"Kraft Suspense Theatre" Their Own Executioners (TV Episode 1964) Poster

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7/10
Life: It's a wonderful choice
sol-kay21 November 2011
Warning: Spoilers
***SPOILERS*** A bit shocking even now the 1964 "Kraft Suspense Theater" episode of murder and brainwashing touches a number of issues that never saw the light of day back then. Defense attorney Joe Monti, Herschel "The Bird" Bernardi, who's dying from leukemia is given the task of trying to get wife killer Martin Rosetti,Dean Stockwell, to withdraw his signed confession or else he'll end up losing his life by being strapped into the state's electric chair. What we soon find out is that Martin was brainwashed over the years by his now widowed mom Mrs. Lina Rosetti, Lilia Skala, to hate women like his wife Gladys who are loose around the edges by fooling around and drink, that's alcoholic beverages, too much.

As it soon comes out Joe back in his high school days had a hot and heavy romance with Lina while the two were in their teens and still unmarried! It's up to Joe to convince Martin that what his wife did to him, as despicable as it was, wasn't worth him taking her life and leaving his five year old son Danny, Danny Kulick,by getting himself executed an orphan. Trying to get Lina's permission to tell her son the truth about her and the affair she had with him has her throw a fit that leaves Joe understandably a bit confused. Lina won't let Joe tell Martin about her affair with him even if it ends up costing her son's life! In him realizing that what Gladys did wasn't as evil and worth taking her life as his righteous and beyond reproach mother made it out to be!

***SPOILERS*** It was a very hard thing for Joe to do after promising Lina he would keep his affair with her secret from Martin but in the end he had to do it in order to save Martin's life regardless what the truth would end up doing to him. Martin did a terrible thing in murdering Gladys but as Joe pointed out to him her "crime" wasn't any worse that what his mom committed some 30 years ago. In fact it was the guilt of what she did that got Lina to developer such a hatred of women more or less like herself that she,in brainwashing him, drove her son Martin not only to murder but even to willingly get himself executed for it. When in fact, due to the extenuating circumstances of the case, he didn't have to!
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7/10
Getting the point
dlowellbeaty29 July 2021
Warning: Spoilers
After watching several of these just recently I gather that there is a hint of "Twilight Zone" or "Hitchcock" style in that the plots are a bit of a stretch from reality. Either the writers had to know that there were inconsistencies or that there was not enough time of make everything fit.

It was not about a killer getting away with murder, but the actual value of life itself, whether one is in prison or has a deadly disease. I expect someone involved in the writing had first hand experience with someone facing immanent death and choosing whether or not to cling to what ever measure of life was left for them.
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5/10
Odd story with even stranger casting
Martinjsxx5 April 2023
A widowed lawyer played by Herschel Bernardi is diagnosed with terminal cancer and is asked by a former lover from his youth to represent her son who kicked his wife to death. The son has confessed and wants to die. The lawyer tries to get him to say it wasn't premeditated so he can serve a short prison sentence. The plot takes a great leap of faith to suggest if the killer only says the murder wasn't planned that he will get off lightly. It is doubtful that defense was ever effective in real life.

The drama also suffers from poor casting. The lawyer is played by an actor who is five years younger than the actress playing his daughter, and his lover from his youth is played by an actress 27 years older than him and the age differences are noticeable. It seems like they figured that because Herschel Bernardi was bald no one would notice the inappropriate ages of the characters playing his daughter and former lover. If the lawyer was with this woman when he was 18 she would have been 45. That is theoretically possible but there is no way he could have a daughter five years younger than him.

Just a strange episode.
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2/10
Sympathy for the devil...
planktonrules14 October 2015
Warning: Spoilers
This show is often illogical and the audience is expected to care about someone who isn't particularly likable.

It begins with Martin Rosetti (Dean Stockwell) confessing to the police that he murdered his wife--kicking her to death. Not only that, he tells them that it was premeditated and he wants to be executed. A family friend and lawyer, Joe (Hershel Bernardi) comes to his defense--insisting that Martin is a nice boy and there MUST be a reason for the crime....and that if he just admits that the killing was spur of the moment, he can get the guy 2 or perhaps 3 years in prison. This made no sense because promising such a ridiculously light sentence and without knowing the details was illogical. Through most of the rest of the show, Joe and Martin argue back and forth until eventually we learn that Martin hated his mother and took his rage out on his wife...and the wife deserved it!! Huh?! And, in the closing scene, we have a priest spouting some of the most ridiculous and clichéd dialog I've heard in my life.

The bottom line is that this show was badly written AND was the epitome of a program that is soaked in pop psychology and lenient (to a ridiculous extreme) attitudes towards murder. Why did they make this?! Possibly the worst show in the entire run of "Kraft Suspense Theatre".
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Appalling! ! ( * spoilers * )
rfeinberg-214 December 2009
A dying attorney defends a young man (a family friend) who kicked his wife to death. He wants to prove that it wasn't premeditated (as stated in the confession), that rather it's what is euphemistically called "an act of passion." This is a thoroughly appalling screenplay. There's no justification for the attorney's faith (even though his instincts are proved to be correct). He was gentle with his son, therefore he couldn't be a coldblooded wife killer? This script is like something from the Dark Ages. He keeps encouraging the killer to not give up, "I can have the charge reduced, you'll do 2 or 3 years, don't you believe that somewhere out there is another girl for you?" Yes! Put this guy back on the streets, he can find a new love, maybe Herschel Bernardi's character can give the bride away...how romantic! What a lucky girl she'll be! Just hope the Stockwell character's mommy issues don't resurface...and hope the woman never oversteps the line into what hubby considers to be trampish behavior...or is the script telling us that all women who are less than perfect mothers and who cheat on their psychopathic husbands deserve to die?
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9/10
Golden-Age TV
gallitino6 January 2010
A great example of the tail-end of the golden age of television. Terrific writing and acting and character development and storytelling that is more on par with feature film than TV, especially what passes for TV nowadays. If you're a fan of Roy Huggins and Alfred Hitchcock you'll love it. If you lament the demise of shows such as Route 66 and The Naked City you'll love it. If you're Catholic you'll love it. If you think we should remove "In God We Trust" from our money, if you are a man with highlights in your hair, if you think children shouldn't be allowed to pledge their allegiance to the U.S. during school, and, possibly, if you have never operated a phone with a rotary dial you'll likely not understand this film at all. In that case I suggest you change the channel to a reality show, pop some microwave popcorn, and play with your ferret.
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