"McCloud" Who Says You Can't Make Friends in New York City? (TV Episode 1970) Poster

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6/10
Pieces of work
bkoganbing4 August 2015
Most New Yorkers that I know including me when I lived there would have known what elevator operator Johnny Silver was talking about when he tells Dennis Weaver don't get involved. He was quite right, you never know who's in the right and you interfere and both sides will hate you. That part about which side being right, I've seen bad interference make a situation worse because you don't know who is in the right.

But when Marj Dusay screams McCloud comes running from his hotel room across the hall and finds her with Carl Betz. Afterward Dusay seeks out McCloud's help, but then he's attacked by a professional hit man and Dusay disappears.

I can't go much beyond this except that both Dusay and Betz are pieces of work. But one of them winds up dead and the other is responsible. And the other nearly does in the visiting marshal.

The suspense is well done in this McCloud story.
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9/10
Missing credit
delecteng22 September 2020
Warning: Spoilers
Actor Alfred Ryder missing from the credits! Otherwise top notched show!!
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5/10
good episode
trashgang27 September 2012
When I looked at my DVD I didn't find the particular title that was stated here on IMDb. A bit confused I searched for the storyline about an arrogant Broadway producer so I came across Manhattan Manhunt. It looked like the same story but strangely when the episode started it was also titled Manhattan Manhunt. Again, IMDb said it was just one hour long, but on my DVD (region 2) it took 72 minutes to watch. But when I watched it I also recognised the story about McCloud and a gunman. So here we have it, Manhattan Manhunt is a compilation of Who Says You Can't Make Friends in New York City? and The Stage Is All the World.

The story, as for many McCloud episodes, is rather simple and doesn't have a lot of shootings or pursuits. Still, this episode was watchable but coming from the early seventies couldn't stand the time but being that old it is watchable just to see Time Square back then or here a party going on with some kind of hippies. That part is heavily edited but it worked out fine.

All acting was believable but you could fall over the thing that McCloud is new in the city but always finds his way through New York.

Horse Stealing on Fifth Avenue is never used on region 2 DVD's, the only thing they used from it is here to see, the horseback chase used in all subsequent episode titles.

Gore 0/5 Nudity 0/5 Effects 0/5 Story 3/5 Comedy 0/5
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3/10
Amazingly complex and illogical.
planktonrules29 January 2020
"Who Says You Can't Make Friends in New York City?" is a very strange choice for a premier episode of the new series, "McCloud". First, you'd think that it would be set in New York...though a major portion of the episode takes place in Paris. Second, and more importantly, there are just so many plot holes and problems that it's an extremely weak episode.

When the show begins, Diana Muldaur delivers a prologue which pretty much contradicts everything in the pilot movie. Why? I have no idea as she was in both films and it made no sense to change the other facts around.

McCloud is relaxing in his hotel room when he's interrupted several times by an arguing couple in another room. He goes to investigate and sees a woman and man in the room...and they promise to keep the noise down. On his way out, McCloud tells her to be sure to call if she needs help. Soon after she calls and sends him on an errand. Once there, a hitman tries to kill him. McCloud returns fire...killing the man. Inexplicably, the NYPD seems angry at him...and the Chief (J.D. Cannon) tells him he must leave New York and return to New Mexico in the morning.

Once aboard the plane, McCloud is summoned off it for a phone call. It's the Chief telling him to meet him. It turns out to be a trap and soon both the Chief and McCloud are being held prisoner. McCloud is told to accompany one of them to Paris to deliver a briefcase. And, if he doesn't, the Chief will be killed. Oddly, McCloud tells no one about this and heads to Paris with the guy. Eventually, he and the French authorities are able to capture the guy and the money in the briefcase.

McCloud returns to New York and decides that the case isn't over. What happened to that woman from the beginning of the story? About that, you'll need to find out for yourself.

So much about this one is overly complicated and hard to believe. Again and again, I kept thinking that this scene or that scene made little sense. Plus the whole notion of traveling to Paris and freeing the Chief seemed incredibly far-fetched. But it didn't stop there...so much of it left me wondering why they crammed so much into the episode and why so much of it was strange and hard to believe.

I'd never watched "McCloud" until tonight...and I've so far seen the pilot more and this first episode. I have not been impressed and unless things improve significantly, I'm going to stop with season one.
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5/10
"DON'T try to leave town!"
profh-125 July 2023
Warning: Spoilers
Marshal Sam McCloud is settling in to his new assignment in NYC, and goes horse-riding in Central Park on his day off, when he's interrupted by a message from The Commissioner's niece... his high-class girlfriend Chris. Following a terrific day together, she gives him advice not to "get involved" when neighbors in his hotel are fighting. But that's not his style. After breaking up a lovers' spat, the following night he gets a call he believes is from the woman next door begging for his help, which leads him to a dark alley, where a professional hit man tries to take him out. Where did THAT come from?

At one point, to avoid bringing scandal on his department, Chief Clifford manages to secure Sam something he's wanted since he got to town-- permission to go home. Joe Broadhurst gets the job of making SURE McCloud gets on the plane, and once he does, you can see Joe will miss his new friend. But Sam gets off the plane and refuses to leave town until he knows the woman he met is okay. This seemingly-simple story gets more complicated than expected, when it turns out the man he met earlier is a political hopeful who was cheating on his wife. It just gets darker and nastier after that.

Following the (frankly, AWFUL) pilot, Leslie Stevens moved up to executive producer, and hired Glen A. Larson and Bill Egan as producer & associate. What can I say? The quality across the board JUMPED UP drastically. I think it's safe to say Larson "saved" the show from an early demise. As producer or writer, over 7 seasons, he became one of my top favorite people to ever work in television.

Carl Betz is "Aldon F. Flanders", whose rising political star is tied in with his new father-in-law, who he once helped avoid getting convicted when Flanders worked in the DA's office. With a long resume, Betz is probably most known for 50 episodes of JUDD FOR THE DEFENSE, and 272 episodes of THE DONNA REED SHOW! Oddly enough, I think this episode may be the only thing I really remember him for.

Randolph Mantooth has a tiny cameo as a hospital intern, 2 years before achieving fame on EMERGENCY.

Terry Carter & Diana Muldaur both return from the pilot as Joe Broadhurst & Chris Caughlin, he even more friendly to Sam than before, she looking somehow WAY prettier than she did when she first met Sam.

J. D. Cannon makes his debut here as "Chief of Detectives Peter B. Clifford", and from his very first scene, he totally blows his predecessor Mark Richman out of the water! He's got so much more personality, charisma and style, and back in 1971 he quickly became one of my favorite characters on TV. Clifford's relationship with McCloud is a complex one, always ranging from admiration to annoyance (often at the same time). In this story, he goes from wanting to help McCloud go back home, then annoyed when he hasn't, then working tight with him to try and nail a MURDERER. At the end, when he informs McCloud that now he has to stick around as a material witness, he comically warns him, "Whatever you do... DON'T try to leave town!" --and then SMILES.

Thanks to the sheer, unbridled incompetence of Universal Pictures, the 6 first-season episodes of McCLOUD that were run as the initial part of the FOUR-IN-ONE anthology in 1970-71 were BUTCHERED and turned into a trio of incoherent, UNWATCHABLE tv-movies for syndication. And they LOST the originals! This was a crime asgainst TV, and McCLOUD wasn't the only show they did this with. Some years back I learned the only place one could get copies from was Australia, but as they use the PAL system rather than NTSC, that means DVDs from there would be running in America at the WRONG speed! I don't know where VEI (Visual Entertainment Incorporated) found these 6 episodes, but I'm SO glad they did! The prints have some slight damage here and there, but remain very watchable, and are a welcome relief after decades of having nothing but those awful, ghastly re-edited butcher-jobs.

Something tells me VEI was waiting to put their box set out until they could get ahold of copies of these 6 one-hour episodes, and may have almost put the box out without them. The 2 discs are in a sleeve that separate from the rest of the set (which are bound together), and they're listed on the box as a "BONUS", like they were a last-minute addition. Oddly enough, while the entire box has the episodes in the correct order, the 2 FOUR IN ONE discs are slightly out-of-order. (Not too much of a problem when they're DVDs.) Also odd is the menu on these discs features the theme song from seasons 4-7, instead of the original theme used in the pilot and seasons 1-2.

When I got the 2021 box, I checked out the first few minutes of one of these episodes, just to see how the picture quality was. I was almost brought to TEARS. I haven't seen these episodes INTACT in 52 YEARS!!!
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