This appears to be the lowest-rated episode of the series but for me it is the best and cleverest.
The low-ratings from many viewers are probably because this is the most untypical episode and rather than being drama with a fair sprinkling of humour from King via his witty lines and observations this is essentially a satire on TV commissioning. King is considering selling TV series rights to his Mark Caine character to an American TV producer. While King wants to maintain some artistic standards the producer is obsessed simply with ratings and wants to dictate the format of the show and the story that he outlines. Any attempt at characterisation and fleshing-out the tale is rejected by the philistine producer who simply wants action and the use of every screen cliche. Of course it may be argued that all these criticisms are true of so many shows on TV including the actual Jason King series that aired. It that sense the episode may be seen as self-referential or even a send-up and that may be too much for some viewers but for me it was a great commentary on TV and film production.
There is actually a story that appears in between King's arguments with the producer and in other circumstances it could very well have been developed into a full episode. That story is pretty well done but it's the satire that really sticks in the memory (for good or bad depending on the viewer's perspective).
While Wyngarde is undoubtedly in great form here and always the central reason for the show's appeal honourable mention should also go in this episode to David Bauer as the pill-popping, stress-laden producer.
The low-ratings from many viewers are probably because this is the most untypical episode and rather than being drama with a fair sprinkling of humour from King via his witty lines and observations this is essentially a satire on TV commissioning. King is considering selling TV series rights to his Mark Caine character to an American TV producer. While King wants to maintain some artistic standards the producer is obsessed simply with ratings and wants to dictate the format of the show and the story that he outlines. Any attempt at characterisation and fleshing-out the tale is rejected by the philistine producer who simply wants action and the use of every screen cliche. Of course it may be argued that all these criticisms are true of so many shows on TV including the actual Jason King series that aired. It that sense the episode may be seen as self-referential or even a send-up and that may be too much for some viewers but for me it was a great commentary on TV and film production.
There is actually a story that appears in between King's arguments with the producer and in other circumstances it could very well have been developed into a full episode. That story is pretty well done but it's the satire that really sticks in the memory (for good or bad depending on the viewer's perspective).
While Wyngarde is undoubtedly in great form here and always the central reason for the show's appeal honourable mention should also go in this episode to David Bauer as the pill-popping, stress-laden producer.