to her friend, before asking McDowell to help her which he does by causing a branch to fall from a tree. The end. To his credit, Roarke figures out pretty quickly that his god-daughter is in hock to the Devil, but one would have thought he would have taken her aside sooner and explained very clearly the dangers of doing business with Old Scratch. Once again, nit-picking the contracts saves the day.

An earlier reviewer wondered if Julie was added as a possible replacement for Tattoo and it certainly seems like it here. Relegated to babysitting Arte Johnson, Tattoo is nowhere near the action where he might have been more effective or, at least, less naive, ally of Roarke's. At least, he could have been counted on to kick McDowell in the kneecap once or twice.
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