An itinerate faith healer named Bohannan arrives in Dodge City and meets residents Lydia Walden and her son Heck. Heck suffers from a likely-terminal, hereditary, degenerative bone disease -- the same illness that claimed his father's life seven years earlier. When Lydia sees Bohannan "heal" Nathan Burke's injured arm, she quickly develops some measure of hope for Heck.
Bohannan takes a special interest in Heck's case, and genuinely wants to help the boy. To say Doc Adams is skeptical is an understatement. Doc understandably thinks Bohannan is a con man out to give people false hope in exchange for whatever money they give, but as the situation further develops, he begins to rethink his position.
Talented actor Richard Kiley appeared in four different Gunsmoke episodes, and he always provided an outstanding performance. Including his part as Bohannan in this story. Linda Marsh returns to Gunsmoke for the second and final time. She had previously appeared in Season 17's "Hildago" story. In this episode, she portrays Lydia Walden. Vincent Van Patten makes his first Gunsmoke appearance in this story as the Heck Walden character. Van Patten would appear once more in a Season 19 episode of the series.
Actress Helen Kleeb plays Dorcas Wentzel, one of Bohannan's healing triumphs, in her final Gunsmoke appearance. She had appeared in three earlier episodes. Kleeb was best known for her role as Mamie Baldwin, one of the two moonshine making Baldwin sisters, on The Waltons.
Since Season 18 began with the two-part The River story that only featured the Matt Dillon character from the regular cast, this is the first episode of the season set within Dodge City. Most of the regular cast, with the notable exception of the Newly O'Brien character, at least makes an appearance, although Milburn Stone's Doc Adams is the only character integral to the story.
This is an intriguing story that addresses the power of faith and hope when dealing with pain, illness, and disease. The theological implications do not bear scrutiny, but that is clearly not the point to the story. One of the keys to this story is that there is integrity in Bohannan's efforts. There is a definite "the ends justifies the means" element to the proceedings -- whether that is a good thing must be decided by the viewer.
Viewers looking for something different than the more traditional bad guys versus good guys story should be pleased with this entry in the series. Kudos are warranted to writer William Kelley, director Alf Kjellin, and the producers for taking an unexpected approach with this material.
Bohannan takes a special interest in Heck's case, and genuinely wants to help the boy. To say Doc Adams is skeptical is an understatement. Doc understandably thinks Bohannan is a con man out to give people false hope in exchange for whatever money they give, but as the situation further develops, he begins to rethink his position.
Talented actor Richard Kiley appeared in four different Gunsmoke episodes, and he always provided an outstanding performance. Including his part as Bohannan in this story. Linda Marsh returns to Gunsmoke for the second and final time. She had previously appeared in Season 17's "Hildago" story. In this episode, she portrays Lydia Walden. Vincent Van Patten makes his first Gunsmoke appearance in this story as the Heck Walden character. Van Patten would appear once more in a Season 19 episode of the series.
Actress Helen Kleeb plays Dorcas Wentzel, one of Bohannan's healing triumphs, in her final Gunsmoke appearance. She had appeared in three earlier episodes. Kleeb was best known for her role as Mamie Baldwin, one of the two moonshine making Baldwin sisters, on The Waltons.
Since Season 18 began with the two-part The River story that only featured the Matt Dillon character from the regular cast, this is the first episode of the season set within Dodge City. Most of the regular cast, with the notable exception of the Newly O'Brien character, at least makes an appearance, although Milburn Stone's Doc Adams is the only character integral to the story.
This is an intriguing story that addresses the power of faith and hope when dealing with pain, illness, and disease. The theological implications do not bear scrutiny, but that is clearly not the point to the story. One of the keys to this story is that there is integrity in Bohannan's efforts. There is a definite "the ends justifies the means" element to the proceedings -- whether that is a good thing must be decided by the viewer.
Viewers looking for something different than the more traditional bad guys versus good guys story should be pleased with this entry in the series. Kudos are warranted to writer William Kelley, director Alf Kjellin, and the producers for taking an unexpected approach with this material.